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A Murder of Vampires (Read 2909 times)
Bev Vincent
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Re: A Murder of Vampires
Reply #15 - Aug 11th, 2010 at 9:27am
 
I spoke with Derek Clendening about Evolve while in Brighton earlier this year for World Horror. This is the article that came out of his interviews: The Evolution of the Modern Vampire: A Roundtable Discussion
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Bev Vincent
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Re: A Murder of Vampires
Reply #16 - Sep 9th, 2010 at 3:04pm
 
Barnes and Noble bookclub review: "one of the year’s most anticipated anthologies"
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Bev Vincent
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Re: A Murder of Vampires
Reply #17 - Sep 18th, 2010 at 11:45am
 
A nice, thorough and thoughtful review:

Quote:
A Murder of Vampires reads like a classic crime story, perhaps even as an episode of Law and Order or Criminal Minds, but with vampires. The plot is simple enough to summarize in one sentence. Detective Vic Newman investigates a string of vampire murders. Classic elements are brought to the table such as the late night call to duty, questioning of quite uncooperative witnesses, help from a femme fatale [in this case a vampire vixen] and a gun fight as an ending scene. It's pretty straightforward, but it never sounds cliched.

The reason for this is the vampire element. Vincent explores vampires from a social angle, the interactions between minority and majority through the different species, but having the roles switched. After a signed pact with the government vampires have become law-abiding citizens, who keep to themselves and restrain from killing humans. What's more interesting here is that the key divider, sunlight, is removed. Vampires are light sensitive, but won't combust. This doesn't leave much to distinguish both species apart from the diet [although the longevity is not discussed].

Vampires become more human, while humans become more demonic. This complete role reversal, the taming of the vampire is certainly an interesting evolution that fits the theme of the anthology. Areas with vampires are depopulated. Law enforcement does not patrol them and does not express empathy to crimes committed against vampires. It's a classic case of racial discrimination with a very unusual spin to it, subtly reminding us we still have this problem. The story also carries the message that not only the beast can be monstrous, but the victim as well.
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« Last Edit: Sep 18th, 2010 at 11:45am by Bev Vincent »  
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Bev Vincent
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Re: A Murder of Vampires
Reply #18 - Oct 6th, 2010 at 12:43pm
 
CBC Quill & Quire review


Quote:
With stories from genre veterans Kelley Armstrong and Tanya Huff, as well as a slew of newcomers, Evolve: Vampire Stories of the New Undead is a worthy anthology for vampire lovers. Nancy Kilpatrick is no stranger to editing horror and dark fantasy anthologies - in fact, seven of the stories from Evolve were originally slated for an earlier anthology she edited, but were put aside specifically for this collection.

"I wanted to help [these writers] pave the way to the New Vampire because I felt certain that the vampire is, once again, evolving," says Kilpatrick in the introduction, which gives a brief overview of vampire mythology from Bram Stoker's Dracula to Stephenie Meyer's Twilight saga.

It's difficult to say whether these 23 stories (and one poem) are truly breaking ground, although several stories feature vampires who have integrated into the population - running for public office, dealing with neighbourhood violence, and even appearing on Oprah to decry the "victimization of a misunderstood minority." Much in the way that Charlaine Harris's novels use the victimization of vampires as a stand-in for gay rights, Rebecca Bradley's "The New Forty" and Bev Vincent's "A Murder of Vampires" are well told, entertaining allegories.

However, not all the stories inspire sympathy for these creatures - this is still the horror genre, after all, and this book reminds us that not all vampires are sparkling heartthrobs. Colleen Anderson takes this to an uncomfortable extreme in "An Ember Amongst the Fallen," a violently sexual tale about a clan that confines human beings like cattle.

There are some hits and misses throughout, but Evolve comes to a strong conclusion with Tanya Huff's  "Quid Pro Quo," which features familiar characters for those who have read her Toronto-set Blood Books series. With such a wide range of concepts, Kilpatrick's vision for the new undead just goes to prove that vampire mythology, no matter how old, is always evolving.

Laura Godfrey

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Bev Vincent
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Re: A Murder of Vampires
Reply #19 - Oct 12th, 2010 at 5:15am
 
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Bev Vincent
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Re: A Murder of Vampires
Reply #20 - Oct 12th, 2010 at 1:15pm
 
Join Nancy Kilpatrick, and authors from EVOLVE:Vampire Stories of the New Undead, tomorrow on the Bitten by Books online launch event from noon central on Wednesday, through to noon central on Thursday. Post your question for an author to answer, and pick up a copy of EVOLVE on the Amazon.com link tomorrow...(no purchase is necessary to participate...)

www.bittenbybooks.com
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Re: A Murder of Vampires
Reply #21 - Oct 12th, 2010 at 2:38pm
 
RSVP and get extra entries in their drawing:

http://bittenbybooks.com/?p=31780
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Bev Vincent
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Re: A Murder of Vampires
Reply #22 - Oct 27th, 2010 at 5:29am
 
Quote:
Bev Vincent mixes the vampire genre with the crime story in “A Murder of Vampires,” a moody piece that starts off with the gruesome death of a vampire wannabe — a killing by stake that mirrors five previous murders of actual vampires. The story starts on that interesting twist and is a fun ride all the way to the end.


Dark Scribe Magazine review of Evolve
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Re: A Murder of Vampires
Reply #23 - Mar 11th, 2011 at 12:49pm
 
Honorable mention in Ellen Datlow's Best Horror of the Year:

Vincent, Bev “A Murder of Vampires,” eVolVe
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Bev Vincent
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Re: A Murder of Vampires
Reply #24 - Mar 22nd, 2011 at 10:33am
 
Another review of Evolve.

Many [stories] sported “Canadian Endings” (not happy ever after, not even happy right now; just plain acceptance of life and circumstances), which I enjoyed seeing.
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Lou_Sytsma
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Re: A Murder of Vampires
Reply #25 - Mar 29th, 2011 at 6:54am
 
Heh. Those crazy Canadians!  So self deprecating.

Congrats on the mentions by Ellen Datlow.
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