Stranger and stranger

I had the weekend to myself, so I watched a lot of Netflix.

First, I finished Season 1 of Bloodline, wherein all is revealed. Leave it to a cop to be able to set up the near-perfect frame-up job. “Near” being the operative word, which sets up Season 2: the cover-up and the repercussions.

Then I binged my way through the eight episodes of Stranger Things. I’m not a child of the eighties—the seventies was my formative decade—but I lived through the 80s, so I was familiar with all the allusions, from the Ford Pinto to Realistic electronics from Radio Shack to the music featured in the series. It’s a mash-up of just about everything you can imagine from that decade, and more. Off the top of my head, I found myself thinking of E.T., Close Encounters, It, Firestarter, Super 8, Carrie, The Goonies, Poltergeist, Altered States, Stand By Me, and so on.

The entire young cast could have been lifted en masse and dropped into the It remake. In fact, the guy who plays Mike (aka Turtle Face) will be Richie Tozier in the new film. My favorite character was Dustin, he of no front teeth. He was a real trip. I was thrilled to see Millie Bobby Brown as Eleven. She was so incredible in Intruders (based on the Michael Marshall Smith novel), where she had to channel a 70-year old foul-mouthed man. She’s only 12, but she has serious acting chops.

Good to see Winona Ryder again, too. She has a difficult part, because for most of the eight hours she has to be in full-on hysteria. I found it interesting that you could tell her character knew how crazy she sounded at times to everyone else. I particularly enjoyed her scenes with Eleven later in the story, where she gets to be motherly and less hysterical. Matthew Modine’s evil scientist was the weakest part, I thought. He has no redeeming traits whatsoever. Monotone bad guy. But the rest of the cast and characters were stellar, and the story was terrific, too. I might watch it again before too much time passes.

I also watched the first two episodes of The Night Of on HBO. It’s a remake of a British series called Criminal Justice, and the focus is on the justice system. A guy who was in the wrong place at the wrong time gets arrested for a crime he probably didn’t commit. The first episode is a case study in everything a person in that situation should not do. John Turturro plays a sketchy ambulance-chasing lawyer (originally it was supposed to be De Niro) who happens to be in the right place at the right time to insinuate himself into what he sees as a potentially lucrative case. The series is gritty and as realistic a portrayal of the system as I’ve ever seen on film. It doesn’t move along very fast, because nothing moves quickly. Thus far there are no bad guys. The lead detective, Box, is very good at his job and doesn’t mind testing the limits of a suspect’s rights, but he thinks he has his guy and he just wants to wrap up the package for the prosecutor. Interesting to see James Gandolfini’s names among the executive producers. I guess that’s something you can do from beyond the grave. It’s an eight-part series—I really look forward to seeing the rest, and might track down the original British series, too.

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