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The Honey Trap

edited September 2013 in Short Stories
I've been dying for months to tell everyone about this one! My short story "The Honey Trap" will appear in the MWA anthology Ice Cold, edited by Jeffery Deaver and Raymond Benson, the only Americans selected to write James Bond novels.



I was one of the following ten MWA members whose blind submissions were selected from among "a very large number of well written submissions": Gary Alexander, Virginia Cole, Alan Cook, Brendan DuBois, Vicki Doudera, Katia Lief, Robert Mangeot, Jonathan Stone, Bev Vincent and Joseph Wallace.



The editors also invited the following authors to contribute to "this chilling and entertaining volume about the Cold War": Joseph Finder, J.A. Jance, John Lescroart, Laura Lippman, Gayle Lynds with John Sheldon, Katherine Neville, Sara Paretsky, and T. Jefferson Parker.



The book will be out next April.



Comments

  • Thanks! I'm really excited about this one.
  • On Tuesday, April 30th, we will be launching our newest anthology, Ice Cold, edited by Jeffery Deaver and Raymond Benson. The launch party will be held at The Mysterious Bookshop, 58 Warren Street, New York, NY. Phone number is 212-587-1011. The event will begin at 6:00 p.m. and many of the contributors are scheduled to appear. In addition, many of the 2014 Edgar® Award nominees will also be at the bookstore.
  • Road trip for Bev!
  • Today is the day ICE COLD goes on sale, in just about every format known. The official launch is at the end of the month but, alas, I won't be able to make it.
  • Nice review at Bookreporter

    The choice of editors for MYSTERY WRITERS OF AMERICA PRESENTS ICE COLD is nothing less than a stroke of genius. Jeffery Deaver and Raymond Benson are the only two American authors thus far who have been selected by Ian Fleming’s estate to pen original James Bond novels. Bond, of course, is an icon of the intrigue of the Cold War between East and West that began after World War II and ended (though, in light of recent events, it might be more correct to say “paused”) with the collapse of the Soviet Union.

    The Cold War is a common thread that runs through all 20 original stories that comprise ICE COLD, yet each of them is diverse and distinct from its fellows, ranging in topic from suspected spies to the traitors within, from domestic and foreign intrigue to the enemy without, to what Walt Kelly so brilliantly characterized in the phrase “we have met the enemy, and he is us.” It is a must-have volume for your bookshelf.

    ICE COLD begins with a dialogue between Deaver and Benson that serves as an introduction to the collection. If you are in the habit of skipping such fare, please do not ignore this one; it is relatively short in length, deep in substance and quite entertaining. The collected stories themselves are bookended by contributions from Deaver and Benson.

    Deaver’s offering, “Comrade 35,” uses the assassination of John F. Kennedy as story fodder for fresh purpose; if you thought that JFK’s death had been explored and exploited from every possible angle over the five decades since its occurrence, think again. Deaver demonstrates here that not only can he see around corners from fresh angles, he is also capable of building new corners out of very substantial material.

    Benson’s “Ghosts” closes ICE COLD, and what a closing it is. It’s not a long story, but it’s a chilling one, set in 1956 during the Soviet invasion of Hungary. An American CIA agent in Vienna is charged with transporting a high-level Hungarian refugee and his family to safety. It is all but certain that nothing can go wrong, but it does, and inexplicably so. Benson manages with great subtlety to include suspense, terror, horror and mystery into one story of 16 or so pages without a wasted word.

    A treasure trove of talent lies between those two stories. John Lescroart takes his considerable game and raises it a notch or two in “The Last Confession.” It’s not an espionage tale, but if you went to Catholic high school in the early 1960s, you will feel size 14 boots treading on your grave as you read this story of the well-intended but nonetheless mean-spirited actions of a priest that result in a chain reaction of death and revenge. J. A. Jance is included as well, in a story titled “His Mother’s Son,” which serves as a coda of sorts to her fine novel, JUDGMENT CALL. Set in 1978, it is a tragic tale of a mother’s disappointment and a son’s apparent betrayal of his country, both of which result in potential danger to a young innocent who knows too much and unintentionally created the grim cascade of events that follow.

    My favorite story? Nice of me to ask. “Side Effects” by T. Jefferson Parker is the rose whose stem was just a bit longer than the others in this collection. Parker’s name does not immediately come to mind when one thinks of espionage or political thrillers, and “Side Effects” does not necessarily fall into either of those classifications, but it perfectly captures the mindset of the early to mid-1960s, when mutually assured destruction was indeed all but assured and everyone knew what the term “fallout shelter” meant. However, Parker’s villain of the piece is not who you would expect; sometimes the most dangerous folks are right next door, the ones you shouldn’t trust at all. There are layers upon layers of paranoia here, as well as a hero or two, as a teenage boy displays the right stuff when it’s time to stand up and be counted.

    I have gone on for far too long here. There are many other worthy stories, including “Police Report” by the absent-for-too-long Joseph Finder, Gayle Lynds collaborating with John C. Sheldon on “A Card for Mother” (Gayle, you have been MIA for too long as well), and riveting tales from Katherine Neville, Sara Paretsky, Katia Lief and Bev Vincent, among others. The stories are not long, but run deep and are memorable, particularly for those of us who remember the dawn of that cold conflict.


    http://www.bookreporter.com/reviews/mystery-writers-of-america-presents-ice-cold-tales-of-intrigue-from-the-cold-war#
  • Reader's Digest picks Ice Cold as one of seven books that make it clear that short is good.
  • Another review, this one from Monsters & Critics:

    As with any anthology, some stories are outstanding while others like “The Everyday Housewife” are less so but for the most part, this is a strong collection. Even the weaker offerings are entertaining and most include a nice twist or two. This is just the book to tuck into your pocket to brighten those times when you’re stuck in a waiting room or on a plane. 
  • This is the kind of email that makes a writer's day/week/month!

    Congratulations! I'm delighted to inform you that “The Honey Trap" has been selected as a finalist in the Best Short Story category for the 2015 International Thriller Writers Thriller Awards. The winner will be announced at our gala Awards Banquet at the Grand Hyatt in New York, Saturday evening, July 11th, during ThrillerFest. We hope you will join us.
  • edited March 2015
    Here's the competition:

    Richard Helms – “Busting Red Heads” (Ellery Queen’s Mystery Magazine)
    Stephen Ross – “Pussycat, Pussycat” (Ellery Queen’s Mystery Magazine)
    Gigi Vernon – “Show Stopper” (Grand Central)
    Bev Vincent – “The Honey Trap” (Grand Central)
    Tim L. Williams – “The Last Wrestling Bear in Western Kentucky” (Ellery Queen’s Mystery Magazine)

  • I found this awesome review of The Honey Trap by Kristine Kathryn Rusch

    I’d never heard of Bev Vincent before I read this story, and midway through, I was thinking that this woman really knew her men. The story was about a phenomenon I’d heard my husband and other middle-aged men discuss—the fact that at a certain age, men seem to disappear from everyone’s radar, particularly from the radar of attractive women. I was so surprised that Vincent got this right, I flipped to the biography, and realized I had oopsed. Bev Vincent is a man.

    Doesn’t take anything away from this story. It’s still incredible. But it’s a bit more understandable—rather than a reach, something a woman wouldn’t think of, it’s something men know and rarely discuss. Vincent uses this to great advantage. Read the story. It’s marvelous.
  • Heheh. At some point you may want to Richard Bachman this other "Bev" Vincent writer.
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