Point Betsie

My essay about Firestarter for Stephen King Revisited went online a few days ago, along with Rich Chizmar’s reminiscences about the book.

I’d be most curious to hear what Thomas Harris thinks of the Hannibal series. They are doing most interesting things with his stories. It’s a mesmerizing series. Truly hypnotic.

I’m going to give Season 2 of True Detectives a few episodes to see if it picks up, but the first episode wasn’t gripping at all, although it had its moments. I’ve never been a huge fan of either Colin Farrell (too bad he doesn’t speak in his normal accent) or Vince Vaughn.

After we left the airport on Thursday, we passed two consecutive intersections that had Tim Hortons restaurants. My wife tuned in CBC Radio 2. But we weren’t in Canada—we were in Michigan, driving between Detroit and the northwestern part of the Upper Peninsula, a place called Frankfort and its environs. The reason? Our daughter’s wedding, which has been in the planning stage for so long that it seems like it has always been!

It was a small affair. Just the parental units and their attendants. The ceremony took place outside of the famous lighthouse at Point Betsie, which the tour guides say is the second most photographed lighthouse in the US (the first being in Maine).

We kept a wary eye on the weather during the preceding days. Thursday and Friday both showed a 30% chance of rain for the time of the wedding, but luck was with us. It was brisk and a bit breezy, definitely overcast, but not a drop fell. Apparently the conditions were ideal for the photographer because it meant no one was squinting in the sun. The ceremony was followed by a dinner at a nearby restaurant. The reception proper will take place here in Texas in the near future, with a larger contingent present.

It was a terrific weekend. We got to meet our new son-in-law’s parents for the first time, and take in a part of the country neither of us had ever seen before. In fact, we’re both quite sure neither of us has been to Michigan in the past except when making connections through the Detroit airport. We envision return trips in the future. There are a lot of wineries in the area. Apparently it’s at the same latitude as the wine regions of France and California.

On Friday, after the rehearsal dinner, a local told us to watch out for deer as we returned to our hotel. We left the restaurant on Saturday evening at about 9:45, which was still twilight that far north. As we skirted the western coast of Crystal Lake, I remembered that advice, but then I told myself that deer probably wouldn’t cross the road here because there was nowhere for them to go on the other side. Just the lake. Not a mile later, I saw out of the corner of my eye something moving fast toward us. A young deer bolted across the road in front of us. I’m not sure we were in danger of hitting it, but I slammed on the brakes all the same, and it zigged and zagged and dashed off into the darkness.

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Bill, with the long tail

Bill came calling, but we had plenty of advanced warning. He turned into a tropical storm the other evening. People went crazy, emptying the shelves in the grocery stores, concentrating on water and bread, apparently. I guess they were expecting some sort of apocalyptic event instead of just what we around here affectionately call “showers.” Granted, it rained a fair amount, but I think the storm we had on Memorial Day was worse, and that one didn’t even merit a name. Some wag on Twitter suggested there were going to be a lot of homemade croutons next week as people tried to figure out what to do with the excess bread.

Even though the center of the storm, now a Tropical Depression instead of a Tropical Storm, has moved well past us, Bill has a long tail, as you can see from the accompanying satellite image. That means the storm is still pulling moisture from the Gulf and occasionally dumping it on us. So there could still be some local street flooding but, for the most part, T.S. Bill was a bit of a fizzle. Not that anyone’s complaining. Except the people who bought all that bread.

My short story “The Bottle of Red Zinfandel” will be in issue 6 of SciPhi Journal, due out soon. Their illustrator, Cat Leonard, did spot illustrations for each story. Here’s what she conjured up for mine.

The journal features science fiction stories with a philosophical context and mine contemplates the repercussions of teleportation.

We’re into the fourth season of Battlestar Galactica, after the stunning reveal at the end of the third season: the identities of four of the sleeper cylons. That means there’s just one remaining to be revealed. My money is on the cigarette-smoking doctor! I have to say that this is a more sophisticated and complex series that tackles some interesting issues and develops strong character relationships than anything Star Trek ever managed to do. I still can’t believe I overlooked it for so many years.

In learning some basic guitar chords, I have discovered that the lower-E string, the thickest, is more trouble than it’s worth much of the time. How many of the major chords require you to skip it? The F, B and D chords sound light-weight to my ear without that lower component, compared to the other chords.

I’m reading Last Words by Michael Koryta, who I met at Necon last year. Our hero has just been placed unconscious deep inside a cave. When he comes to, he’s wearing only his underwear and it’s completely dark. Totally. He has no idea where he is (he figures out it’s a cave fairly soon) or how to get out. This is very creepy stuff.

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Zero Hour: 5 p.m.

I haven’t owned a suit since I was in high school. I have a tux that I’ve worn a couple of times in recent years, but for other occasions, I’ve relied upon the blazer/dress pants ensemble. Patches on the elbows and everything. However, that won’t do for a wedding, so last night we went out and bought me a suit. Two, in fact, since it was buy-one-get-one-free week at the haberdasher (there’s a word that’s fallen into disuse!). We made a romp of it. Got a lot of laughs from the salesman. At one point, a mustachioed tailor who reminded me of Gepetto sneaked up behind me and took a few rapid measurements with a tape and a piece of chalk.

On a whim, I decided to pick up the guitar and try to learn to play it. After a week, I can now find A, D, E and G without too much trouble and my fingertips are tender. I can also manage C, as well as Emin, Dmin and Amin, although my current favorite is Cadd9. I’m playing around with “Dreamboat Annie” by Heart, but the F chord is a challenge and Fmin even worse. I’ve strummed the guitar many times over the years—I even taught my daughter to pluck the opening to “Dust in the Wind” once—but it’s never stuck with me. Maybe this time will be different.

It’s slow going for TV during these summer months, but there are a few interesting shows all the same. I raced through Aquarius, but was frustrated by its multiple cliff-hangers. Sure hope it gets renewed. Wayward Pines is intriguing, though strongly reminiscent of The Prisoner. Melissa Leo looks like she’s having a great time in it. They’ve already chewed through a couple of big-name actors. I was recommended The Whispers, so I watched the first two episodes of that. The only thing it’s missing is that creepy girl from Intruders. It’s inspired by a Ray Bradbury short story called “Zero Hour” from The Illustrated Man that’s about six pages long. Murder in the First returned last night with a bang, an episode that features a Columbine-style duo on a school bus. And Hannibal is back, that lush, artistic, confounding series that is at least as much style as substance.

On the reading front, I seem to have acquired electronic galleys to a lot of short story collections lately. First I read The Last Drive and Other Stories by Rex Stout, early stories by the creator of Nero Wolfe, many of them involving golf. Then it was The Complete Crime Stories by James M. Cain (author of The Postman Always Rings Twice and Double Indemnity), though in truth a good many of them aren’t crime stories at all. Now it’s Charlie Martz and Other Stories by Elmore Leonard, a short collection of mostly unpublished Leonard stories in which he breaks some of his “10 rules.” For good measure, I’m also reading Pale Grey for Guilt, the ninth Travis McGee novel. I’m slowly working my way through the McGee books in order at the pace of one or two a year.

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Pet Sounds

I’m thrilled that, over a decade after its release, The Road to the Dark Tower is still delivering semi-annual royalty checks. The latest, through the end of December 2014, was actually nearly twice as much as the one for the previous six-month period.

I’m told by the publisher, Centipede Press, that The Shining: Studies in the Horror Film will ship out starting next Monday, June 15.

I’m not sure that John Cusack would have sprung to mind to play Brian Wilson of the Beach Boys, but that’s who’s the older version of the wunderkind in Love & Mercy, the new biopic that also stars Paul Dano as the pre- and mid-collapse Wilson. Elizabeth Banks is the woman who recognizes the unhealthy control Eugene Landy (Paul Giamatti) exerts over him. It’s an interesting telling of the story, with lots of music. We were particularly fascinated by the bits in the studio where Wilson used the professional studio musicians known as “the Wrecking Crew” to lay down the tracks for Pet Sounds according to the things he was hearing in his head. (We saw a documentary about the Wrecking Crew several weeks ago.) The vocals were all added later, a process that absolutely baffles me. The film has a few spacey moments, especially in the 1960s section, but Cusack and Banks hold it together even when things are spiraling out of control for Wilson.  Dano resembles Wilson more than Cusack does, and Cusack only occasionally attempts some of Wilson’s more notable quirks and tics to remind us who he’s supposed to be.

I read a bit about Landy after we saw the movie yesterday afternoon, and it’s an interesting story. He pretty much saved Wilson’s life. Got him off drugs and back to a normal weight, eating healthy, but at some point he took his work to an extreme, monitored Wilson 24/7, took control of his life, his finances, everything, all apparently because he had unfulfilled musical aspirations of his own. Finally a court intervened, stripped him of his medical license in California and banned him from seeing Wilson ever again. However, that wasn’t the end of his medical practice. Apparently he moved first to New Mexico and then to Hawaii, where he continued to be a psychotherapist. This was before the age of Google, of course. Giamatti chews up the scenery in a terrible mop-top wig. His Landy seems maniacal.

My wife got me a Doctor Who-themed Monopoly game for my birthday, so we played with our daughter and her fiance on Saturday evening. I think it’s the first time I’ve ever played Monopoly through to completion. Usually someone gets bored and we mutually decide to tally up our assets and quit. This time we had three bankruptcies and my wife was victorious, all in under two hours.

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Videodrome

I contributed to the King for a Year blogging site today with my thoughts about Finders Keepers, which is out tomorrow. I also posted the review that will appear in the next issue of Cemetery Dance magazine at News from the Dead Zone online.

My wife was away at a conference last weekend, so I watched some things that she wouldn’t typically enjoy. On Friday night, I went to see Mad Max: Fury Road, and I think my synapses are still firing. I decided against the 3D version, but even so it is visually stunning and appealing. I read that one thing they did to keep everything coherent was to put the major action always at the exact center of the screen so that when there’s a jump cut the viewer doesn’t have to search around. It’s an amazingly coherent movie, given how outlandish and chaotic the action is. It’s an interesting choice to pull Mad Max into the story against his own volition. He’s there more by mischance than design, and he doesn’t really have a dog in the race other than to get free and survive. It’s definitely one that you’d want to see on the big screen. It’s fairly relentless once the action starts, which is about 22 seconds into the film.

I finished Oz, the HBO series that might be considered the precursor to Orange is the New Black. Just about every male actor over 40 who’s been in a TV series in the past decade was probably in this series at some point. It takes place in a Maximum Security prison. One thing it made me think is that it’s a mistake to put prisoners who have committed deliberate acts of violence in with people who have committed “accidental” crimes or non-violent crimes. The through-line character, Beecher, was there because he killed a girl in a DWI accident. During his years of incarceration he is subjected to acts of terrible violence, but is also put in the position of perpetrating them himself.

On Saturday, I binged through the first seven episodes of the third season of Orphan Black. I really liked the first season, but was so-so on the second season. The third one is better than the second so far, I think. Then I watched the two-hour premiere of Aquarius, the NBC series about a cop on the trail of Charles Manson. David Duchovny plays the cop. His face seems to have broadened in recent years, and it’s mottled, which might be a make-up job to indicate his alcoholic past. My first thought was that a cop who can’t find his car keys probably isn’t the best guy to go to when your daughter disappears, but the dynamic between him and his partner is good. It’s all very 60s flower power hippy dippy summer of love, and not quite as strong a series as I’d hoped, but I see all 12 episodes are available on NBC.com so I’ll probably binge through it.

On a recommendation, I also tried out Wayward Pines, which is this summer’s BIG MYSTERY series. It’s about a Secret Service agent looking for a couple of missing agents who ends up in the eponymous little town after having a car accident. Except it’s a strange, strange town that you can’t escape from. The series opens like Lost, with the eyeball shot pulling back to show the protagonist on his back in a remote location, but it quickly switches to full-on McGoohan’s The Prisoner mode. There’s a strong cast (Toby Jones from The Mist, Melissa Leo, Terrence Howard, etc.) and a wacky, off-kilter sense of mystery, so I’ll probably keep up with it.

My wife and I are in the third season of Battlestar Galactica. I can’t believe I was totally oblivious to this series until now. There were cast members at Comicpalooza last summer, and a full-scale viper, and I walked right past them without even a hint of interest. It’s a well done series that tackles a lot of contemporary subjects (war, invading forces, elections where those in the know realize that the populace has made the wrong choice) and has a full slate of fascinating characters.

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Glug, glug, glug

It’s been raining pretty regularly for the past two weeks around here, but nothing compared with the storm that blew through here on Monday evening. We went out for TCBY at 6:30 and half an hour after we got home, the storm arrived. I don’t think we’ve ever gotten so many calls from the Emergency Weather Service in one evening. It rained solidly until at least 11 pm, and off and on throughout the night. There was probably some hail mixed in, the thunder was loud enough to shake the house, and the lightening was almost constant.

Still, the place where we live is just a tad higher than the surroundings, so while we probably got 4 or 5″ of rain, the ditches handled most of it. The yard got soggy, but that happens during most downpours. We heard about flooding a few miles from us, closer to the interstate, where surface streets were impassable, but our streets were clear.

Still, nothing compared to what happened downtown, which was reminiscent of what happened with Tropical Storm Allison a dozen or more years ago. The ground was already saturated, so the bayous filled up and overflowed fast. People attending the Houston Rockets game at the Toyota Center were advised to stay put after the game ended, and many complied, including one of the Rockets players. Some people were still trying to get home at 7 am.

When we got up this morning, we started checking the media to find out about the situation. The first traffic maps we looked at showed a couple of accidents, but nothing serious. They lied! As we dug in deeper, we found out that many of the major roads were way underwater. I saw a picture that looked like a nice, sedate river well within its banks, only to read the caption and see that it was Highway 288, a major Houston artery that runs past the med center down to the gulf coast. There were abandoned cars all over the place, transports stranded in feet of water. Another picture showed water lapping at the undersides of an overpass under which there was normally 13 feet of clearance. Finally we found an accurate map that showed which roads were flooded. Darned near all of them downtown. Fortunately, neither of us had to go into town, so we can go about our business up here, where it’s relatively high and dry.

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The post has no title, just words and a tune

No drought issues in eastern Texas this year. I’ve been riding my bike to work lately—it’s a little over 2 miles each way, mostly on bike trails—but not this week. Every day on the 10-day forecast except for one has a 30-70% chance of rain, some of it heavy. We’ve been spared the brutal winds and tornadoes experienced by the northern part of the state, but I’m not biking in this weather. I rolled the dice and won on Friday: when I left the house in the morning it was sprinkling a little and I almost turned back, but I ploughed ahead and managed to not get wet. Ditto on my return trip. I figure anything more than that would be pressing my luck.

We went to see Woman in Gold on the weekend. The film stars Helen Mirren as a woman who escaped from Austria as WWII was about to begin, leaving behind her parents. The family’s apartment was plundered of all of its artwork, most prominent among which was a Klimt painting of her aunt that is adorned in gold foil (hence the title). In the late 1990s, she hires the son (Ryan Reynolds) of a friend to attempt restitution, even though everyone tells her the painting is Austria’s Mona Lisa and they’ll never get it back. Based on a true story. Tatiana Maslany from Orphan Black plays the younger German-speaking version of Mirren’s character. An interesting exploration of Austria’s attitude toward the war. Jonathan Pryce has a bit part as the Chief Justice of the Supreme Court, which is where the case ends up at one point. Beautiful Viennese scenery as an added bonus. I visited the city twice in the 1980s.

Last night I read Perdido, the novel fragment by Peter Straub published by Subterranean Press. I hope someday he finds the time to go back to this story. It has his trademarked unreliable narrator aspect, as well as a mysterious setting (and, only alluded to, two even more mysterious settings beyond). I’d love to see how the performance piece Murder Among Friends evolves.

This morning I started Tin Men by Christopher Golden. It’s a near-future military thriller with a fascinating premise. The US is now policing the world with soldiers who are tucked up safe and sound in pods in a bunker while wired up to virtually indestructible robots assigned to foreign lands. Unlike many military thrillers I’ve read (for example, Tom Clancy, who I eventually gave up in disgust), this isn’t a jingoistic story. The US isn’t pursuing world peace for altruistic reasons, but rather to further its own agenda. Any border crisis that threatens the US’s interests is immediately put down, even if the conflict might have shaken out naturally in the long run. It’s a fascinating and refreshing approach to the world stage.

We watched the first two episodes of Grace and Frankie last night. It’s a Netflix original starring Jane Fonda and Lily Tomlin about two couples broken up by divorce when the husbands finally come out of the closet and announce their lifelong love for each other (Martin Sheen and Law & Order’s Sam Waterston). Alas, I think the series’ best moment was probably the last part of the first episode, where Tomlin’s character is on a vision quest and Fonda’s accidentally ingests some of her peyote beverage (worst-tasting iced-tea ever) and they stumble around on the beach while the visions play out. Hilarious and almost impossible to top. “Stop yelling,” Tomlin’s character says. “You’re upsetting the sand.” Otherwise it’s a bit tedious and boring. Not sure we’ll return to it.

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What’s “up”?

For the last four days, I’ve been proofing “Dead of Winter,” the novella that I’ll be publishing with a Brian Keene novella in a book to be called Dissonant Harmonies. I haven’t looked at the manuscript for several weeks, so I was able to approach it with fresh eyes, and I was quite pleased. I only found one real typo (a missing “the”), but I made quite a few minor changes and expanded a section that was unclear to my first reader. I also noticed one verbal tic: In a 40,000 word manuscript, there were 175 instances of the word “up.” Some of them are legitimate orientational and directional usages, but a lot of things “ended up” or “wound up.” A quick skim through the MS searching for ” up ” allowed me to remove at least twenty of them.

How did I end up here? It’s the sort of phrase Osvald Knop (pronounced with a hard K), the senior of my two doctoral advisors, would probably have stopped and scrutinized after he uttered it. What does “up” signify in this context? He was a polyglot born in what is now the Czech Republic who once worked in Linus Pauling’s lab. He was around sixty when I first encountered him in a third year undergraduate inorganic chemistry course. He had a strange halting and stammering manner of speaking, the result of a rumored lab incident many years before, that rendered him difficult to understand for many, but I was fascinated by what he had to say, so I listened. He was amazingly au courant about contemporary things, and was one of my few professors who confessed to watching prime time TV shows. When we learned symmetery, he used the letter R as the object that was rotated and inverted and mirrored because it lacks internal symmetery, but has a mirror image in the Russian alphabet: я, pronounced “ya.” For the longest time, I thought he was just pronouncing “r” backwards.

I was intrigued by an assignment we did where we had to solve the unit cell dimensions based on a printout of diffraction angles. That was my introduction to crystallography, in 1983. (When I talk to young people who are distraught by not knowing what they want to be when they grow up, I tell them that I didn’t even know the field of science that I ended up specializing in existed until I was 22.) When it came time to choose an Honours Project for my fourth year, I chose Knop because I liked him and remembered that assignment. That project led to my interest in the real world of X-ray crystallography, and I went on to do my PhD with him and another faculty member. I found out today that Ossie Knop died last week at the age of 93. I hadn’t seen or heard from him in many, many years, but choosing to work with him set me on a course that defined just about everything in my life that came after. I wouldn’t be in Texas if I hadn’t liked his class. Wouldn’t have met my wife of twenty years. Life’s funny that way.

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He’s still standing

I’m sure everyone has a similar story: the moment they really became aware of popular music as a kid. I grew up in a rural area, far away from record stores. The department stores, small as they were, had record bins, but it wasn’t exactly cutting-edge stuff.

Remember K-Tel records? They were to music what Readers Digest Condensed Books are to literature. Songs were brutally trimmed of verses and choruses to cram as many as possible onto an LP. Often there were 10-12 songs on each side of the record. I had one that had “Rocket Man” on one side and “Crocodile Rock” on the other, so it must have been 1972-3. I didn’t know anything about Elton John at the time, but those two songs stood out. My brother told me that, yes, “Crocodile Rock” was a good song, but not ten or fifteen times in a row.

The first real LP I ever purchased was his first Greatest Hits album. I quickly became an Elton completist, saving up my money for shopping trips to Moncton, where there were record stores, scouring the bins for rarities like the Friends soundtrack (with its garish and hideous cover) and early albums like Empty Sky. I followed his career from that point onward, and was rarely disappointed, although his experiment into disco, “Victim of Love,” which my friends and I disparaged as “Victim of Disco,” was a low point. Living in eastern Canada, I never thought I’d ever get to see him in concert. I had no idea then that at some point in the future I would be living in the larger world.

Then, in 1984, I spent a couple of months in Oxford, England as part of my graduate studies. I found out soon after I arrived that Elton John would be the headliner at a day-long concert at Wemblay Stadium…the day after I was scheduled to return to Halifax. I immediately went to Heathrow to get my tickets changed (things were so much more complicated back then) and took the bus into London on the day tickets for the “Summer of ’84” concert went on sale. The day finally came, the last day of June, and I was crammed into Wemblay with 72,000 other fans from noon until 10 or 10:30 pm. Saw a bunch of great acts that day, including Nik Kershaw, Kool and the Gang, Big Country and Wang Chung, but Elton was definitely the highlight. He played for two-and-a-half hours solid. The concert was simulcast on BBC Radio, and a fellow I met in the lab at Oxford kindly taped it for me and sent it to me after I got back to Canada.

I’ve seen him a few times since then, including a previous concert at the Woodlands Pavilion, about three miles from my back yard, that was just him and his piano, with Ray Cooper providing percussion support.

My wife and I went to see him at the Pavilion last night. I was on the website the moment tickets went on sale and the best I could do was lawn seats, but that didn’t matter. It was a great, cool, clear evening, a near-full moon, and a sea of adoring fans. He came on without benefit of a warm-up band, only a few minutes past the scheduled starting time of 8:00 and he played until 10:30 without intermission. Started with “Funeral for a Friend/Love Lies Bleeding” and continued with three more tracks from “Goodbye Yellow Brick Road,” including “All the Young Girls Love Alice.” (Last year was the album’s 40th anniversary.)

The concert was heavy on the hits, but with a catalog like his, he can play for that long and still leave out a bunch of popular songs (He didn’t play “Someone Saved My Life Tonight,” for example). He played three other songs I’ve never heard him do in concert before: “Holiday Inn,” “Your Sister Can’t Twist (But She Can Rock & Roll)” and “Hey Ahab,” the latter from his duet album with Leon Russell. That song and “Believe” are the only ones that dated from the past twenty years. Everything else was early catalog stuff, but no one minded. He ended with “Crocodile Rock” (see how it all comes full circle?) and the crowd happily supplied all of the falsetto la-la-las. His voice is a bit gruffer and he has changed around some of the melodies so he doesn’t have to try to hit some of the high notes, but he was still fantastic, and it’s amazing to watch those stubby little fingers do what they do to those ebonies and ivories. His arrangements, especially the extended piano interludes, have changed over the years, giving those old classics new life.

Good, too, to see that drummer Nigel Olson is still with him, dressed like a politician (according to my wife) and Davey Johnston is still making those guitars and mandolins howl. There was an additional keyboard player, a percussionist and a bass player. That six-man band made the place rock. Dude’s 68 years old, and he still seems to be enjoying the hell out of himself and those songs, and his longtime fans, of which I am one.

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Orienteering

I’ve been notified that the Cemetery Dance limited edition of The Dark Tower Companion has been sent to the printer and should ship to customers sometime in July. Furthermore, this is the last week to order and get free shipping within the US.

I went up to Brooklyn on Tuesday for the round-table discussion featuring Stephen & Owen King, and Peter & Emma Straub at St. Francis College. Any time I’ve gone to NY before, I’ve always taken a taxi from the airport, but this time, since I had plenty of spare time, I decided to give public transportation a go. I was very pleased by the results. I took the M60 train from the airport to the subway station, where I picked up the Q train that took me to within 0.2 miles of my hotel in Brooklyn, all for a mere $5.75. Then I took a few wrong turns and it took me almost another half hour to actually find my hotel, so there’s that. I had better luck on the return trip—it only took five minutes to get from the hotel to the Q station.

I met up with a few people who I know virtually from a Dark Tower message board before the event. Saw Peter and Susan Straub get accused of jumping the line when they went into the lecture hall! (I hear Emma Straub had a hard time getting into the building, too.) I sat with Nick Kaufmann and his wife and a friend of theirs, saw Gina & Jane Osnavich, and met up with Jordan Hahn, King’s webmaster, after the event for drinks. I’ll write more about the event itself at News from the Dead Zone either today or tomorrow, but it was fun. Video from the event should be available soon, but here are the official photographs. You can see me near the top right in #101.

On the return flight, I watched Birdman, which was an interesting experience. My flight had free WiFi for the entertainment system, so I watched it on my iPad. But I didn’t bring any earphones, so I watched it with closed-captioning. It’s an interesting film, with it’s long dolly tracking shots and occasional flights of fancy. Lindsay Duncan was great as the theater critic who resents Hollywood types breathing the lofty Broadway air. It’s dark and gloomy, intense, a little depressing, but worth seeing nonetheless. Great, great cast.

Quite impressed with the season finale of The Americans. The theme seemed to be the burden that constantly telling lies takes on a person. Philip—who seems to be having a crisis of “faith”—felt it, as did their daughter, Paige, whose actions at the end could throw everything into a spin, assuming Pastor Tim doesn’t just laugh her off. Reagan’s “evil empire” speech was the soundtrack of the episode’s closing moments, and the cold war just got a whole lot chillier.

And Grey’s Anatomy. Holy cow. I did not see that coming. Talk about a game changer.

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