I’ve been reading A.O. Scott’s movie reviews in the New York Times for many years. One of my favorite parts is the rating at the end, wherein he explains what gave rise to the R or PG-13 or whatever. They’re usually pithy and funny.
I follow him on Twitter. Today, he posted a link to an article about two celebrities of dubious repute. “I’ve always wondered what the opposite of clickbait was,” he wrote. “Now I know.” So I wondered what one would call the opposite of clickbait and, after a couple of seconds, it dawned on me: clickbane. I was gratified when Mr. Scott approved!
— 32 across (@aoscott) November 23, 2016
The last two times we went to the local multiplex, first to see Arrival and then again last weekend when we saw The Accountant, the house lights came up about five minutes before the movie ended. Once we could handle, but it seemed to be becoming a trend, and not a good one. It was as distracting as if a bunch of people around us had suddenly turned on their cell phones. So after the second incident, we sought out a manager to report the problem. He apologized, of course, and gave us a couple of passes for free movies, which was nice. That wasn’t what we were looking for, but free is good. We just wanted the problem to stop. I also wrote to the theater chain via their website and received a prompt response. I was glad to hear that the manager had taken our complaint seriously and passed it along to the General Manager, who investigated, found the source of the problem and rectified it. That’s good customer service.
As far as The Accountant—it was okay. My takeaway message was that even if you register somewhere on the autism scale, you, too, can become a deadly and highly efficient assassin. Anna Kendrick was good, and it’s always nice to see J. K. Simmons. The surprise reveal toward the end wasn’t such a big surprise.
I went to see David Morrell at Murder by the Book last week. He was promoting the third and final volume in his Thomas De Quincey series, Ruler of the Night. It was good to visit with him again. I’ve been fortunate in that I’ve gotten to spend time with him on a number of occasions over the years, and worked with him as the editor of an anthology containing one of my stories once—and I look forward to reading this latest work.
We finished off the first season of The Crown on Netflix, which was really very well done. We’re also watching a quirky Japanese comedy called Midnight Diner: Tokyo Stories. It’s an anthology show set in a diner that’s only open from midnight to seven a.m. Each week, a different meal or food is featured, and there’s a little drama that goes along with it among the patrons of the diner. Apparently it’s based on a long-running manga of the same name. It’s weird, but we’re enjoying it.
Other shows I’m currently watching: The Fall (I’m four episodes into the most recent season): it’s a slow burn this time as they prepare to bring the case against the strangler, who has a most unique potential defense strategy. Gillian Anderson is so much better here than she was in the X-files reboot; Westworld: Only two episodes left in the first season. It has a kind of Lost vibe and it has something to say about storytelling; Game of Thrones: I finally made it to the end of Season 5 and I just received the discs for the most recent season, which goes off the map because they ran out of source material; and The Affair, which just returned for a third season. The medieval French professor looks like she could be an interesting addition to the story.