One card short of a full deck

My old message board seems to be toast. I moved it to a different server and it works there, so I can recover the data from it, but I can’t coax it into working on the existing server. I’m going to try one or two different things before I give up on it completely. In the meantime, I’m migrating to a new message board program that is supported by my hosting service, so I shouldn’t have problems in the future.

I had my birthday over the weekend. My running joke has been that I’m now just one card shy of a full deck. Not counting the jokers, of course.

I started and finished Graham Joyce’s next novel, Some Kind of Fairy Tale, over the weekend. He’s been one of my favorite authors for many years now, and this one is right up there. It’s about a girl who vanishes without a trace when she’s fifteen or sixteen. Twenty-one years later, she shows up at her parents’ house on Christmas Day. She’s reluctant to explain where she’s been because no one will believe her, she says. Turns out, she was spirited away by a fairy (not the Tinkerbell kind) to a different realm and, for her, only nine months have passed. Hard to believe, of course, except she looks almost exactly the same as when she left. Most stories about putative encounters with fairies don’t delve into the aftermath. What would it be like for those around Peter Pan, for example. Would he be taken to see a therapist? This girl is, and she goes willingly. There’s also the matter of her boyfriend at the time, who was strongly suspected of doing away with her and hiding the body. The book explores the importance of being believed, and what happens to people who are systematically and categorically disbelieved. The boyfriend, for example, was almost ready to confess under duress because it would have ended the stress. The therapist is the voice of scientific reason, trying to come up with rational explanations for her absence and confabulated (he thinks) memories of where she was. There’s also a subplot involving a pellet gun that seems unrelated but has a metaphorical bearing, ultimately. Joyce is very fond of the nuclear British family, and this shows through in his stories. The Martins are wonderful people—imperfect but charming—and it’s a delight to spend time with them as they try to figure out what to believe and what it’s necessary to believe to move forward. Highly recommended.

We got further into Season 6 of The Sopranos. The episode with Ben Kingsley was simultaneously funny and cringe-worthy as Chris tried to navigate the complexities of Hollywood. Lauren Bacall’s cameo was hilarious. It was a bit shocking hearing her swear as vigorously as she did.

I loved the scene in The Killing where Linden waved the card key at the security camera. It was an audacious thing to do, and probably caused more trouble than it was worth, but it was as good as giving them the finger, especially after they claimed the security cameras in the elevators weren’t working. They say there’s only one episode next, but it’s in two parts, so isn’t that the same thing as two episodes? I guess the difference is that each episode covers a single day so the final two must be another day.

One of the best Mad Men episodes of the season last night. Don is getting the old fire back—so much so that when Roger offers to buy him a drink after the meeting with Dow he jokes, “But you’ll have to wipe the blood off your mouth first.” No mention of Peggy at all, but there were other significant matters to deal with. Lane’s embezzlement, primarily. Bert Cooper discovers his malfeasance (who knew he actually paid attention to anything) without realizing the truth behind it, and brings it to Don’s attention because Lane forged Don’s signature. Don offers Lane a face-saving option: resignation versus prosecution, and he keeps the matter to himself. However, Lane doesn’t think he has the option of recreating himself like Don did, so he decides to take matters into his own hands. The blackest humor of the episode was his failed attempt with the notoriously unreliable Jaguar. And then, when he finally does the deed, he leaves behind his boilerplate resignation…from the human race, I guess. The secondary story with Don’s daughter was interesting. Her relationship with Betty has been difficult of late, but when faced with a difficult life event, she needed her mother’s comfort. And Meghan, to her credit, didn’t take it as a put-down when Betty told her this, whether it was intended that way or not.

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Therapy

This week’s episode of The Killing was actually pretty interesting. It’s neat how they’re borrowing scenes from the Danish version and making them their own. The bit where the evidence is floored over has an analog in the original, but the location was vastly different. The scenes in the mental hospital were fascinating. For the first time, the preview promised the solution to the murder by the end of the season, which is only two episodes away.

Some big changes on Mad Men, too. They got the Jaguar account, but it called for a pretty big sacrifice by Joan. It was an interesting choice to show the scene where Don visits her at home twice: once out of context when it seemed like she still had a choice and once showing that by the time he visited it was already too late. Lane is still treading water over the bonus problem and Peggy, ah, what is to become of Peggy?

Most of the characters ended up on a very down note in the season finale of The L.A. Complex. Raquel confessed her deception, tore up the seed money for her comeback feature and found out she’s expecting. Conner, who last week deliberately started a bar fight to get his pretty face messed up, thereby excusing him from his terrific role as a doctor on a TV drama, found out that he didn’t do as good a job as he wanted, there would be no permanent scarring, and his producers want to write the injury into the script. Which led to a fiery conclusion.

Nick went from two girlfriends to zero in the blink of an eye, then maybe back to one. Except the other one threatened to burn his career to the ground after he unknowingly stole her material (he thought it was pillow talk!) in a showcase for eligibility at Just for Laughs. Alicia further prostituted herself for a job only to discover that she could have avoided all of this with a bit of patience: she got the Usher tour she was trying out for in the first episode. Sex tape, porno, sleeping with the guy she was auditioning for—she didn’t need to do any of it.

Abby was on her way back to Canada when she got (“booked”) her first significant part. She also seemed to forgive Nick for his lousy timing. Of all the main characters, hers ended the season on the highest note.

That pretty picture over there is the cover for Danse Macabre: Close Encounters with the Reaper, the anthology edited by Nancy Kilpatrick that contains my story “Therapy,” which won the final Wee Small Hours contest back when Judi Rohrig was running Hellnotes. This anthology could be the most unusual and original collection of stories you’ll ever read! Twenty-six literary reflections embody the themed, classical artwork devoted to the spectrum of humanity’s intriguing interactions with the Angel of Death in all his/her/its manifestations. Release date: October, 2012. Danse Macabre includes works by: Gabriel Boutros, Brad Carson, Suzanne Church, Dan Devine, Lorne Dixon, Tom Dullemond, Opal Edgar, Ian M. Emberson, Edward M. Erdelac, Sabrina Furminger, Stanley S. Hampton, Sr., Brian Hodge, Nancy Holder & Erin Underwood, J. Y. T. Kennedy, Nancy Kilpatrick, Tanith Lee, Brian Lumley, William Meikle, Lisa Morton, Tom Piccirilli, Morgan Dempsey, Timothy Reynolds, Angela Roberts, Lawrence Salani, Lucy Taylor, Bev Vincent, Bill Zaget.

You can check out a cool press kit for the anthology here.

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Beginnings

My message board appears to be offline today. I’m not quite sure what the issue is. If it doesn’t resolve itself by tomorrow, I will explore further. I have been planning to replace this old, clunky Perl board with a newer, spiffier PHP board, and will probably get around to that. Sooner than later if this problem persists. I’ve had a number of issues with it over the years, and they’re hard to diagnose because of the nature of Perl/CGI. Stay tooned. YaBB also seems to be a spam magnet.

I submitted my first new short story in a while this morning. I’ve been recirculating the old ones that still haven’t found a home lately, but this is the first new fiction I’ve finished lately. It wasn’t an easy one to write, for some reason. It took at least three weeks to finish the first draft, which came in at about 6400 words. I spent all weekend whittling and honing it into shape. The final version was about 5300 words. Much tighter and far more logical and fluid than the first draft, and I was quite happy with it when I “finished.” I put that in quotes because I don’t think a story is ever really finished. I just get to the point where I’m either tired of revising it or it needs to get out the door to meet a deadline. I made at least six full editing passes at it this weekend. Two in hardcopy and the others online. Each time, I thought I’d gotten it more or less the way I wanted, but I always have to read it one more time because I have a tendency to accidentally delete too many words in some places or leave behind strays in others, and I’d always find new ways of wording things or restructure paragraphs on each read-through. I hope the editor likes it, but I’m tempting fate by leaving it this close to the deadline to submit. Not sure what I’m going to tackle next. I have that editing job sitting on my desk nagging at me, but I have a couple of other things I’d like to write, too, and there are only so many hours in a day…

We watched the first three episodes of the sixth season of The Sopranos last night. Interesting. Tony’s “dreams” while he was in a coma should make for some interesting therapy material, assuming he recovers and doesn’t spend the next 18 episodes in the hospital. The voice on the phone that was supposed to be his wife didn’t sound like Carmella, and the kids were much younger than Meadow and AJ. After his dream Alzheimer’s diagnosis, he was starting to wonder if maybe he really was this person whose wallet and briefcase he somehow acquired. Strange.

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Probably a happy ending

Switched reading gears to a couple of short story collections. I started Dan Chaon’s Stay Awake collection yesterday and read about 1/5 of Rage Against the Night, the benefit anthology for Rocky Wood. Got as far as my own story, which I read for the first time in quite a while. I liked it.

We did a Sopranos marathon last night, watching the final five or six episodes of the fifth season. Some seasons, when a new character appears, I place a mental bet that they won’t make it through the season. I didn’t think Tony’s sister Janice had much of a chance when she first showed up. Then there was Ralph Cifaretto, who surpassed his best-by date by a lot more than I expected. Enter Steve Buscemi as Tony’s cousin Tony, fresh out of prison after nearly two decades. He looked like a keeper, especially since he tried to stay straight and narrow at the beginning. Alas, he spiraled out of control quickly and almost caused a disaster between the New Jersey and Brooklyn mobs. And then there was Adrianna, who got in deep with the feds and kept getting deeper. Tony’s call about Christopher after she confessed to him was a surprise, and all the while that Sil was driving her to the hospital I thought it looked like he was going to whack her and leave her in the woods. (Okay, he did, so it didn’t come as a great surprise, but their attempt at misdirection was laudable.)

I loved Tony’s prolonged dream sequence. Surreal in a way, but only slightly. One thing that was weird was the way the guy next to Meadow at dinner was sometimes her fiance and sometimes her brother, without any explanation or notice. In one shot it would be one and then in a cut it would be the other. Freaky! And then there was the reunion between Tony and Johnny Sack, which was going so well until the Feds crashed the party. Loved the look on Tony’s face when he realized what was about to happen. Boy, for a big guy, he sure booked it out of there in a hurry.

When he got back home and started pounding on the back door, I was reminded of the closing credits of the Flintstones when the dinosaur puts Fred outside and he’s left on the mat, pounding on the door and calling, “Wilma!”

So, by the end of the season, he’s back with his wife, the problem with Adrianna (which he didn’t know he had) was solved, the problem with Tony B was solved, and his biggest ally and rival is in deep trouble. I guess that qualifies as a happy ending for a mobster.

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Unless this is the one where…

Trying to whip my new short story into shape. I need to get it into the mail by Tuesday morning to make the deadline. I also posted two new book reviews at Onyx Reviews: Long Gone by Alafair Burke and Flashback by Dan Simmons. The latter garnered a lot of negative—acrimonious even—reviews because of its right-wing conservative stance, but I enjoyed it for the most part. I don’t believe the book’s politics are necessarily Simmons’ but even if they are, it doesn’t matter. He posited a future where certain things happened, extrapolating from contemporary pressure points, and went on from there. He could have picked a different set of stressers and pissed off a different political faction. I am a moderate liberal, mostly, but I didn’t find my hackles rising…much. Writers like Tom Clancy irritate me much more, for some reason.

We went to see Men in Black III yesterday. We went to a 3:45 showing. I expected the multiplex (17 screens) would be a madhouse and that there would be a queue to get into that particular showing. Instead, we walked straight up to the box office, had no line at the concessions stand, and entered a mostly empty theater twenty minutes before showtime. It never did fill up. There was a much larger audience when we saw The Best Exotic Marigold Hotel at an earlier screening the previous week. We’d seen the trailer for MiB3 and thought it would be amusing.

It was. It wasn’t the best. movie. ever. or anything like that, but it was a lot of fun. Will Smith was firing on all cylinders, and Tommy Lee Jones was his usual cranky self. The revelation was Josh Brolin playing a 29-year-old version of Agent K (Jones). Some reviewers speculated that Jones might have dubbed in the dialog, but that is apparently not the case. Brolin deserves some sort of award for the way he mimicked Agent K’s voice and demeanor while at the same time playing him as a looser, less uptight version of him. Michael Stuhlbarg (Boardwalk Empire) plays a character named Griffin who experiences reality in five dimensions: he can see every possible variant of reality, all at the same time. He is charming and full of energy. He reminded us of a younger Robin Williams and was dressed like Williams’ character from The Fisher King. Lots of cool and gross aliens and whiz-bang effects. For the most part they set aside the problems inherent with time travel and just inject Agent J back into 1969. There are a couple of scenarios that deal with the issues a black man might face in that era, and then they drop that, too, all for the better. And there is a poignant revelation toward the end that surprised the hell out of us.

The only negative thing I have to say about the film is the 3D experience. I can’t say that it enhanced the film one little bit and we had to wear these stupid glasses for two hours, which is a pain when you already have to wear glasses. The best 3D effect was the billboard that told you to put on your 3D glasses—those glasses really popped out of the screen. There were a few 3D trailers: who on earth thought The Great Gatsby needed to be in 3D? The estate footage looked impressive with the added depth, but not much else seemed to be the better for it. I haven’t seen many films in 3D in recent years—I think Coraline was the last one. It had a few impressive moments where ghostly apparitions seemed to emerge from the screen and float around the theater. In general, I’m not sure I’m sold on the concept.

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SVU Mayhem

The end of my short story is in sight. I know more or less what’s going to happen in the last page or two. All that remains is to write them. I stopped this morning on a high point so I’d have some momentum going into the ending tomorrow. The first draft is going to clock in at over 5500 words. Maybe as high as 6000. Well within the guidelines, but I suspect I’ll be able to trim it back to 5000 words before I submit it at the end of the long weekend.

I was surprised to see “Mayhem” from the Allstate commercials on Law & Order: SVU last night. Even more surprised, when I looked him up, to discover that he’s an alumnus of the show from back in 2000. That was one heck of a season finale: Cragen gets the Godfather treatment, sort of. I think this is the first time they’ve done a real cliffhanger, and it was a doozy. It was funny, too, seeing “Taub” from House playing a character somewhat sleazier than Taub. I guess the House clan will be popping up all over from now on. The same way I used to see Lost actors everywhere.

Speaking of Lost, I’m continuing my Season 6 review. I get confused at times about what we’re supposed to know when. During “Recon,” for example, I forgot that we didn’t know James Ford was a cop in the flash-sideways. I’d also forgotten how much “Ad Eternum” ground the show’s forward momentum to a halt. It’s an excellent episode in many ways, but in terms of overall series pacing: ugh.

I finally got around to seeing the latest Jesse Stone TV movie starring Tom Selleck. These two-hour movies have the same pacing as a 1970s crime drama, which is to say that they are leisurely. I wasn’t sorry to see the two cops go up in the opening scene, as they were annoying to the utmost. After that, it was a kind of old home week as Selleck’s Stone meandered through the landscape, touching base with all the familiar characters/actors from the previous movies. Some of it felt obligatory, like the visit to William Sadler’s mobster character, though it did set up the interesting flirtation scene with his assistant, Amanda, and he extracted one piece of useful information from her. On the whole, I enjoy these, but I think they try a little too hard to be Robert B. Parker. The whole dialog repetition thing (You didn’t like him. I never said that.) grew old fast. Also, I don’t think Parker would ever have written a criminal mastermind who commits the rookie mistake of knowing something before he’s told about it (the perp knew about the bombing before anyone else). Who was the sniper working for and why was he following Jesse around, so overtly? The scene in the ship at the end confused me to no end: did the perp know the sniper was there, or was the sniper after the perp, too? Hard to say. Selleck speculates that  CBS might not order any more of these movies because they don’t know what to do with them. Sad state of affairs when a two-hour mystery of the week can’t exist any more. The demographics were interesting, too. The show performed well and won its slot overall, but the all-important younger audience didn’t watch.

I almost gave up on The L.A. Complex when Connor started acting weird on the set, but I’m glad I stuck with it. Raquel gave the performance of her life at that AA meeting. (Jewel Staite was excellent, too, but it was clearly her character putting on an act to salvage her movie deal). I got a kick out of the geeky (and painfully unfunny) stand-up comic’s plight. He’s been having women problems since, well, birth actually, but in one day he ends up in bed with two different women.

Shades of War Games on this week’s Eureka. At least the computer program didn’t offer to play a game of tic-tac-toe or chess.

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Into the sunset (contains House finale spoilers)

Every show’s finale should include a Warren Zevon song. They used “Keep Me in Your Heart” from The Wind album during the finale of House, to good effect.

The retrospective was fun, in that it gave them a chance to showcase all the people behind the scenes. There was also an interesting conceit of a clown who popped up from time to time, though no one took any notice and it was never explained. Cast members past and present also had a chance to weigh in on the series. My favorite bit was the paintball battle between Hugh Laurie and Robert Sean Leonard at the end.

The episode itself was something of a surprise, though I didn’t know what to expect. Having Kutner show up that early set the tone, but we were mislead into thinking it would be only ghosts of the past, which was reinforced when Amber replaced Kutner. But after that it was his ex-wife (the always charming Sela Ward) and then Cameron. The one that got away and the one that he never managed to get. I was mostly willing to believe the autopsy report, but I felt the Huck Finn vibe going on, too. I kept looking at the congregation to see if he might have been there in disguise. Maybe he was.

His solution to his problem: how to avoid going to prison and missing out on Wilson’s remaining months, was the dominant through-line of the episode. His solution was radical but understandable, given his situation. He didn’t have a lot of choices. The so-called “bro-mance” has more or less defined the series from the beginning as much as the medical mystery part. The one sign that he was willing to change is the fact that he was willing to give up everything to spend those last few months with Wilson. Wilson underscored that there was no turning back from this—his medical career was over and he would go to prison for a long time if caught.  He fiddled the dental records, and he is technically a fugitive from justice. Presumably he made sure he had access to funds before perpetuating this fraud on his co-workers.

Too bad Cuddy couldn’t or wouldn’t come back. I’m not sure what the politics of that situation were. Was she not invited or did she refuse the invitation? Lots of others from the past showed up, including Andre Braugher, Olivia Wilde and Amber Tamblyn. It was almost old home week.

A lot is made of the final episodes of long-running series. Few are truly satisfying, but I think this was just about as good as it gets. Everybody didn’t die. Life goes on, in one way or another. Cameron gets married and has a kid. Foreman gets a clue that House isn’t really dead. Chase ends up with House’s job. Taub seems to be happy with his family. And Butch Cassidy and the Sundance Kid rode off into the sunset.

It seemed strange to have a Christmas episode of Mad Men when the temperature is over 90° here, but I guess the contract negotiations and delay to the season launch messed them up a little. The scenes with Don and Joan were terrific: hearing Don admit that Joan terrified him and having him help build her confidence back up again after being served. The subplot with Paul Kinsey becoming a Hare Krishna writing spec scripts for Star Trek was priceless. And wasn’t Mother Lakshmi a piece of work. A leopard that never really changed her spots. Sounds like Lane was in trouble with Inland Revenue and now he’s in double trouble after embezzling money from the business—money he thought he was going to get anyway until the airline decided to suspend advertising due to a strike. Deep doo-doo.

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Exotic marigolds

Part 2 of Episode 2 of the Lilja & Lou Podcast is now online for your listening pleasure. I join L&L to talk about The Wind Through the Keyhole and my book, The Stephen King Illustrated Companion.

I got some more work done on the short story in progress, but I spent much of the weekend whipping my submissions into shape. I had quite a few stories lying fallow, along with a number that had been in the hands of markets for more than eight months. I queried a couple of them, but for the most part I classified them as implicit rejections and resubmitted the stories elsewhere.

The season finale of The Mentalist was exciting. It took me a few minutes to figure out who it was in the back seat of the limo once the firing ended. Nothing at all symbolic about a character named Lorelei who lures Patrick into bed before dashing him on the rocks. I have absolutely no idea how you pronounce the actress’s last name: Emmanuelle Chriqui. I wonder if she’ll be featured much next season. CBI doesn’t have a good track record when it comes to keeping Red John’s minions alive in custody.

Not a bad two-part season finale of Criminal Minds, either. I had a suspicion the guy in the bank was going to play a more important part, simply because the actor looked familiar. JJ demonstrated the inherent dangers in getting between momma bear and her cub. Ever since she’s moved away from being the media liaison, her character has gotten a lot tougher. Looks like Prentiss is gone from the show. Again.

We went to see The Best Exotic Marigold Hotel this weekend and enjoyed it, as we knew we would. The cast is populated by some of our favorite actors: Judi Dench, Maggie Smith, Bill Nighy, Tom Wilkinson and Penelope Wilton (from Downton Abbey and Harriet Jones from Doctor Who). This motley crew of geriatrics all go to India to take advantage of the cut-rate accommodations offered by Dev Patel’s character. Maggie Smith is the only one who isn’t planning a permanent move. She’s in India to get a cheaper and more immediate hip replacement and convalescing at the hotel. It’s a fun film, with some serious moments. A bit predictable at times and surprising at others. I figured the outcome of the Bill Nighy/Penelope Wilton story was a given, but the way it came about surprised me. I loved seeing it on the big screen, where all that wonderful, exotic scenery is before you like an oversized landscape at a gallery.

We returned to The Sopranos this weekend, finishing off Season 4 and reaching the halfway point of Season 5. Good to see Steve Buscemi. I had high hopes that his character would be able to remain above the fray after he got out of prison, but he got sucked back in after a couple of ill-advised choices. Robert Loggia’s character was pretty annoying, but it was good that they found an alternate way to eliminate him as a problem than the usual.

I’ve had the DVDs of Season 6 of Lost on the coffee table for months, so I decided to revisit the show. Watched the first five or six episodes. It’s interesting to see it again knowing what it all means and how it will turn out.

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Osteoporosis by Tom Piccirilli

My buddy Tom Piccirilli is doing a blog tour to promote his upcoming novel, The Last Kind Words (reviewed by me here). Suffice to say: I loved it and I hope it does gangbusters for him.

For this stop on the tour, Tom is offering a short story called “Osteoporosis,” which I am pleased to present without further ado. It’s free, but if you enjoyed it, I encourage you to check out The Last Kind Words.

Osteoporosis

Tom Piccirilli

They hadn’t seen each other in fifteen years, and then a call from out of nowhere, six o’clock in the morning, let’s meet tonight.

Now they were sitting in one of those kitschy sports bars with nine flat-screen TVs hanging from the ceiling, staring at each other over a pitcher of beer and a wicker basket of salsa and chips.

“You’re kidding, right?”

“Depends on your definition of kidding.”

“How about if we use, what you might call, the generally accepted definition.”

“Then no.”

The noise was up there for a Thursday night, a lot of pretty and not-so-pretty girls seated at the bar glancing around, bored, waiting for some guys to buy them drinks.  In one corner clustered a handful of young men with eager eyes and stupid, slack smiles, already half in the bag but still too insecure to give it a whirl.  It was early yet.

“I’ve heard this story before.  I’ve seen it in movies.  It never turns out well for the guy in my shoes.  Doesn’t particularly work out for the other guy, the guy that you play, either.”

“Let’s not get hung up on old, bad pictures.”

“Right.  So let me take it from the top, just to get it straight in my own head.”

“Sure.”

“If I’m getting this right, if I’m understanding it correctly–”

“I think you probably are.”

“–then you want me to ice your wife, Gloria.  The mother of your four kids.  The woman I toasted on your wedding day.”

“That was a nice speech, sounded very sincere.”

“What you’re telling me is that after nineteen years of marriage she’s fed up with your inattention, your lack of affection, and your daily hostility.  Your obsessiveness, your crazy compulsions.  Your quirks, the nasty thrum in your voice.  Your volatile temper.  The way you leave your socks on the bathroom floor.  She says you’re emotionally distant–”

“That’s it exactly, and you put the emphasis in the right places too.  You don’t even realize it but you’re doing a rather good impression of her.”

Dressed up like a ref, whistle bobbing on a string around her neck, the waitress came over when she saw their glasses were empty, and poured them each a fresh one from the pitcher.  The salsa wasn’t bad, the chips fresh and salty.

“Okay, and now she’s seeing a divorce lawyer behind your back–”

“Marty Gestle.”

A roar of disappointment from the bar, someone failing to make a catch or a run or a basket, who the hell knew.

“Joey’s brother?  Kid who used to always start fights with the biggest guy on the other team in roller hockey?”

“Yeah, that’s him.”

“So we know he likes to brawl.”

“He doesn’t just brawl, he wins.”

Both of them remembering the worst scrap they ever had on the street, Joey and his brother chopping down with their sticks and shattering collarbones, breaking jaws, causing concussions, the neighborhood ladies screaming, a fire engine and three cop cars thundering in like there was a chemical plant about to explode.

“He a top attorney?”

“He’s got himself a penthouse office down in Soho.”

“That those new high-rises, the ones that are all glass, they keep killing pigeons?”

“A couple blocks further north, but still a sweet area.  I’ve got some investments there.”

“All right, so she’s seeing a big gun lawyer and she’s going to take you for all she can.  She knows about your hidden assets, the portfolios, the money tied up in real estate, bonds, cash in a couple of bank deposit boxes…how much did you say she could pull in?”

“Half of what I’m worth, she could rip me about six mill.”

Both of them nodding, thinking the number over.  The amount meaning different things to each of them.

“So you want me to bump her off at a time when you have your alibi firmly established, like when you’re in the middle of some business meeting surrounded by twenty execs–”

“We’ve got some clients coming in from Chicago next week.  I figure I can take them down to Wiggles, show them a good time, make a scene.”

“They’ll get wrecked on that cheap booze.  That place probably moves twenty pounds of X every night in the john.  Will your Chi guys remember enough to be able to testify?”

“If not, the dancers will, if the tip is big enough.  Those girls, they never forget a great tip. And I’ll make sure to use my black card.”

“Okay.  And in return you’ll do me a favor that you say is of equal worth, of equal value.  You will, you suggest, knock off, for me–

“One good turn deserves another.”

“–you’ll bump off, for me, Mr. Saknussum.  The person you’re willing to kill, as a favor to me, is our old eighth grade gym teacher.”

“Right.”

The notion hanging out there, sort of spinning through the air.  The pitcher empty, the ref coming by to put another one on the table, pour them glasses.

“I didn’t ask you to kill Mr. Saknussum.”

“You didn’t have to.  I remember how much you hated him.”

“Mr. Saknussum is probably eighty-five by now.”

“He’s still healthy as a bull.  Guy still works out, can military press two-fifty, even with the osteoporosis.”

“And you know this how?”

“I’ve kept tabs on him over the years.”

The obsessiveness, crazy compulsions, and the nasty thrum presenting themselves.  Another missed chance on the television, screeches at the bar.  A couple of the drunk not-so-pretty girls were staring at the boys, their moist faces full of sorrow.

“I’ve got nothing against Mr. Saknussum.”

“Oh, come on!  I’ve heard how you talk about him!  About how much you despise this guy, how you wish you could put him in a gunny sack and drop him over a cliff.”

“I said that maybe thirty years ago when we were twelve.”

“And he made us shinny up those ropes all day long.  Up the ropes, down the ropes, and those rings!  And the high bar.  And the wind sprints, god–”

A nice long pause, all these memories and considerations being muddled over.

“I would think, seeing as how you want your wife gone so you can save yourself a few million bucks, that you might have at least asked me if there was someone else I might want to ice a little more than our eighth grade gym teacher.”

“Why?  Is there someone else you want dead?”

“I didn’t say that.”

“Of course you didn’t.  So Mr. Saknussum it is.  Just give me a date and time when you can establish an alibi and I’ll get my wire-cutters and–”

“You’re going to wire-cutter the guy to death?”

“No, no, that’s for before, to show him what pain is, to teach him that some of us were capable of achieving success on our own, in our own way, regardless of whether or not we were able to climb those ropes all the way to the top.  Or do the parallel bars.  Or–”

“You know, I think I’m going to have to pass on this deal.”

“Pass?  Why do you want to pass?  It’s a fair trade!”

“It’s been good seeing you again, let’s not wait another fifteen years, right?”

“But what about my wife?”

“She might be right.  You do seem a bit emotionally distant and a little quirky.  You might want to work on that.”

“What?  Wait!  Come back!  Let’s talk this out.  Was it the remark about the wire-cutters?”

The punks finally had enough liquor in them to start making their moves.  But they were still too slow, taking it too easy, without any idea of what was coming for them around the next corner.  They didn’t understand that in no time they’d be gray, ashen-eyed, balding, full of resentment, and suffering from osteoporosis.  You had to take a few risks. You had to sidle up next to the prettiest of the pretty girls, give her a wink, hit her with your best grin.  Sometimes you had to put everything else out of your head–the late mortgage payment, the nasty letters from the IRS, the child support, the palimony suit, the eighty-five year old gym teacher who could still make your stomach swirl with bile when you thought about climbing those damn ropes, the high bar, the rings–and just go out and enjoy yourself.

You had to order another beer and formulate a plan.  You always liked Gloria.  Your speech sounded sincere because it was sincere.  You figured it wasn’t out of the question to maybe stop by and say hello after all these years, show her some attention and emotional support, let her cry on your shoulder.  Six million for a divorcee.  Yeah, or twelve mill for a widow.

You look back at him, still sitting there finishing up the free chips, wearing a four thousand dollar suit, three-carat pinkie ring, muttering to himself.  It makes you shake your head and give a sickly chuckle.

The girl asks you what you’re laughing at and you say, Nothing, honey, I like the way you smell.

 THE END

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Contract negotiations?

People have been asking about a hard copy of Rage Against The Night, the anthology from which all profits flow to the Fund to help Rocky Wood manage ALS/Motor Neurone Disease. You can now purchase the trade paperback from Amazon or Barnes & Noble. It contains my short story “The View from the Top.” Of course, the Kindle and nook versions are also still available.

Stay tuned for my next Storytellers Unplugged essay, which is called “Desperation and Impatience.” It goes live overnight.

I actually made some decent forward progress on the work-in-progress this morning. I’m still feeling my way around, but I think I know where I’m headed.

Only three of the six major cast members from NCIS (Gibbs, Tony, Ziva, McGee, Ducky and Abby) have signed renewal contracts. Do you think the way the season ended was a negotiating gambit? The three who renewed will definitely be back next fall, but what about the three who haven’t yet?

Eureka was a lot of fun this week. With all the personality hopping, the actors got to stretch a bit by pretending to be another character and Jack, of course, was the center of it all and got to be Fargo, Zane and Allison, in some delicate situations. Fun show.

Only one more episode of House left. Next week there’s a retrospective and then the finale.  Sending him back to prison isn’t final enough, so something else has to happen. Good to see Thirteen back again. I don’t think I’ve ever seen her laugh as much as she did this week.

An intriguing and somewhat boggling ending to How I Met Your Mother. All season long we’ve been set up to expect something surprising about Ted, only to have everything turned upside down. Robin in a wedding gown. Where did that come from?

I liked the acting coach on this week’s L.A. Complex. He was more like some sort of thuggish enforcer crossed with a motivational coach. Reminded me a bit of Mike from Breaking Bad. Speaking of Breaking Bad, I hear it’s back in July for the first eight of the final sixteen episodes. The Closer is back in July, too.  Burn Notice, and Rizzoli & Isles will be back in June.

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