Penguin -> Peahen

Some days are lost to writing because you have to look after real life every now and then. Spent most of yesterday running around getting my car tended to. It’s not something I have to do very often, given that my daily commute is less than 5 miles round trip.

Did get caught up on Fringe, which has been renewed for a fourth season. In the tradition of a good soap opera, why let a pregnancy drag on for weeks and months when you can speed it up to a matter of mere days. Throw in the complication of Viral Propagated Eclampsia to put both the baby and the mother at risk. Stir in a meddling mother for good measure. I wondered if a fetus was stunned when its mother is tasered while at the same time I found myself thinking of Lost and the imperiled mothers being taken by the Others. Good to see Henry back as The Cabbie Who Knew Too Much. Loved the exchange when Fringe Division found him. Lincoln yells, “Hands on the wheel” and Charlie yells, “Get out of the car.” Poor confused Henry asks, “Which one is it?”

The “joint expander” reminded me of a medieval rack, and that was one of the biggest needles I’ve ever seen. Lincoln gets to profess his love when he thinks Faux-livia is about to die. I wonder how that will play out. And then we get the twist ending to find out who was behind the kidnapping and experimentation. Should have guessed.

Things that are different in the alternate universe: NY license plates have a dark band at the top. Opus the Penguin is Opus the Pea Hen. Taxi Driver was directed by Coppola. Typhoid shots are required. Things that are the same: It’s the Year of the Rabbit on both sides.

We watched Hereafter last night, the Clint Eastwood film starring Matt Damon as a psychic who can connect to the other side when he touches grieving people, and who among us hasn’t lost someone? The movie drew mixed reactions when it was released, and I can see why. It isn’t a film for the impatient.

In a way, it’s three movies in one, one of which is a French film with subtitles.  They come together in the end, of course, but for a while it baffled me how people from three different countries could possibly intersect. The writer manages this without stretching credibility too much.

It starts with an all-too-real depiction of the 2004 Indian Ocean tsunami that killed over 200,000 people. The footage was almost impossible to watch for anyone familiar with the recent news reports from northern Japan. A famous French news journalist on vacation with her boss/lover is swept away by the waves while she’s buying gifts for his children, a task he neglected. She dies for a while and has a vision of the other side that irreparably alters her world view. She’s distracted when she gets back to work, and when she’s offered the chance to write a Mitterand exposé she instead begins work on a book about people who’ve had similar visions—reporting on what she sees as a conspiracy of silence because such people are often discouraged from talking about these experiences.

Damon’s George has retired from the business of doing readings for people because it overwhelmed him. His exploitive brother calls his power a gift, but he calls it a curse. He’s like Johnny Smith from The Dead Zone, retreating from the touch of humanity because of the demands it places on his life. Whenever he tries to break out of his shell, people insist on knowing his past. Once they find out, they all insist on a reading. When he accedes, it is usually to the dismay of the subject, as with the attractive young woman (Bryce Dallas Howard) he meets at an Italian cooking class. The messages from the other side are often ones of regret about things not atoned for in life.

While I cogitated over the film, I came to a conclusion: George may not have been communicating with the other side at all. He learned nothing that his subjects didn’t already know, and had no insight into the nature of the land beyond. My theory is that he could read the minds of his subjects and provided them with what they seemed to need. He gave his brother’s business partner permission to act on his feelings toward his late wife’s caretaker. He told the young boy to stop pining for his dead twin and get on with life. He tells a young woman that a relative wanted to apologize. And so on. I was amused to find this exact theory espoused in Roger Ebert’s review of the film. Almost word for word!

The movie doesn’t assert any belief in a hereafter, nor does it deny such a thing. Mostly it’s about mankind’s need to know what happens next and, in a way, that need is driven by the possibility that people might get a chance to communicate after death all the things that were left unsaid in life. Two thumbs up.

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A Flea in Her Ear

I skipped my morning writing session today. Didn’t plan to, but a few minutes before the alarm went off at 5 a.m. I reset it to 6:30. I normally catch up on sleep on the weekend but I have to take my car in for its 30,000 mile overhaul at 7:30 a.m. tomorrow. I want to make sure it’s in tip-top shape before I drive over to Austin for World Horror in about a month’s time.

I officially deleted Criminal Minds: Suspect Behavior from my DVR recording schedule. I thought about doing it last week, but forgot, so I recorded this week’s episode. I hate it when the camera lies to us. Sure, you can hand-wave that we were seeing things from the perp’s perspective, but that rarely works for me unless it’s very carefully set up that way.

My introduction to French farce was a Theatre New Brunswick offering of A Flea in Her Ear back when I was in high school. It’s one of those high-energy productions that has a lot of doors with people going in and out on each other’s heels, narrowly avoiding seeing each other and ending up in all manner of hilarious situations.

That was what I was reminded of with this week’s Justified. Turns out Winona didn’t just take one $100 bill, she took all of them. And Raylan didn’t recover the one that ended up in the bank robbers’ pockets. When she tells Raylan she’s sorry, he says, “I know that. That’s the only reason I’m not hitting you over the head with the phone book.” He’s willing to put his career (and his liberty) at risk to save her. In a way, the bag of money is a McGuffin—the thing everyone is fixated on that drives the action, but in and of itself is sort of immaterial. The simple act of getting it from Raylan’s room back to the inventory locker is a comedy of errors. It ends up in the skeezy judge’s chambers, of all places, and when it finally gets to Winona’s office, it becomes an object of interest in a bomb threat. Sheesh.

However, despite his intense interest in saving Winona from jail, Raylan is still a Marshal. When the bomb threat comes in and he thinks he might use the distraction to make sure the money gets where it needs to be, he turns back because he senses something deeper going on and he’s not willing to put the judge’s life at risk. Good for him.

Of course, Raylan’s path has to cross with Boyd’s at some point. Boyd is the cat among the pigeons, a thief hired to act as security for a woman who represents a mining company in a wrongful death suit. She dresses him up in a suit (Raylan admires his new attire not once, but twice) and brings him to court after showing him videotape of the guy’s death. Carol seems a bit of an odd duck, and I sensed that she was disappointed when Boyd wasn’t interested in watching the snuff film a second time.

When Raylan is ordered to search the courtroom for bombs because the judge is (probably rightfully) nervous about some of the people involved in the case, Boyd offers his professional assistance. “I have spent a considerable amount of time hiding explosives,” he says in that soft voice of his that carries so much power. When someone else observes how strange it is to see Boyd in the courthouse, he deadpans, “Without shackles or an attorney present, it’s strange for me, too.”

I see this incident with the stolen money as a great equalizer between Raylan and Winona. Until now, she seems to have had all the power in their relationship but Raylan’s efforts might get him cut some slack from now on. And at last we have the vector that puts Boyd and the Bennetts on a collision course, courtesy of the mining lady. Mags and her boys are going to need to be dealt with, Boyd’s new boss tells him. Raylan tells Carol that Boyd has had his back on a couple of occasions in the past, despite the fact that Raylan also shot and arrested him. It might be time for Raylan to have Boyd’s back in the coming battle.

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Is there a doctorate in the house?

I don’t often write about personal things on this blog, but an exception needs to be made here. Yesterday afternoon I attended my wife’s doctoral dissertation defense. It was the culmination of a number of years of hard, hard work. She first presented a summary of her research in 30 minutes to the audience, which consisted of her five-person committee and anyone else who wanted to attend. Other faculty, some of the nurses who assisted her during data collection, friends and family members.

At the end of the presentation, the committee members took their first crack at questioning her, and I could tell from their demeanor that they were favorably inclined toward passing her. Then the floor was opened to the audience. I took a big risk in asking her a question that occurred to me during the presentation and was a bit dismayed when one of her committee members picked up on it for a little more questioning, but it turned out all right in the long run. She handled everything like a pro. The audience was dismissed and the committee continued to question her behind closed doors. Then she was released while they conferred and then summoned back a short while later for their decision: she passed. She still has some changes to make to the dissertation, but the worst is behind her.

The PhD density in our household doubled yesterday afternoon, I joked at the time. It’s a major, major accomplishment and I’m so proud of her that I could burst!

Back to your regularly scheduled ruminations: I think the Zapatera tribe made a strategic mistake in the person they voted out last night on Survivor . What evidence do they have of Sarita’s ongoing loyalty? It seems to be based on negative evidence: she didn’t do what Stephanie did, so she’s loyal. Stephanie made one strategic mistake in the early goings, and for that she’s been on the outs, even when she’s demonstrated that she can be an asset to the tribe.

I was one of the people who applauded the tribe’s decision to throw a challenge to get rid of Russell but in retrospect it looks like a terrible choice. It’s been all downhill for them ever since. Rob continues to play strong and smart. Who else would notice a clue to the hidden idol and let someone else find it as part of his strategy? He’s definitely thinking on his feet, all the time. Philip is starting to fall prey to Jimmy T.-syndrome. Nobody appreciates me. Wah.

We finished the third and final season of Deadwood last night and I have to say that the season was ultimately a big letdown. I could feel the building force of tension toward a big showdown. Hawkeye arrived with his bunch. Wu brought back his team. The Pinkertons were amassing. I couldn’t wait for the big showdown. And then, nothing. Hearst got on his wagon and rode off to his next dig. Megafizzle. And there were all sorts of plot developments that served no purpose. Why did Odell have to die? It happened off screen and didn’t do much. His body showed up at Charlie’s depot…with no impact on the story. The fire engine? Nada. The tree in the schoolhouse? Shrug.

I think the writers made a serious mistake when they made a real person with a known history the villain. It was obvious that Hearst was going to survive Deadwood…because he did. His progeny are still around. Without turning it into an alternate history, he had to survive. It took all the tension out of every threat to his existence, including Tolliver’s impotent raging at the end. The third season had some good moments, but ultimately it didn’t live up to the rest of the run.

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Exit. Stage left.

Started working on the new/old novella in earnest this morning. I qualify it that way because, though it is starting from a broken novel that dates back a few years, it will end up being a lot different from that earlier attempt. A lot different. And yet somehow similar. I hope. I think. Early days! I think it will be the first short work I’ve ever written that has chapters.

Spring has definitely sprung here. Daytime in the eighties, nighttimes in the mid-sixties. The azaleas have all bloomed.

Jonathan Lithgow as Barney’s father on How I Met Your Mother. How inspired. At first he seemed like the perfect explanation for how Barney got to be the way he is, and then it turns out that he’s just a normal, boring family guy.

This week’s House was a rare episode where the patient-of-the-week story was better than the off-stage drama. Oh, it was fun watching House play with his toys, including a Segway, remote controlled helicopters and a monster truck—oh, and a Russian bride, too. I think that counts. (And I think the logical side of Wilson was running the numbers on House’s profit-and-loss statement and saying, you know, that makes sense.) But the homeless guy who wouldn’t give his name was fascinating. His malady wasn’t all that important (thought the sensory confusion was interesting), but there was a twist at the end that made my jaw drop. Did not see that coming. The teeth in his intestines probably didn’t come from a back alley dumpster diving meal.

The best revelation of the week, though, was the preview, in which we see that Thirteen (Olivia Wilde) is back. Not for another three weeks, but yay!

Does it get any soapier than that? When I saw that Castle was going to take place primarily on the set of Temptation Lane, I thought it was going to feature call-backs to Fillion’s run on Desperate Housewives. Instead the tie-in was more with his mother, who used to appear on the soap opera. In one memorable three-week run she was kidnapped twice and trapped in a cave with bears, among other dilemmas. Good use of real soap opera stars (and, apparently, the real All My Children set) and Corbin Bernsen (who gets to do his Jack Nicholson “you can’t handle the truth” schtick), along with Jane Seymour as a con artist.

This was a nice, light episode, with lots of funny moments. The revelation that Beckett is a soap opera fan—or at least this particular soap opera. A run of dialog between Esposito and Ryan that goes like this: “Dude.” “Dood.” “Dude.” All with different inflections and chronicling Esposito’s dressing down of Ryan for ogling the sexy actress they were supposed to be interviewing. The wordless conversation between Beckett and Castle in which she told him to offer to read the barista’s script. After their tag-team, feeding-off-each-other breakdown of the case, Esposito and Ryan seem amazed, but if they’d seen that they would have been flabbergasted.

Castle calls her by her full name (Katherine Beckett) after her mind ventures near the gutter, and he’s glad to learn something new and personal about her. Despite their best timing moments, though, Josh is always there to break things up, even if it’s by phone.

The victim was the writer. “Why would anyone want to kill a writer?” Castle asks. “Oh so many reasons,” Beckett retorts. “Esplanie,” the portmanteau word for Esposito and Lanie. Loved it when Beckett told the detective his client was dead. “What do you mean, she’s dead?” Castle responded, “She’s dead. It only has the one meaning.” As soon as the assistant was invited to join the writers, I knew who the killer was, though I didn’t figure out the motive. “There are no shortcuts in writing.”

Posted in Castle, House | Comments Off on Exit. Stage left.

Ups and downs

Conducted business regarding three different short story submissions this weekend. On Friday I received the check for a story that will appear in the new market AE: The Canadian Science Fiction Review. I’m not exactly sure when it will be published, but they pay well and have been great to work with.

Then yesterday I received my contract for “Red Planet,” which will appear in Evolve 2, edited by Nancy Kilpatrick. Finally, this morning I received a rejection letter for my submission to Tesseracts Fifteen. I had high hopes for the story but it didn’t make the cut, alas.

We met Clint Cannon and his girlfriend during our late-December trip back to Canada. The trip where we almost got stranded in Newark because of a blizzard. At the time, we just knew them as the people we kept running into all the time, on both legs of the journey. Then I noticed that some people recognized him and discovered that he was a famous bareback rodeo rider who had starred in a documentary. He took first place in the bareback riding competition at the Houston Livestock and Rodeo Show last week.

Two-thirds of the way through the final season of Deadwood. The doc looks like he’s on the mend. At least he wasn’t hacking when he came to see the moron who bought the livery. There doesn’t seem to be much historical evidence to support the presence of Wyatt Earp and his brother in Deadwood, but that’s okay. The guys look shiftier than I would have expected, though.

Kynt and Vyxsin made an amazing recovery on The Amazing Race this week. I was sure the loss of their fanny pack was going to be the end of them, but they recovered and finished in the middle of the pack. The double U-turn didn’t phase team Globetrotter much, but it was the undoing of the redheads. That dinosaur challenge looked hard, and yet Margie finished it quickly.

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There is hope in raindrops

Poked around at the novella renovation that I want to do next, but not much forward progress yet. Rewrote a couple of pages, updated them to a more contemporary setting and technology (the story was inspired by a very creepy classified ad I saw in the Halifax Chronicle-Herald over 25 years ago) and toyed with changing the gender of my protagonist. Still might. We’ll see.

I finished reading The Fifth Witness by Michael Connelly this morning. A very satisfying courtroom thriller. It felt to me that the prosecution case was set forth in a logical manner, as one might see it in real life rather than something concocted for dramatic effect. Plenty of reversals and change-ups, and decent character development. A bit of self-referentialism when a movie producer tells Mickey Haller he wants Matthew McConaughey to play him in a film about his current case, and an obligatory visit with Harry Bosch, but I liked this better than some of Connelly’s more recent books. Full review to follow. I noticed an odd caveat on the copyright page that I’ve never seen before: “The publisher is not responsible for websites (or their content) that are not owned by the publisher.” I wonder what inspired that.

Next up: Devil Red by Joe R. Lansdale, the new Hap and Leonard novel. Can’t wait.

We’re halfway through the third and final season of Deadwood. The more I see of it, the more I think the creator and writers were steeped in Shakespeare. Now that the traveling performers have arrived, I’m certain of it. Hamlet anyone? Al gets soliloquies like no Shakespearean actor ever did, though. Deeply revealing monologues. Not enough of the doctor in the past few episodes. Last scene coughing up a lung. The Hearst storyline is building to something explosive. Loved the scene where Bullock arrested him and pulled him across the thoroughfare by the ear and locked him in a cell with the body of someone he had murdered for the night.

I finally realized why Trixie (Paula Malcomson) was so familiar to me. She was Maureen Ashby in Sons of Anarchy. For some reason I never made the connection before. She was on Fringe this week as the woman who couldn’t die because she was struck twice by lightning, which made her molecules bind together more strongly. No, it didn’t make any sense to me, either, but sometimes you just have to shrug and move on. Unlike the lighter-than-air osmium last week, this was one of those things that is mentioned once and then forgotten.

Anna Torv did a fantastic job as Bellivia. Her growly voice and dialog pacing was just right, and she arched an eyebrow in classic Nimoy style just enough. “I never realized a bra was so binding,” s/he says as William Bell adjusts to his new surroundings. He seemed less interested in exploring his new body than in hitting on poor Astrid, though, who was seriously creeped out by his attentions. Good thing she wasn’t around to hear him when he and Walter were discussing the possibility of transferring his consciousness into Gene the cow, whom Astrid would presumably then have to milk.

Good to see Agent Alterna-lee, who started out as a non-believer (“Stranger things have ahppened,” Billy says. “Um, no, they haven’t,” he retorts.) but quickly embraces the weird, including compassionate soul vampires and even comes up with a few off-the-charts Fringe-like suggestions of his own as the case evolved.

Billy and Walter are delighted at being reunited (“They’re doing that thing where they don’t finish sentences,” Astrid complains as the two men work on the famous “three trains leave different stations at different intervals and different speeds” problem we all know from high school math), even sharing a joint while listening to Supertramp.

I had a few quibbles with the storytelling this week, though. First, has there ever been a scene where a person falls from a roof onto a car several stories below where they haven’t hit the roof dead center? Do people never bounce off the fender or the trunk. Okay, that’s a little quibble. But why would anyone have an invoice for 20 lbs of plastic explosives. Are we meant to think he bought the stuff legitimately at, oh, I don’t know, Bombs R Us? And wasn’t that the worst job of trying to trace a cell phone call you’ve ever seen by the FBI? Peter was on the phone with Dana forever, and they didn’t even get a general location. Then the FBI shows up at the train station in full Code 3 mode, sirens blaring and lights flashing. Way to tip the bomb-wielding suspect off. And, finally, how could Broyles have any idea when the bomb was set to go off? Nothing they found at the apartment told them that, but he had it down to the minute.

I liked the Ascension of Azrael concept, and the funny shifting of William/Olivia at the end implied things are getting dangerous. I wondered if the tolling of the church bell might have triggered something, since William’s bell was what activated the “soul magnets” in the first place. I really do hope Fringe survives and is renewed, though its numbers were bad this week.

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Do you remember the end of Jaws?

This morning, I started reading through the old work that I plan to renovate as a novella. It’s not going to look very much like it did in its original form, I believe.

I posted my thoughts about Mystery by Jonathan Kellerman on Onyx Reviews last night. I didn’t have very much good to say about it, I’m afraid. It doesn’t advance the characters a whit and it doesn’t really break any new ground in terms of the series, plus it had some serious deficits. Might be time to take a break and write another standalone.

We finished the second season of Deadwood last night. Lots of dramatic turns of events. I was most surprised by the stabbing after the wedding. The suicide didn’t surprise me nearly as much. Good to see Gerald McRaney again. I loved the parallel drawn between the wedding and the transaction in Al’s office. Let no man put asunder.

I’m this close to pulling the plug on Criminal Minds: Suspect Behavior. It’s not a terrible show—it’s just one that has no purpose. The original is fine. I can’t think of many procedural spin-offs that have worked for me. Law and Order: Criminal Intent is the only one that comes to mind, and it has only eight new episodes left, and thankfully they are with Goran and Eames. Last week’s episode of CM:SB was marred by the constant outpouring of sympathy the team had for their sniper because the perp was also a sniper. I didn’t really get it, especially when they belabored the fact. This week’s was just meh.

Count me among the surprised when Winona stole some money from the evidence locker on Justified. That seemed terribly out of character, though people under stress can do stupid things. (And do we think she might be pregnant?) Then, when she just happened to end up in the middle of a bank robbery a short while later I found myself thinking the writers were really having an off week. Then I forgot about all those little quibbles when the geriatric crowd took over. A bank robber with an oxygen tank (reminded me of Piney from Sons of Anarchy) versus his old nemesis, Art, the only guy left at the U.S. Marshal’s office. The guy Raylan forgot to count when he was enumerating how many marshals were still around. Art, who backed up Boyd when he complained to the ATF guys about the way they were disrespecting Ava. It really was his episode, though Raylan got in a good few cracks, too.

My favorite Raylan retort came when he was confronting the doofuses at the bank. “Do you know where I come from? Harlan County. Down there we know the difference between dynamite and road flares.”

But the piece de resistance was the scene between Art and Frank at the airport. Slowest police chase in history. When Art threatened to shoot the oxygen tank as Frank shuffled toward his getaway plane (“Do you remember the end of Jaws?” he warned), Frank ditched the tank and kept shuffling. “My knees aren’t going to hold up to a foot chase,” Art complained. He takes chase, slowly, and returns to bring the oxygen tank with him,  but he was saved further indignity when Frank collapsed when his emphysema got the better of him. As the two men lay in the dust, Art asked, “Don’t you wish you’d quit smoking now? Shit’ll kill you,” as he put a chaw of tobacco in his cheek.

Definitely an episode that would appeal to someone who was staring down the barrel of time. Frank turned out to be a charming rogue, a cagey old guy who faked out his partners so he could turn them in and take all the money for himself. That was brilliant. He just wanted one last shot at the lives he hadn’t yet lived. After he itemized all the things he wanted to do during his Shawshank-style getaway, Art asked him if his ticker was up for all that. “I was willing to give it a try,” Frank answered. Later, Raylan teases Art about his new hearing aids. “My wife kept complaining that I couldn’t hear her, but I decided to get them anyway.”

I think this was the first episode without any sign of the Bennetts. Frank made up for it. Great character.

Posted in Criminal Minds, Justified | Comments Off on Do you remember the end of Jaws?

Tales to warm your heart

I have very little Irish blood in me. Most of it is Scottish and English. A dollop of French. However, growing up in Canada, I was blessed with an abundance of Irish and Scottish music. The Irish Rovers, who were Canadian immigrants by the way, were a mainstay of Sunday night television (as I recall—I associate them with Sunday, at least). One segment of this music variety show was often a little story told by Will Millar that went under the heading “Tales to Warm Your Heart” (they have an album of the same name, and a song with that title). Somewhere among the relics of my childhood I have a kid’s book by Millar that contains illustrated poems, but I can’t find any reference to it online. In my mind it also has that title, but I may be wrong. I’ll have to see if I can find it sometime. Might turn out to be rare. Did you know that The Unicorn is based on a poem by Shel Silverstein?

Am I wearing green today? I don’t know. I’m sufficiently colorblind, though, that I can say (almost honestly), “I thought this was green.”

My monthly essay is up at Storytellers Unplugged today. It’s called Writing Through It.

I finished another short essay and turned it in this morning. Now I’m going to turn my attention to a novella (15,000-20,000 words) starting with a 10,000 word story that has never been marketed.

I finished Mystery by Jonathan Kellerman last night. The unlikely coincidence that takes place in the opening pages is just that, a bit of synchronicity that has no place in a crime novel. The ending is really messy, and it takes Delaware several pages to explain how and why the crime took place…to the perpetrator. Not his best work, in my opinion. There’s an interesting scene where Robin accompanies him on a stakeout and, while it’s fun at first, after a while she starts cramping his style. Could have been explored more deeply, I thought.

Next up: The Fifth Witness by Michael Connelly. It’s another Mickey Haller novel (the timing is good, since The Lincoln Lawyer comes out this weekend). Haller has turned to handling real estate eviction cases after his legal practice went soft due to the recession. No shortage of business, and he’s good at it, but one of his clients is charged with murdering the man who she blamed for trying to take her house away from her.

Jeff Probst live tweeted during Survivor this week, which was interesting. Perhaps a touch distracting. I understand the attraction of the interactive process, but do you really want to take eyeballs away from the screen? Plus, he refused to answer any of the tweets Jeff Strand or I sent during the show. Hmph. I found it interesting that they showed absolutely no reaction from any of the other players to Russell’s elimination. When Rob & what’s-his-name went to watch the Redemption Island joust, Rob didn’t yet know that Russell had been voted out, so he wouldn’t realize the significance of seeing Matt there. But the two players from Russell’s tribe should have been ooh-ing and aah-ing about Russell’s loss, especially since they were his allies (as much as Russell can have allies). And then during the challenge, there was no statement by Jeff to the effect of “getting your first look at the tribe without Russell.” Strange.

Matt is doing very well at Redemption Island, but he’s basically in solitary confinement, so I wonder how that’s going to factor into things as the days go by. All he’s got is rice. Maybe he’ll go berserk and kill someone! (Hmmm…short story idea….) Rob is such a good player, though. He knew how to deflect Matt’s question about why he voted him off without giving away a thing. I’d never play poker against him. And his con game switching out the clues to the immunity idol was a stroke of brilliance.

The Emily Prentiss arc came to an end on Criminal Minds this week. The opening quote was from Elizabeth Bear, who’s one of the show’s biggest fans. Every week she dissects the new episode on her LiveJournal, so it was a nice nod back at her. Good to see JJ back, though I suspect it’s a one-off reappearance. Too easy to get her confused with the newbie in long shots. A good wrap-up, though I don’t really understand the logic behind getting rid of those two characters. The switcheroo at the end was rewarding, though.

Posted in Criminal Minds, Survivor | Comments Off on Tales to warm your heart

What do you do when you lose? Party harder!

I was in high school the year of the incident at Three Mile Island. Though it was all over the news at the time, it seemed a long ways off. Over a thousand miles, in fact. However, at the end of that first day, I one of my friends came up to me to ask a question that has remained with me until this day. “Is it true that we’re all going to die?” I quickly assured her that we were going to be just fine, but I was absolutely flabbergasted to think that she had come to school and gone through an entire day thinking that she—along with everyone else—was about to die as a result of this incident.

Now that I have the latest short story off to the editors (and the USPS tracking assures me that it left my hands yesterday morning in Texas and by 10 a.m. this morning it was in the destination city out for delivery), I’m working on a couple of small projects before I tackle the next story. I have three in mind. One is quite long, and may be a major revamp of an old trunk piece. I call it a trunk piece, but in truth it never came out of the trunk. Just couldn’t ever figure out what to do with it, but now it might be time to see if it can be reshaped.

Were we expecting House to descend into a quagmire of self-loathing and self abuse after his breakup with Cuddy? If so, that’s not quite what we got. Sure, he’s clearly knocked off his axis and in something approaching denial, but he sure seemed to be having fun doing it. As hedonistic as Larry Underwood in his party days, with a bowl of cash instead of a bowl of drugs. For me, the funniest part was when he started shooting at his hotel room door with a bow and arrow. I’m not sure if this was a deliberate reference back to Conan Doyle (House = Home = Holmes), but that’s how I took it, since Holmes used to shoot up the walls in his rooms on Baker Street. I kept expecting it all to turn out to be a dream again, though, especially when he played the special effects gag, and perhaps nudged in that direction by the prostitute with the hurdy gurdy. Heavy-handed thematic statement of the week came from the patient of the week, who, when told that he may no longer ride in the rodeo, blissfully says, “I can always find something else to love.” And then House jumps into the pool from his balcony, encouraging a bunch of other revelers to join him. “What do you do when you win?” he yells? “Party,” they respond in unison. Which leads to…today’s subject line. And shame on Wilson for not jumping in, too.

I’m starting to like La Roche on The Mentalist more and more. First we see him at home, with his yellow shirt and collection of Hummels, and now he messes with Lisbon just because he can. With Hightower on the lam, he’s appointed head of CBI and his first act is to replace Lisbon with Cho as team leader. Lisbon, after a few small adjustments, actually seems quite pleased to be relieved of some of her responsibilities, most notably having to reign in Patrick. Cho is, of course, a stalwart leader. After making overtures to Lisbon to maintain the status quo, he takes his job seriously. He gets in one barb when she offers him her office: I want no walls between me and my team. The case is pretty convoluted, and the resolution relies on one of Patrick’s patented put-up jobs. For someone who has been keeping a serious drug problem a secret for as long as the perp did, she sure fell apart fast. I liked Patrick’s line: She does the detecting and I do the insulting. Lisbon corrects him: Consulting. “That too,” he finishes.

Was I the only one who expected Detective Regan or the guy he was attempting to arrest to go out the window at the end of this week’s Blue Bloods?

Finally got around to watching Fringe last night. The first 95% was pretty much pointless, in my opinion, and then in the last minute there was another one of those game changers. What do you do when Leonard Nimoy decides to opt out of acting any more and you need his character? Give William Bell to someone else to channel. Anna Torv is getting the chance to work out a lot of acting chops this season, eh? As a chemist, this was an eminently cringe-worthy episode, since it flew in the face of everything known about heavy metal science. Okay, so that was supposed to be the point, but still. I’m glad that Peter and Olivia have finally decided to clear the air between them, right down to Peter confessing what he’s been up to lately, but what will this new change do to their relationship. I mean, is Peter even a Star Trek fan? It’s one thing for Leonard to ask his new girlfriend if she’ll consider dressing up like Uhura on The Big Bang Theory, but when your girlfriend all but turns into Spock, well, that’s gotta put a damper on things. The one thing the episode missed highlighting, I thought, was the fact that Krick was breaking every rule in the book to save his son. Walter could relate to that, no doubt. And I wonder if they ever considered letting the last experiment subject float away instead of being rescued.

Favorite scene by far, though, was Walter and the security guard, played by Lost’s Jorge Garcia, sharing a joint as Walter told about ending up in bed with Yoko. “It was the 70s. What could he say?” And it was funny when Walter thought that William would return through Nina.

Posted in Fringe, House, Mentalist | Comments Off on What do you do when you lose? Party harder!

Spring ahead

According to one item I read, a software glitch made iPhones fall back an hour yesterday morning instead of springing ahead. My iPod got it right, so I wonder why the phones wouldn’t. No daylight savings today—a cool front passed through making it dark and dreary all day.

I spent the weekend editing the short story I finished on Friday morning. The first draft was 6300 words. By the time I was done yesterday afternoon, it was down to 5500. Most of the words went on the first pass, which is fairly typical. One of these days I may learn how to skip writing all that extra verbiage in the first place, though I’m open to the possibility that they are part of the creative process. I really like the way it turned out. I wrote myself into a corner and used the corner as a plot development. Had to overnight the manuscripts to meet the deadline. Fingers crossed, though I don’t expect to hear back for months.

We watched the end of Season 1 of Deadwood and 3/4 of the second season. Still loving it, still think the doctor is the best character, getting a kick out of Calamity Jane upon her return. Swearingen was put through the wringer in the early parts of season 2 with his kidney stones and the treatment thereof. Man, he looked like crap! Fascinating the way the characters all dance around things without addressing them head on, with the exception of Swearingen who seems to have no filter whatsoever. He can keep secrets, but he’s pretty open about his opinions of people otherwise. His conversation with Alma Garrett was funny. She objected to his colorful language and you could see his forehead pinch each time she tut-tutted him as he had to review what he might have said that would offend her.

I’ve never seen a team melt down as completely as Kynt and Vyxsin did on The Amazing Race this week. They missed a mandatory flight out of Narita. Vyxsin allowed her emotions to overwhelm her during one of those needle-in-a-haystack challenges. And then, to top it all of, they left their fannypack containing money and passports in a gondola car and didn’t notice until they were well away from the site on a bus that couldn’t easily turn around. They almost dug themselves out of the missed-flight fiasco, but it’s hard to imagine that they’ll be so lucky twice in a row. Ron was pretty funny, the way he kept irritating his daughter because he wanted to stop and nibble at every kind of food they passed in China.

CSI did something this week that shows seldom do. They showed me a character played by a recognizable actor (Max Martini from The Unit) in a moderately significant role at the beginning of the episode and then made me forget about him. However, they didn’t catch me with their other sleight of hand. If there’s a murder without a body, I immediately think the person is still alive. It’s like the old Ross McDonald novels where they find a body with the face smashed in. I immediately knew that the body had been misidentified.

We don’t see nearly enough of the Bennetts on Justified this season, but a few minutes of Mama Bennett doing the latest amazing thing make up for a lot. This week, she discovers that her dunderhead boys have been trying to think for themselves again, which is usually a bad thing, so she lays a smack-down on Coover for being stupid enough to cash checks belonging to McCready, the guy they murdered at the beginning of the season. I don’t think she knows he also stole the guy’s watch, so maybe he’ll get some more schooling. I’m not sure which hurt more, though: her hammer blows to Coover’s hand (not his gun hand, she hastens to point out) or the cutting remark she makes to Dickie about how he’s crippled to the point of worthlessness, and that she likes Coover—implying that maybe she doesn’t like Dickie. What a twisted family.

Wonder what the blow-back on Boyd is going to be over the shenanigans up at the mine. He got sucked into the robbery (because it’s what I do), but knew about the lack of honor among thieves so he spied on his co-conspirators and figured out a way to keep from being on the wrong end of a lit fuse. And he managed to come away with enough money to save Ava’s house from the creditors while doing so. The episode had explosions and all that, as well as a tag-team tasering between Raylan (aka the hillbilly whisperer) and the guy who was cashing those bad checks. Yikes! And then it ended with a great scene between Raylan and that little girl, Loretta, in which Raylan warns her that he’s kicked the hornet’s nest and he’s ready to drop everything at a moment’s notice to come to her rescue, no matter what he’s doing. You get the feeling that no adult has ever made a promise like that to her before.

 

Posted in CSI, Justified | Comments Off on Spring ahead