For the birds

Maybe a month or so before the world turned upside down, we decided to move our neglected birdfeeder from the back yard (which we rarely see) to the front lawn. Now it is clearly visible through the big window in front of the table where we eat all our meals. It has become an endless source of entertainment and amusement to us.

My father enjoyed birds and chipmunks. He used to train the chipmunks to eat out of his hand, and there are pictures of him with birds perched on his fingers, too. Growing up, we always had a birdfeeder in the back yard, visible from the dining room window. We fed them all manner of scraps and leftovers, and put out the occasional suet ball as a treat for them in the wintertime. I can picture a red-headed woodpecker clinging upside down to that ball, which was suspended from the clothesline, with his tail wrapped up on the other side for balance as he pecked away at the suet and the seeds embedded within.

We have quite a variety of birds at our feeder, which is mostly designed for our smaller feathered friends but the larger ones are ingenious at getting their share, too. It is very popular, though, with the squirrels. The feeder is suspended from a metal “shepherd’s crook”-style pole implanted in the ground. From my upstairs office, I would often hear something that sounded like the lid of a ceramic teapot rattling and I’d look out to see an industrious squirrel clinging to the pole with one rear foot while it stretched across to the feeder tray and scooped up as much as he could get before he lost his balance and fell to the ground, at which point he’d act like nothing happened and go about his business combing the grass for seeds that had fallen from the feeder–mostly on account of his acrobatics. (We laughingly called him — or her — a pole dancer.)

However, we were going through bird seed at quit a clip, and weren’t entirely sure the birds were getting their fair share, so my wife decided to grease the pole. We wanted to use something that wouldn’t be harmful, so we settled on Crisco shortening. Then we watched.

It was exactly as entertaining as we’d hoped. A squirrel (we haven’t been able to say for sure which one is which, but we have at least three regular visitors to our front yard) was pecking away at the ground. We could see him looking up at the feeder and the pole from time to time and suddenly he made his attempt. He leaped at the pole, arriving at a point about three feet above the ground, and immediately slid back down to the ground like a fireman. Again, he went back to his regular routine as if nothing untoward had happened.

Since then we’ve had to regrease it a couple of times, but we’re always entertained by the squirrels’ occasional attempts to get at the treasure trove of seeds. We can almost see them working up to it. Sometimes they approach with determination and we know that squirrel is about to try. Other times, it almost like they’re trying to catch it by surprise, suddenly spinning and leaping, only to slide back down again.

Don’t worry — the squirrels aren’t starving. The birds scatter enough seeds from the feeder to keep them occupied. Among the small birds we’ve seen are chickadees, finches and wrens. The feeder is perfect for them, and we’ve often seen five or six perched on it at the same time. Larger birds include robins, bluebirds, cardinals and one ferocious and determined mourning dove that likes to perch on the top of the shepherd’s crook and engage in rumbles with the squirrels. They stare each other down as they try to lay claim to the same patch of grass, darting at each other. Last night, the mourning dove (they’re normally ground feeders) tried to perch on the little tray of the birdfeeder. It was hilarious–its pudgy belly got in the way and it had to go in sideways and flap one wing for balance. I think it got some food, but it expended a lot of effort to do so. There are lots of mockingbirds around, but we haven’t yet seen one at the feeder. The crows haven’t made a stab at the feeder yet, either.

Just another way we’re entertaining ourselves during these crazy, mixed-up days.

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Stuck-home syndrome

I haven’t made a blog post this year. So what’s been going on, you ask? Oh, not much. Just this pandemic. I’m in the midst of my fourth week working from my home office. The only times I’ve been outside the house, except for our semi-regular walks around the block, has been for a couple of early morning trips to the post office to drop off parcels. Both times I went before the post office was open, so I didn’t encounter more than a couple of people, and we all maintained a very respectful distance.

The grocery store we used to go to the most closed in February, before this mess got started, so we did our part and helped them liquidate stock. Turns out that was a wise decision, as we ended up stocking up on all the sorts of things we need these days. Lots of canned goods and pasta, etc.

Working from home has been fine. Turns out I could have been doing this all along, because I haven’t encountered a single thing that I can’t do here that I could only do at the office. Maybe I’ll try to convince the powers that be to let me do this more, once the world flips right-side-up again. My wife also works from home–has done for quite some time. We each have an office, so we aren’t disturbing each other when we have Zoom and Skype calls. For some reason, though, working from home during this crisis seems more intense. I get more done but I’m more thoroughly exhausted by the end of the week.

I’ve been maintaining the same schedule as before the pandemic. Up at 5, exercise while I watch an installment of something on TV. Writing work until about 7:30, shower, breakfast, then head back to the office at 8:30 for the day job. My wife and I have a ritual where she stands on the bottom step of the stairs for a kiss and a hug before I go to work. We’re keeping this tradition alive, even though I’m going upstairs instead of into the garage to drive to the office.

So, how many weeks to the gallon is your car getting? When’s the last time you paid cash for something? I gave my wife all my cash a few weeks ago for one of her excursions and I haven’t bothered to replenish my supply. Maybe we’ll be a cashless society after all this. I think we’re going to discover that we can do a lot of things differently in the aftermath.

We’ve been cooking lots of terrific meals during lockdown. We always did cook a lot at home, although we enjoyed evenings at local dining establishments, too. The only meal we ordered to have delivered was a pizza about three weeks ago. We wanted to support one of our favorite restaurants. However, I’ve been experimenting with pizza crust recipes using a formula provided by a friend of mine, and we’ve made some amazing pizzas. It takes two days to make the crust, because there’s a starter (sort of like you’d use for sourdough) made on one day and, 24 hours later, you make the dough and let it rest in the fridge for another day to let the gluten relax. On the third day, make the pizza. The crust is so crispy and flavorful. Yum. Counting the days until we have the next one!

We’ve also been drinking a lot of wine! My wife picked up two cases of one of our favorite red blends, along with many other bottles. Every day is wine-down Wednesday these days. It is a little hard to keep track of which day of the week it is, but does it really matter?

I don’t think we’ve been watching as much television as a lot of people are. A couple of episodes of this or that during the evening. We binged through Star Trek: Picard and followed that with Star Trek: Discovery (season 1), which I’d already seen but had forgotten a lot about it. I’ve been watching Season 3 of Wesworld (HBO) and ZeroZeroZero (Amazon) in the mornings. We saw the movie Just Mercy the other night, and went down a rabbit hole of consecutive episodes of What’s My Line? from 1961 one evening. One of the guest panelists on one episode was a very young Betty White!

Have not been reading very much. I have to take another pass through If It Bleeds to get my review ready (publication date has been moved forward to two weeks from today), and we’ve been reading a few chapters of The Splendid and the Vile by Erik Larson each evening. It’s about Churchill and his family during the blitz of World War II. We always have a jigsaw puzzle going and, as I said, go for the occasional walk, although it feels strange having to be ever-vigilant about maintaining a safe distance from anyone you meet on the path.

One fun thing I did was to read my short story “Game Seven” from Across the Universe for editor Randee Dawn’s “Stories for Shut-Ins” series. I found an appropriate background and put on my old Howe Hall hockey sweater for the reading, which you can find at that link, along with readings by several of my fellow contributors, with more to come in the next week or so. Or you can go straight to it on YouTube here.

Writing is a little strange these days. Whenever I watch something on TV, I find myself thinking–that’s not the way the world is now. Why are there so many people in that room? Why are they shaking hands? And hugging? It’s hard to figure out what the world is going to look like a few months from now–the world in which the fictions we’re creating now will be set. Sure, it would be easy to back up and set everything in 2019, but it’s interesting, too, to try to anticipate what it’s going to be like in late 2020. Challenging, too. Maybe it’s time to write Fantasy or Science Fiction, where you can not only make up the story but also the world!

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2019 in review (IV): Publications

This year has been quite active in terms of publications. As December comes to a close, I thought I’d wrap up my round-up with a summary of what came out in 2019.

Flight or Fright continues to be my biggest project to date. This year saw the release of the anthology in trade paperback in English from both Scribner and Hodder & Stoughton in the UK. We are currently up to fourteen translated editions under contract: Germany (Heyne), France (Livre de Poche), Brazil (Editora Schwarcz), Poland (Proszynski), Japan (Take Shobo), Korea (Sam and Parkers), Hungary (Europa), Russia (AST), Bulgaria (Pleyada), Italy (Mondadori Libri S.p.A.–Sperling & Kupfer), Spain (Penguin Random House Spain), Greece (Klidarithmos), China (Shanghai 99), Ukraine (Family Leisure Club). Some of them have appeared already; the others are in progress.

Check out my page for the anthology to see covers and the latest additions to the “Inflight Entertainment” section, showcasing all the cool photos people have sent me showing them reading the anthology on airplanes or at airports.

For short fiction (besides “Zombies on a Plane,” which is in Flight or Fright), I had the following stories come out in 2019:

I already have five new stories cued up for publication in 2020, too.

For essays, I have the following:

I published two reviews in Dead Reckonings this year:

  • That Is Not How the Story Goes (Theodora Goss, Snow White Learns Witchcraft: Stories and Poems) – Issue 25
  • “When Blue Meets Yellow in the West”: Stranger Things 3 (with Hank Wagner) – Issue 26

and five reviews at Cemetery Dance online:

in addition to four comprehensive updates at News from the Dead Zone.

I also posted fourteen book reviews at my book blog, Onyx Reviews.

I was a guest of honor at Northern Fancon in British Columbia, attended Necon and KillerCon, as well as my very first Bouchercon. Not sure where I’ll be showing up next year other than Necon.

A number of things are in the works for 2020, including my collaboration with Brian Keene, Dissonant Harmonies, and more, I’m sure!

Have a happy and safe New Year’s Eve, and all the best for the Roaring 20s to come!

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2019 in review (III): Books

I read–or listened to–just over fifty books this year. You can find the full list here. A few were audiobooks that I listened to in the car. Several were books I read to my wife in the evening, part of our regular routine. A few were for research for a project that never came to fruition, some were for essays I had to write, and a couple were for research for a novel I’m currently writing.

I also got to read Gwendy’s Magic Feather by Richard Chizmar a couple of times, and I did some research for him while he was working on this follow-up to Gwendy’s Button Box.

I reviewed fourteen books this year at Onyx Reviews:

I also reviewed The Institute by Stephen King at News from the Dead Zone.

Other works I enjoyed but haven’t yet had a chance to review include Full Throttle by Joe Hill and three forthcoming books: Dead to Her by Sarah Pinborough, All Adults Here by Emma Straub, and The Chill by Scott Carson. The latter is one you’ll be hearing a lot more about, I think. It’s the first supernatural novel by Michael Koryta (writing under a pen name) in a good many years, and it’s a real winner!

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2019 in review (II): Movies

I know a lot of people are doing “best of the decade” lists, but I can barely manage “best of the year,” so that’s what you’re gonna get!

I saw something on the order of 80 movies so far this year, with more to come no doubt over the next couple of weeks. Some were in theaters, some OnDemand or streaming and a few were on those tiny little screens on the back of airplane seats. In the latter category, my favorite was Bad Night at the El Royale, which was very entertaining on a flight from Japan to the US.

In the Stephen King Universe, there were three notable cinematic releases in 2019. First, there was Pet Sematary, which I was genuinely looking forward to after I read about the plot change they were making, but which ultimately disappointed me. Then there was It: Chapter Two, which wrapped up the lengthy and impressive adaptation of one of King’s longest and most popular novels. I liked it a lot. And, finally, there was Doctor Sleep, which failed at the box office, but to my mind was one of the best films inspired by a King novel in quite a while. I reviewed all three of these for News from the Dead Zone–that’s where the links above will take you. There was another movie release this year, In the Tall Grass on Netflix, but I haven’t managed to see that one yet.

To my way of thinking, a movie makes my favorite list based on how much I wanted to tell other people about it after I saw it. In no particular order, the movies that did this for me from 2019 were: Us, Rocketman, The Highwaymen, Yesterday, Downton Abbey, A Beautiful Day in the Neighborhood, Knives Out and Dolemite Is My Name.

I saw and enjoyed a few Marvel films this year, including Captain Marvel and Avengers: Endgame. They feel like their in a category by themselves. I finally finished The Irishman after two sittings nearly two weeks apart, and then watched the companion piece on Netflix that had Pacino, De Niro, Pesci and Scorcese discussing the project. I liked the film well enough, but won’t rave about it. It was also good to go back to Deadwood this year, and El Camino, while not absolutely necessary, was a nice throwback to the Breaking Bad years.

In the oddball category, I got a big kick out of Velvet Buzzsaw, although it wasn’t to everyone’s taste. Bird Box was entertaining.

We watched a number of music documentaries this year, not all of them new: Echo in the Canyon, The Quiet (St)One, Rolling Thunder Revue, Now More Than Ever, Can’t Stand Losing You. Haven’t seen the David Crosby movie yet, but it’s on my radar. Also in the documentary category, we enjoyed Knock Down the House and Cold Case Hammarskjöld.

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2019 in review (I): TV

I don’t do Top X lists. As I’ve said before and elsewhere, my mind simply doesn’t function that way. I might be able to present a list of 10 unordered items, but that’s the best I could manage.

When it comes to TV/Streaming, this year, though, I’d be hard pressed to narrow my list of “favorites” down to a simple 10. So I’m just going to mention shows this year that I really enjoyed. There were a lot of them!

In the King universe, there was Season 3 of Mr. Mercedes, which adapted Finders Keepers. A strong season with a terrific cast, enhanced by Bruce Dern and Kate Mulgrew in particular. I’ve been hearing great things about Season 2 of Castle Rock, but I haven’t had the time to see it yet. Maybe before the end of the year. I have seen the first several episodes of HBO’s adaptation of The Outsider, and they’ve done a bang-up job of it. I’ll have a full preview of the series closer to air date, but it is really well done.

There were solid seasons from a number of reliable ongoing series. Luther, True Detective, Game of Thrones (yeah, I know–not everyone loved how it ended, but it was exciting getting there), Bosch, Stranger Things, Orange Is the New Black, Goliath (wasn’t Season 3 a trip?), The Crown. It was also the final run for The Santa Clarita Diet, which got canceled after a big plot event that I wasn’t that fond of, although the season was pretty hilarious.

I added two new series to the rotation this year. First, Stumptown on ABC, starring Cobie Smulders from How I Met Your Mother as a newly minted PI who suffers PTSD, has a brother with Down Syndrome, and a long history of poor life choices. She’s not alone in the latter–all of the characters make bad choices from time to time, making the show gritty and credible. I like it a lot.

The other new series is Morning Show on Apple TV+, starring Jennifer Aniston, Reece Witherspoon and Steve Carell. Who knew there was that much going on behind the scenes of a network morning talk/news show? The characters are fascinating, and the season is firmly rooted in the #MeToo era. It’ll be interesting to see how they wrap it up.

For limited series, we loved Good Omens and Chernobyl. I thought The Spy was very well done, too. We also enjoyed the miniseries adaptation of Catch-22.

For quirky shows, there’s Ricky Gervais’ touching After Life and the second season of Midnight Diner: Tokyo Stories, which we enjoy for its insight into aspects of Japanese culture you don’t often see. Another in the strange category: The End of the F***ing World. I’m not quite sure what the attraction is, but I find I can’t look away from it!

On the scarier side of things, I loved the French series Marianne on Netflix. It’s about a writer who has been channeling a witch throughout her career, and now that she’s gone back to her hometown, things really take off in many bad ways. It’s one of the most tense and scary series I’ve seen in recent years, and it’s very well done. Black Summer is a quick watch, a low-budget but effective take on the zombie concept. The Terror: Infamy was a slow-burn, but we were fascinated by the Japanese mythology this season.

Not quite as scary, but equally well done, is the Christina Applegate series Dead to Me. Bad and twisted people doing bad and twisted things, often to hilarious effect. Russian Doll was terrific, with its twisty, turny storyline and a stellar performance by Natasha Lyonne, who also co-created the series. Homecoming, starring Julia Roberts, on Amazon, is another example of how you can do drama in 30-minute installments. I liked the first season of The Kominsky Method, but haven’t gotten around to the new season yet.

On the crime side of things, I was blown away by the German series Babylon Berlin, which has 16 episodes in two “seasons,” but it’s really all one story. It’s set in pre-WWII Germany and–save for a couple of dubious plot choices–tells an amazing story of decadence and corruption in a troubled nation. Season 3 can’t get here fast enough. The Germans also won me over with The Dark, which just finished shooting its third and final season. You need a score card to watch this one, and even then it’s really confusing, but it’s worth the effort.

The second season of Mindhunter was really good. I was intrigued by the Criminal series on Netflix, which consists of four sets of three episodes, each one set in a different country and language. They’re all set in the interrogation room and observation room, they all use the same set (with different decorations, including changes to the food in the vending machines). Season 2 of Tin Star went into Banshee territory. Unbelievable was an interesting look into what happens when someone decides to change their story after reporting a crime.

For science fiction and fantasy, there were strong seasons from Star Trek: Discovery and The Orville. We also liked Another Life, and stumbled upon The Society by accident and enjoyed that ride, too.


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Two dozen

It’s been a while since I’ve added a new entry to this site. Busy times. Let me catch up on the major events.

First, there was a signing at Murder by the Book for the anthology The Eyes of Texas, edited by Michael Bracken. It contains my story “The Patience of Kane.” Several contributors were able to make it to Houston for the event. We had Texas BBQ beforehand and were bemused to see a car pull up with a skeleton in the passenger seat. (Picture 1 in the slide show). At first we speculated that it was someone’s ruse to be able to use the HOV lane. Michael Bracken won the moment by cracking about coming to the BBQ joint for the “ribs.”

Then I went to my first Bouchercon, which was in Dallas. The hotel was just a conspiracy theory away from Dealey Plaza, often described at the convention as the most famous crime scene in America. Bouchercon is huge, something on the order of 1500 attendees. It’s a nice combination of professional writers and avid readers/fans. With up to 10 tracks running simultaneously, it was impossible to take in everything on offer, but I gave it my best shot.

The first evening, I attended a literacy campaign fundraiser where David Morrell interviewed James Patterson (Picture 2). One of the great things about the convention was that I got to meet in real life so many people who I’ve only communicated with by email or social media before. I won’t start naming names, because I’m sure to forget many. However, one unexpected gang of people who tracked me down were former denizens of the USENET newsgroup rec.arts.mystery — the early internet’s precursor to Reddit. The funny thing about this was that someone in New Zealand was texting me on Facebook to help me find this group of people who I used to communicate with 25-30 years ago. That was pretty cool.

I was sitting in the lobby one morning, perusing my program, trying to figure out where I was supposed to be going next, when a woman of a certain age noticed the Mulholland Books satchel I was carrying. She asked me if Mulholland had a table or a stand somewhere. I explained that I’d gotten it at an event the previous evening. Then she introduced herself to me as Rex Stout’s daughter! (Picture 3) I have to say that was one of the highlights of Bouchercon for me. I started reading the Nero Wolfe novels in the 1970s, and I’ve been through them all more than once. I had the chance to express to her my fondness for those books, and she seemed to appreciate the sentiment. She added that, in addition to being a terrific writer, he was also a wonderful father. I also went to the Wolfe Pack session, populated by a group of people who are even more avid Nero Wolfe fans than I. That was fun, too.

I also got the chance to tell Lawrence Block how much I had enjoyed everything he’d written (Picture 4). He’s an interesting guy. On his panel he looked like he might have been in a bad mood, but then he’d lean forward to the microphone and say something astute, witty and delightful all at once.

I was also on a panel in which we discussed writing short stories, which was a lot of fun and well received.

Then, yesterday was our 24th wedding anniversary. We had a nice breakfast in a place we’d never been to before, then went on a long bike ride into parts of our community we’d never visited and, finally, had a marvelous seafood dinner at a restaurant that was on the lakefront, also new to us. (Pictures 5 & 6). The ambiance was terrific, a singer/pianist provided a soundtrack, the sun went down over the lake while we ate, and I couldn’t ask for better company!

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That essay has no title

I’ve been a fan of Elton John and his music since the mid-70s. I’ve seen him in concert numerous times (the first and most memorable was at Wembley Stadium in June 1984) and his music has been the soundtrack to much of my life. So, when my buddy Stephen Spignesi asked if I would be interested in contributing an essay to his book Elton John: Fifty Years On The Complete Guide to the Musical Genius of Elton John and Bernie Taupin, I said yes without hesitation.

The book, co-written with Michael Lewis, is now out and is available anywhere books and eBooks are sold, including at Amazon. My entry is called “This Essay Has No Title (Just Words and a Soundtrack)” after the similarly titled song on Goodbye Yellow Brick Road.

On Monday, October 21 at 6:30pm, I will join editor Michael Bracken and fellow contributors Chuck Brownman, James A. Hearn, Scott Montgomery, Graham Powell, William Dylan Powell, and Mark Troy at Murder by the Book in Houston to sign and discuss the collection The Eyes of Texas: Private Eyes from the Panhandle to the Piney Woods. My PI story is called “The Patience of Kane.”

Last time, I wrote about my “accidental novel,” and I have made a lot of headway on the book since then. After gutting it to remove numerous chapters from ancillary characters’ points of view and salvaging the important material in them by representing them from the points of view of one of the three surviving POV characters, I rebuilt the book a chapter at a time and completely rewrote the final third. I now have a 70,000 word second draft that I will revise over the next couple of weeks before testing it out on a couple of beta readers and my agent. I’ve been having a lot of fun with this book. One thing I discovered, though, upon rewriting is how much has changed in Galveston since 2006-7, when I wrote the first draft. How many businesses are no longer there, thanks to a couple of hurricanes, for example.

We watched a few interesting movies last weekend before having a turkey dinner to celebrate Canadian Thanksgiving. First, we watched El Camino, the new Breaking Bad film. It moves Jesse Pinkman’s story further down the road, but it doesn’t reveal anything new about him. A number of flashback scenes allow other familiar (some deceased) characters to have a second bow. A couple of scenes go on a little too long. On the whole, it’s an interesting film, but I’m not sure it was a necessary film.

Then we watched the 2019 Shaft movie on a lark, expecting a popcorn movie and getting just that. It’s a throwback with serious dollops of misogyny and homophobia blended into its kick-ass action scenes. Fun, but if you scrutinize it too closely you realize just how ill conceived it was.

Finally, we stumbled upon a documentary called Cold Case Hammarskjöld, in which a couple of Swedes try to get to the bottom of the mysterious death of the United Nations Secretary General in 1961. His plane went down in the Congo and there have long been rumors he may have been assassinated. This daring duo spent years following leads, interviewing people, visiting the various scenes, getting mired in (possibly) conspiracy theories involving a secret mercenary organization in South Africa that may have been funded by MI6 or the CIA to destabilize African nations. It is presented in part by having the director/writer narrate the script to two different stenographers (even he admits he’s not sure why he did that). It all seems very amateur-hour/seat of the pants until at the very end they stumble upon two vast troves of information–one a person and the other a set of old records–that essentially break the story wide open. It’s a quirky film that requires some patience (it feels very long), but fascinating.

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The Accidental Novel

We made it through Tropical Storm Imelda unscathed, although the same cannot be said for many in the vicinity. We received somewhere between five and seven inches of rain, most of it on Friday, which isn’t all that unusual for us, but some communities less than an hour away received over 42″ of rain in a couple of days.

The Canadian in me remembers that an inch of rain corresponds to roughly a foot of snow. Imagine 42 feet of snow coming down in two days! 42″ of snow would be bad enough. There was some street flooding in our community, but I didn’t hear of any permanent damage nearby. Places in Houston and to our east and northeast saw damage at least as extensive as we had after Hurricane Harvey in 2017. There’s still high water in some places nearly a week later. Two of the most destructive storms that have happened since I moved here 30 years ago haven’t been hurricanes–they were slow-moving tropical systems that popped up just offshore and brought a ton of rain with them.

We saw the Downton Abbey movie on Sunday afternoon. We were going to go on Saturday but the only seats available on that day (the theaters near us all have reserved seating) were in the front rows and we had no desire to stare up Carson’s nostrils for two hours. If you liked the TV series, you’ll like this film. Everyone’s back, and there is mild drama and humor without much risk involved to anyone. I enjoyed the downstairs drama more than the goings on upstairs, but it was all good fun.

I seem to have tricked myself into writing a novel. Well, rewriting, in a sense. I was contacted recently to see if I had a novel excerpt for a collection, and my interlocutor suggested a book I wrote many years ago. I hadn’t given that manuscript much thought, and I was frankly surprised to be reminded that I had showed it to him!

So, I went back to it, peeling out a group of chapters to give him for this project. However, as I went along I realized I quite liked what I was reading. So I looked up the notes my agent had provided on it, and discovered that he liked a lot of it, too. Not all, however, which is probably why my work on it ground to a halt. We were involved with other projects by then and I guess I decided to let it lie fallow instead of digging in and doing the work needed to whip it into shape.

Well, I’m doing it now. It’s a complicated job because I am removing chapters written from the viewpoints of all but two characters. That means that all of the important information in those other chapters has to be conveyed by different means. I also plan to completely redo the last quarter of the book, as the original version was a little too Scooby-Doo for my liking.

Still, I’ve been trying to get to work on a novel for most of 2019 and it looks like by the end of the year–perhaps even by the end of November–I’ll have something that my agent and I can work on again. Fingers crossed.

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Honours

Yes, I spelled it the Canadian way. I do that sometimes.

Honours come in all sizes, big and small. It is an honour to be nominated for an award, or to get honourable mention. It’s also an honour to appear on Ellen Datlow’s recommended reading list, which she publishes in association with her annual Best Horror of the Year anthologies. I’ve had the honour of having stories mentioned on a number of occasions. This year, she included “Aeliana” from Shining in the Dark in her comprehensive recommendation list.

This weekend I put the finishing touches on a 7000-word essay that will be published as a magazine cover story sometime this fall. I can’t say where yet. I’ll read it over one. more. time. and probably make a bunch more changes to it when doing so, but it’s essentially finished, a week or more ahead of deadline.

This week, I’ll be celebrating my 30th anniversary with my day job. It’s hard to imagine that I’ve spent over half my life working for the same company, although it’s had a couple of name changes during that time. My father had over 45 years at his job, so I still have a way to go to catch up to that family record.

Usually it’s careless workers who cause problems with electricity or water mains on a Friday afternoon near our office, but last week it was just nature. A 30″ water pipe twelve feet below the surface of the boulevard by our building broke open of its own volition, eroding the ground under the road surface. The entire road, which is a major entrance/exit corridor for the community, was closed in both directions over the weekend. One direction was reopened after they confirmed that the road could still hold traffic, but the other direction is going to require a lot of work to get it back into service.

We watched a few movies on Amazon Prime this weekend. First, we saw Late Night, written by and starring Mindy Kaling, and featuring Emma Thompson, Amy Ryan, Hugh Dancy and John Lithgow, with some celeb talk show host cameos. Thompson has been the host of a late night talk show for nearly 30 years and her ratings have been on a steady slide for the past decade. Kaling’s Molly ends up being the first female in the writer’s room at a time when Thompson is on the verge of being replaced. It has a lot to say about representation. Pretty good.

Then we watched the Australian drama Ladies in Black about several women who work in a posh Sydney department store in 1959. The main character is a teenager on the verge of finishing high school who works at the store during the Christmas rush. It took me a while to realize that the actress who plays her coworker Fay was Rachel Taylor, who plays Trish Walker on Jessica Jones, and Julia Ormond is unrecognizable as the “continental” Magda. It’s a thoroughly charming film. Feel good all the way through.

Last night we saw The Hiding Place starring Kim Hunter (in her final role) and Timothy Bottoms. It’s based on a stage play and it feels like one, too. Hunter plays a mother who is (probably) exhibiting signs of dementia and Bottoms is her son. There have been other family members, but they’re gone and the story gets to the bottom of what really happened to one of them. Hunter (who played Zira in the Planet of the Apes films) is divine, but I had a hard time with the staginess of the direction. They did break free from the single-room setting on occasion, but they never found a way to break free from writing that works better in a play than a film.

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