A bright future in mall security

Posted on March 6, 2013 by Bev Vincent

Taxes are almost done and ready to submit. I got my last 1099-R this week, even though I’d already entered it into TurboTax as if I’d already received it. One more step in getting things cleared off my desk and the floor around it. I still have to write an essay and finish a couple of short stories, but then I think I’m going to try to carve out a chunk of time to work on a novel. I’ve been promising myself I’d tackle it again, but I can finally see the clearing. Assuming something else unexpected doesn’t drop into my lap—or that I don’t accidentally volunteer for something again.

Looks like an injury episode on Survivor tonight. No clues about who’s at risk of being pulled from the game but I’d nominate Shamar if they’re taking suggestions.

At last the elusive Drew Thompson has been identified on Justified, and it was the guy we’ve been suspecting for a few episodes now, which is fun because apparently the writers weren’t sure who it was going to be until they broke out the story for episode 5. There was one, brief moment last night when I thought, “Wouldn’t it be funny if it’s Constable Bob?” but then I realized that would make no sense whatsoever. He’s nowhere near the right age. Raylan must be a tad embarrassed that he asked Drew Thompson for help in finding Drew Thompson. Great scene with Hunter in Wynn Duffy’s trailer. Such a checkered past Raylan and Duffy have.

It’s always fun watching Art go ballistic over Raylan’s antics. Tim wasn’t cowed by his tirade though. After Art told Tim to call Raylan, Tim responded, “Do you want me to write that down or paraphrase?” Deputy Dunlop is on Art’s shit list. “Get used to purging case files until I figure out how to like you again.” Raylan knew the Deputy would catch heat for turning Hunter over to him. Tim tells Raylan that Dunlop has a bright future in mall security, thanks to him. Art throws a few more things around and storms off to his office. “If anybody wants to screw anything else up, just wait until tomorrow.”

It was an episode of secrets coming to light. Hunter was bound and determined not to reveal Drew’s identity—so much so that he was willing to throw himself in front of a truck rather than go to prison and get murdered by the Dixie Mafia (dying in much the same way as Raylan predicted Arlo would). It was Constable Bob (of the midget police—”do you have cuffs small enough to fit him?”) who knew enough about the past to clue Raylan in as to Drew’s identity, though by then the mysterious Mr. Thompson had already made good his getaway. At least Constable Bob got to pull out his “go bag,” which is as full of tricks as Felix the Cat’s.  Then Boyd finds out about Colton and Ellen May, thanks to Johnny, who still doesn’t seem to know what sort of game he’s playing.

Hunter got all the best speeches—the one in the car that was meant to let Drew know that he’d never talk and the one with Raylan at the end that started out complimentary and then took a hook south. “You listen to what your mamma taught you and not that old son of a bitch and you may turn out all right, but I wouldn’t count on it because I think we both know whose voice it is that makes you do what you do.” Raylan is struggling with the concept of Arlo who, he learns, may have attacked a neighbor to protect Raylan’s mother’s honor. He even made up a story about what Arlo said the last time he saw him that, perhaps, betrays what he hoped would have happened.

Only four episodes left!

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The Tao of Cho

Posted on March 4, 2013 by Bev Vincent

This was one of those productive weekends when I cleared several things off my desk. And off the floor around my desk, where pressing but oft-ignored things sometimes end up. The two major items were a 1200-word essay for FEARNet, which should appear in a day or three, and a 1500-word essay that I can’t talk about yet, which should be published in June. The two articles were vastly different in tone and intent, but I really enjoyed working on them and was quite pleased with the final result. One conclusion I arrived at, though, is that first drafts of essays can be relatively easy. It’s the polishing process that takes most of the time. I probably created 20 different drafts of each, and I was changing around words and sentences right up until the time I decided it was time to let them go.

I had fun on Twitter last night. I was watching The Amazing Race and following Phil Keoghan’s live commentary when Owen King tweeted a contest where the prize was a chapbook of material related to his debut novel, Double Feature. I got the right answer a few seconds behind the winner, but he decided to declare me a winner, too. Contests are cool. Then, on The Amazing Race, contestants struggled with left-hand stick-shift driving and I tweeted that I had never ever driven a stick. Doing it with my left hand would be a challenge, to which Phil Keoghan responded: I challenge you. So there. I’ve been challenged. After that, it was The Walking Dead and Brian Keene’s commentary on this deeply flawed series, so that was fun, too.

I was surprised that the father-and-son team did as well as they did on The Amazing Race. Despite the fact that the father has a torn muscle and tendon, they managed to finish first, thanks to the Express Pass. Wise decision on the part of the team that gave it to them. This was the least amount of harm it could do to their chances of winning. Then we got a cliffhanger ending: will they continue or not? I wonder if they’d already planned to do that or if it was a decision based on the situation that arose. I’d love to visit New Zealand some day. I’ve been to Australia, but never to NZ, although my parents were there once. Reminds me a bit of Ireland. And the guy running the fishing challenge was a dead ringer for Prince Charles.

The Walking Dead was interesting if not all that eventful. Rick returned to his home town with Carl and Michonne to discover that it has turned into The Omega Man’s sanctuary, with traps everywhere. Some good dialog featuring the always solid Lennie James (Jericho). It’s nice to see Michonne stepping out of the background and doing more than stabbing zombies in the head (though she did her fair share of that here, too). Good talk between her and Rick at the end, where she reveals that she knows he’s seeing things and admits that she has talked to her dead boyfriend. I especially liked the way Rick then asked her if she wanted to drive. “Good,” he said. “Because I see things.” The hitchhiker gag had a pessimistic payoff. When he first appeared, Brian Keene said he should run in the opposite direction instead of trying to join up with this woebegone group, but they weren’t having any part of him, perhaps because he wasn’t smart enough to have figured out after more than a year that yelling at the top of your lungs in zombie country isn’t recommended.

I think this week’s The Mentalist was one of the best plotted mysteries in a long time. I should have been suspicious of the body burnt to a crisp (an old Ross Macdonald lesson—never accept the unrecognizable body). Still, they painted the victim as such a wonderful woman, a philanthropist, and her nephew was a money-grubber who was trying to have her declared incompetent so he could take over her fortune. When Lisbon arrested him, I doubted his guilt, but I was sure he was being set up by the other woman (his sister? his wife?) who rushed to create an alibi for him. I thought she was, instead, alibiing herself. Then comes the Agatha Christie twist, and I was caught flatfooted. Well done.

I’ve come to believe that Kimble Cho is the most interesting character on the show. He seems so grim, focused and and smart. He’s the kind of cop that I’d want on the case if I were the victim of a crime. He doesn’t get distracted by a lot of the folderol that consumes the others. When he gets addicted to pain killers, he figures it out and gets himself straight. Sure, he falls for the hooker with the heart of gold, but he survives that, too. I especially liked the near-final scene of him with the girl who stood to inherit the boat. Both actors were on top of their games. Cho tells the girl, played by Vanessa Ray, that she probably wouldn’t have survived the boat trip and she responds with disbelief that manifests itself in the word “what.” But she doesn’t say the word (or scream it, like some might). Instead, she mouths the word without making a sound. It was one of those delicate, underplayed reactions that strike me as particularly inspired.

We watched Beasts of the Southern Wild on Saturday. It’s a fascinating film about a community of people who live on an isolated and barely above sea-level patch of ground in the Gulf of Mexico. They seem to have little contact with the outside world and live in abject poverty. It’s told from the point of view of a six-year-old girl who lives in a trailer next to her father. Her mother is long gone, though where she went and whether she is alive is never explained. There’s a big storm coming (Katrina? It doesn’t matter.) that threatens to destroy this place (called “the bathtub”) and force the residents to evacuate. Though it seems like it might be a metaphorical film, it really works as simply a tale about these people at this place and time. The director’s parents are folklorists, which seems to have influenced his work. The little girl is played by Quvenzhané Wallis, who was nominated for an Oscar. She’s intense. She carries on a continual dialog via voice-over but she conveys her emotions through every fiber of her being. She’s very much a little girl and sees things in little girl ways. The worst thing that she can think of to say to her father is that she wants to sit on his grave and eat birthday cake. It’s a fantastic viewing experience, and the film doesn’t have to be about anything. Was that her mother in the floating brothel? It doesn’t matter. What matters is that someone held her.

I thought I’d check out Red Widow last night, especially since Zero Hour, as predicted, was canceled. The new series is Breaking Bad meets Weeds. A mother of three whose husband was involved in the drug business has to figure out how to placate a Russian mobster after she is widowed. Her debt to the man—via her late husband—is to be paid off by facilitating a one-time drug importation scheme. Of course, there won’t be much of a story if she does this and the debt is absolved, so there will probably be more to it than that. The first hour was pretty good, but I got a little creeped out when she tried to seduce a dock worker to get him to take part in their scheme. The show had a “soft debut,” which doesn’t bode well for its longevity.

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Never trust an assistant with sharp objects

Posted on March 1, 2013 by Bev Vincent

At 30°F, it was two degrees colder in north Houston this morning than in Montreal or Halifax. And it’s supposed to get cold again tonight.

The future doesn’t look promising for Zero Hour, the series about…what? What is it really about? I have no idea. It has Rosicrucians and dopplegangers and Einstein and clocks, lots and lots of clocks. Parents with sinister secrets and a bad guy named Vincent White. An FBI agent who’s pissed at Vincent because her husband was collateral damage in a plane crash Vincent caused, except maybe everyone else was the collateral damage and hubby was the target. A kidnapped spouse who fixes clocks and doesn’t attempt to attract attention when the kidnapper takes her to a library, but does find time to leave coded messages for her husband. A global conspiracy that dates back to WW II at least. Oh, and a secret that might destroy God. It’s a train wreck, but it’s fun. Alas, fewer people are watching it each week, so I doubt it’ll last long.

Our OnDemand service gave us a sneak peek at the first hour of the new show Red Widow, which looks to be a cross between Breaking Bad and Weeds. A woman’s husband is killed. Turns out he was involved in drugs and crossed some very bad people (Russians). She decides to make it right with them, but since the drugs he stole are still missing, she has to get involved in the drug business to keep her family safe. It wasn’t a bad episode. I’ll stick with it for a while to see how it plays out.

David Cassidy of the Partridge Family was the “guest star” on this week’s CSI in much the same way that William Shatner and Lorne Greene were “special guest stars” on Police Squad, by which I mean they were killed before the end of the opening credits. This episode took advantage of the natural suspicion of the audience toward a recognizable actor (Henry Ian Cusick from Lost playing a magician) to play a bit of sleight-of-hand with the real killer. The episode was chock full of poker and playing card puns because the killer was knocking off people who had been involved in a rigged poker game decades earlier.

After seeing Skyfall recently, I decided to back up to the first Daniel Craig Bond film, Casino Royale. Hmmm. Poker seems to be a theme this week. It was a strong film, but not quite as poignant as the newest one. The chase scene through the construction site was a little over the top but I really liked the crumbling building scene—imagine bearing witness to that. I’ve heard some fairly dire opinions about Quantum of Solace, but I’ll probably check it out some time.

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You still look like Ava Gardner

Posted on February 28, 2013 by Bev Vincent

I received a couple of finished copies of The Dark Tower Companion this week. It’s the first time I’ve seen the cover with King’s blurb laid in. It feels great to see this project finally coming to fruition. It will be released into the wild on April 2 in both trade paperback and Kindle editions.

This morning I finished proofing a 3000-word story that was due today. This is the first time I’ve read it since I finished the first draft last week. I thought it would require more editing than it did. I only trimmed about a hundred words from it. I did tighten up the writing in a lot of sentences and fixed some minor logic inconsistencies, but it’s not all that much different from the first draft. We’ll see if the editors like it or not.

Next up, I have to write a 1000-word non-fiction piece this weekend, and I’ve also written an essay for FEARNet that I need to type up and edit.

This is daughters-in-peril month on ABC. There was an excellent two-part series on Castle that ended this week in which it seemed like Alexis was kidnapped because she was in the wrong place at the wrong time and that the other victim was the main target. However, that proved not to be the case for reasons that were surprising to Rick. A nice appearance by James Brolin as the deep undercover agent who delivers the big news. Then on Body of Proof, another daughter kidnapped, this time because Megan uncovered proof of a domestic terrorist plot. That one was a little less touching in the long run. They’ve retooled the show a bit since it last aired (a long time ago, it seems). So long that I’d forgotten that Peter wasn’t around any more. Then there was the excellent NCIS episode where Ducky and Palmer are taken hostage and have to rely on their wits to come out of it alive. Palmer’s gym key for the win.

Survivor was barely tolerable this week what with Shamar’s non-stop rage and threats to quit. Please do. And yet he survives another vote. I guess the secret to making it to the end is to be belligerent, like Phillip. Okay, that gets you to the end, maybe, but with no chance of winning. Has there ever been a three-way tie before? That was a surprise. I think Hope knew what was going to happen given that two of the three votes for Eddy came from her and Shamar. Do they even bother to hide clues for the immunity idols any more or do they just assume people are going to root around and find them? Once upon a time, it was like solving a pirate’s treasure map. Now it’s just a matter of looking in the obvious places. At least the challenge was exciting, with lots of back and forth between the two teams.

After an episode where very little happened with regards to the Drew Thompson case on Justified, a lot happened this week. A bunch of people got shot and stabbed and otherwise pummeled, Boyd went into full battle mode, and one of the original cast members went home in a body bag. Johnny is playing an interesting game. He stands up beside Boyd whenever they’re confronted by an outside danger, like the Clover Hills Gang (which always makes me think of The Apple Dumpling Gang), but he’s also getting the dirt on Colt and continuing to meet with Duffy in his Wynnebago office. I had a pretty good idea it was him behind the extortion text messages. I was wrong about Boyd’s motives, though, when he went to visit the guy he was hired to kill. I thought that in telling the guy about the contract he was hoping to start an internal battle between the old guys, but instead “I feel like the seat cushion for two fat people at a football game,” he told Ava afterward. But with the help of the Dixie Mafia, maybe he and Ava will get that Dairy Queen franchise after all. (Yeah, right.)

I knew there was no way Colt was going to leave Tim’s buddy alive after all that went down in the drug dealer’s den. It was like he needed someone to talk to for a few minutes and then: blam! Doesn’t he watch CSI? That cigarette butt is going to come back to haunt him. There was a very nice moment between Raylan and Drew’s “widow.” After riding her and making fun of her, he says, “You still look like Ava Gardner,” which made her day. The guy who has killed more people than malaria was no match in a draw with Raylan, even if he was distracted by the glint from Ava’s engagement ring. (Even after our recent history, Ava and I decided that you are still going to be on the guest list, Boyd assured him.) The best reaction of the night, though was Raylan’s after he gunned the fake cop down. “Jesus, I hope I got that right.” Art was equally reassuring when I said, “I was almost certain you weren’t a cop killer.”

So, is it Shelby? It seems like that. At first, I thought his story about the woman who left him some 25 years ago took him out of the running, but maybe that’s just the story he tells people these days. He seemed very interested in Drew’s widow, for example. And then there was his statement to Ellen May: “I think if you pretend to be something long enough, it’s not pretending.” He was supposedly talking to her, but maybe not. The previews suggest that maybe we’ll get to see Drew next week, or at least be in his presence for the first time. Plus Deputy Bob pulls his machine gun from this bag of tricks and lets loose.

And let us end with a moment of silence for the guy who didn’t make it out of the episode alive, and not for a lack of trying. Who knew the old guy had so much life left in him, but he sure put up a good fight. And bitter to the very end. His final words: Kiss my ass. But that didn’t stop Raylan from shedding a tear for him. His prediction from last week came true, and the reality was stronger than his casual words suggested it would be.

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I’ll have no tra-la-las at my gala

Posted on February 25, 2013 by Bev Vincent

Tons of work done this weekend. I finished off a 6000-word piece for a project that is still pending. The publisher is waiting for the green light but once it’s given we have to hit the ground running so I went to work “on spec.” Hope everything comes through or else it will all be for naught. I still have a short story to edit by the end of the week and a 1000-word piece that’s due in less than two weeks, so busy, busy, busy.

We saw Argo on Friday night. I have a vivid memory of the incident from when it happened, and also have been strongly influenced by Canada’s part in it, which has long been a point of national pride. The former ambassador, Ken Taylor, was sufficiently miffed after the film debuted at a festival in Toronto that he requested a change to the end card. It’s not the sort of film one might expect to win a best picture award, which it did, but it’s a good caper film. It’s a good trick, making something suspenseful when you know in advance the outcome. John Goodman is always good in his little comic-relief roles, and Alan Arkin was great, too, and ended up with an Oscar nomination for his troubles. Good to see Bryan Cranston with a full head of hair again, and Kyle Chandler, who was also in Zero Dark Thirty.

On Saturday, we went out to the cinema to see Quartet, which was a cute film about getting old. It takes place in a retirement home for aging musicians, and is Dustin Hoffman’s first gig as a movie director. The story problem is the fact that they need to raise enough money at their annual gala to keep the place open for another year, so they need a big name draw to replace the one they lost recently. The big name comes in the form of Maggie Smith’s character, a former opera singer, but her arrival also spells trouble for her ex-husband, who is still in love with her but can’t get over his anger at her. Michael Gambon is funny as the self-proclaimed gala director, dressed in long flowing gowns, getting manicures and lounging about as if he’s the King of Siam. It’s Billy Connolly, though, who really fires up this film. He’s also a former opera singer but he had a stroke recently that has robbed him of his inhibitions, so he’s non-stop lewd and raunchy. In lesser hands, his character might have been creepy, but Connolly is so disarming and charming that it works. Many of the secondary characters are played by real-life former musicians. Next to the closing credits we get to see them now and as they were in their heydays. The film bears obvious comparisons to The Best Exotic Marigold Hotel, though the setting is less exotic. Nevertheless, it’s a feel-good film and the major crises are not drawn out beyond their respective shelf lives.

One of the dramatic aspects of The Amazing Race is how you can go from first to last quickly, but also regain hours of lost time without a great deal of effort. The two teams that were four hours behind going into the leg were instantly only 90 minutes behind because of boat schedules and they both managed to finish ahead of two non-penalized teams. You can forget your gear at the top of the hill and have to take the boat all the way back to the island and still catch up to other teams. Or you can take a wrong turn with your jet ski and get lost enough that you almost lose. Or an innate fear of water can spell the end. It’s a shame that the twins didn’t pick the other challenge, because they aced that one after waffling about for hours about the oyster dive. Bora Bora is now high on my list of dream vacations.

I watched the first couple of hours of the Oscars last night (what was that, about a third of the show?). I had no idea who Seth MacFarlane was going into it. I’ve never seen Ted or any of the animated series he’s known for, and I’m less inclined to check them out now than I was before. I know a lot of people found him funny, and I confess that I did laugh a few times, but for the most part I found him lame. I was playing along on Twitter and observed that most of the women I follow were generally outraged by his jokes and sketches, with the exception of female actors, who all seemed to think they were funny. I guess Hollywood can be a bubble environment. Though “Goldfinger” has never been my favorite Bond song, I thought Bassey knocked it out of the park. I was lukewarm on Adele’s song when I first heard it and her performance did little to change that opinion. I think it has good lyrics, especially once you know the whole story of the film, but it just doesn’t grab me. This is the first time I’ve seen more than one or two of the nominated films in advance (Argo made 4 out of 10), and it’s the first time I’ve ever seen the winner of the animated short film in advance.

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A name out of a Steve McQueen movie

Posted on February 21, 2013 by Bev Vincent

I’ve got to learn to say “no” more. Heck, it’s not even that. I’ve got to stop offering to do things! I’m well booked up for the next month with four or five mini-projects. Two of them are due at the end of the month (yes, a week from today), another is due a week after that and the other shortly thereafter. And they’re all really cool. One of these days, though, I’m going to stick my neck out a tad too far.

I love the Public Lending Rights Commission. Every year I get a check from them in the mail. Just because I’m a Canadian and copies of my books appear in libraries across Canada. Hopefully these libraries will all pick up copies of The Dark Tower Companion, because then it will be even better next year.

Is anyone else watching the new series Banshee? My buddy Jay Clarke (aka Michael Slade) has been going on and on about it, so I checked out the first episode. Within the first five minutes, the main character gets out of prison, has stockroom sex with a female bartender, becomes involved in a Manhattan car chase and a subsequent shootout in which  one of those red double-decker tour buses falls over and skids across the streets like the milk truck in The Dead Zone. It only slows down a tad after that. By the end of the hour, this guy who served fifteen years for his part in a $10 million jewel heist is the sheriff of Banshee, PA. There are at least two other shootouts and at least that many fistfights. And more sex. And some Amish people. Alan Ball (Six Feet Under) is an executive producer on the series. There are some fascinating characters, but I don’t recognize most of the actors except for Frankie Faison who played Commissioner Ervin H. Burrell on The Wire.

I finished the second season of Borgen, the Danish series about political intrigue. The show has a few through-line plot elements, but each episode is also a capsule look at some interesting social or political notion. Can women with families be effective politicians? The tenuous relationship between Denmark and Greenland. The war in Iraq. Juvenile crime and punish­ment. Dealing with controversial foreign dignitaries and making deals that sometimes contain mildly poisonous pills. All of the personalities involved make these stories compelling, because there’s often an element that reaches out and touches their lives. The female prime minister has had to sacrifice a lot personally over the course of three years in power, and one has to wonder if she would have set off down this path if she’d known the cost. Her mentor told her at the outset that she could not afford to have any friends in the parliament building. She had to be prepared to sacrifice anyone.

Her spin doctor also has some heavy baggage from his past that cause him to be somewhat self destructive, especially in his relationships. We see the media side of things, from the inflammatory former politician who is making it his mission in life to criticize the prime minister about everything to the more moderate TV1, where sometimes good television has to triumph over good reportage. It’s a very strong series that has become a hit in the UK. Now the long wait for the third series, which is only now airing in Denmark. (One thing I found fascinating was the way some of the characters would speak English in certain situations…and it was perfect, usually with an upper class British accent. The prime minister also speaks flawless French.)

Apparently this was the week when the networks decided to have main characters in crime shows suspected of committing crimes. Last night it was Sara Sidle on CSI and Detective Rollins on SVU. The storylines were quite different and both of them were effective. In the latter, the audience knew that she had acted properly but it wasn’t a sure thing that she wouldn’t be prosecuted. In the former, the evidence was stacked up against Sara to the extent that a viewer would be forgiven for thinking that maybe she had snapped.

You know things are interesting on Survivor when Philip isn’t the most annoying player at the moment. Probably not even the second-most annoying. (I got a kick out of his “middle-management” line.) We have Brandon, who keeps threatening to get crazy and break stuff but never manages to summon the gumption to do so, and then there’s Shamar, one of those guys who likes to intimidate people by talking loudly over them. I was glad the fans lost the immunity challenge because it gave us a chance to see more of them in the aftermath, though I thought for a minute that Reynold, the guy with the amazing superpower, was going to catch up with the fans at the ring-toss the way he did with the beanbag throw last week. Dude needs to find a better way to carry his (not so well) hidden immunity idol around, though. I don’t think it would have been any more conspicuous if he’d worn it around his neck.

I was a little disappointed with the trip to the swinger’s party on Justified this week. Sure, there was a little tawdry stuff going on in the background but it turns out the focus was on the old cigar-smoking bourbon-drinking gentry who are in charge of everything in Harlan County, at least in their minds. I don’t know how that gibes with the Dixie Mafia and the way Quarles stuck his nose in things last season, but they certainly put down a gauntlet that Boyd is going to have to consider. His daddy may have gotten the message from the Clover Hills Mafia, but Boyd’s different. We’re still no closer to finding out who Drew Thompson is, but by now we must certainly have seen him at least once.

The brunt of the episode was derived from a section of the Elmore Leonard novel Raylan. This includes all the material featuring the fetching and beguiling (or charming, as Raylan put it) sorority sister/poker player Jackie Nevada (daughter of Reno, apparently) and another Dumb and Dumber duo. I thought for a while that Jody was going to loot Raylan’s stash again after he overheard where he lived, but instead all Jody did was reset Raylan’s clock on the last time he shot a man. Poor Raylan’s not sure what to make of Jackie. He knows he should be wary of her, but he’s not trusting his judgment much these days.

Posted in Castle, Criminal Minds, CSI, Justified, SVU | Comments Off on A name out of a Steve McQueen movie

Skyfall

Posted on February 18, 2013 by Bev Vincent

My February contribution to Storytellers Unplugged went live yesterday. It’s called Social Media. I also (finally) finished my review of Ian McEwan’s Sweet Tooth and got it up. A book I wanted to like more, but didn’t.

I finished the first draft of my new work-in-progress yesterday afternoon. The short story came in at about 3100 words. It will be shorter after revision, I have no doubt. It’s not due to the market until the end of the month, so I have a few days to pretty it up.

The first review of The Dark Tower Companion (NAL, April 2, 2013) appeared in my news feed this morning. It’s from Rocky Wood and can be read at This Is Horror. It concludes, “Vincent has a strong commitment to opening Mid-World and its secrets to all readers, and this book proves he knows how to deliver.”

A new season of The Amazing Race last night, with a different twist on the Express Pass. The team that came in first got two of them, but they have to give the second one to another team before the end of the fourth leg. An interesting conundrum. Do you keep your vow to an alliance to give it to the team from that group who came in second? I don’t know that there’s a correct answer, but I think I’d be looking for the weakest team. The pass might give them a leg up, but ultimately they’ll get eliminated. However, I don’t know that there is a clear candidate for a weakest team. Who would have predicted that the firemen would go first? I’m not rooting for anyone yet, but I wouldn’t mind if the YouTube team got sent home early.

I’m sticking with The Walking Dead for the time being. This week’s episode was livelier than many, with much of the action crammed into the last fifteen minutes. Rick’s dotage is getting a little old, so with luck the Governor’s assault will spur him back to sanity. It’s hard to believe, though, that these guys, who have gotten so good at shooting people in the head from a distance, had a hard time picking off the sniper in the tower (or the Governor himself, for that matter). The headshot in the prison yard came as a huge surprise, though. They might as well have dressed that guy in a red shirt when he was introduced. My thought after the attack ended gives rise to the above image: Of course you know, this means war.

The Darryl/Merle stuff was fun and they even managed to cram in a bit of character revelation. I knew Darryl was going to show up at the last minute to help set things right, though. The van-full-of-zombies was a neat attack plan from a conceptual point of view, but in practice, how good was it? Sure, the front gate is smashed wide open, but I’ll bet they have that under control by next week.

We watched the new James Bond movie, Skyfall, this weekend. This is the first of the Daniel Craig entries in that series that I’ve seen, but I’ve seen him in other movies. I now see, though, why some people suggest him as a candidate for Roland the Gunslinger in a Dark Tower movie. I think he’d be excellent. Anyhow, Skyfall was terrific. It opened with the usual set piece, this one in Istanbul, that involved driving motor scooters over red tile rooftops and ends with a fight atop a train. No high tech gadgetry or whiz-bang edits. This is classic Bond rediscovered. There are more exotic locations (Shanghai and Macau), but the film really does feel like a retro re-envisioning of a classic series. There’s a subtext about age and youth. The new Q is a hip young dude (played by the guy who was Freddy Lyons on The Hour) who expresses disdain for such things as exploding pens and, presumably, tricked-out Astin Martins. All Bond gets for his mission is a plane ticket and a gun that’s coded to respond only to his hand. Oh, and a radio transceiver. On the other end of the spectrum there’s M (Judi Densch), who is at risk of being put out to pasture because her last year or so hasn’t exactly been a stellar one for MI6.

To underscore the idea that the old ways are passing, the villain sees 007 as a kindred spirit, the last two old rats who have to decide whether to duel to the death or join sides against an agency that has little more use for them. More explosions (a crashing London tube train is especially effective), but the movie becomes much more intimate toward the end, with a return to a place from Bond’s past (and a fantastic appearance by Albert Finney). Putting M in the Astin Martin was a nice touch, as was the preparations for the final battle. Ralph Fiennes had a nice role as the whippersnapper who seems intent on pushing M (and 007) out, but who proves his mettle when the going gets tough. This was an exciting and introspective movie, perhaps one of the best Bond films ever. It took itself dead seriously (only a couple of quips, including a throw-away line from a couple in the tube after Bond chases down a subway train) and, in the end, was touching and poignant. In a sense, we seem to be back at the beginning. Highly recommended.

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I’m actually feeling a whole lot better now

Posted on February 14, 2013 by Bev Vincent

I keep adding things to my writing to-do list. Some of them are on me—anthologies to which I want to submit, but it’s not the end of the world if I don’t. Others, though, are firm commitments. One of them is still awaiting confirmation, but it will require me to get the lead out and knuckle down for a couple of weeks if it comes through.

I’m working on a new short story this week, even though I have another one that’s only halfway done. The deadline for the new one is at the end of the month, so it gets top priority. Unless something else comes along with higher priority. This one is a speculative tale that arose from a suppertime conversation my wife and I had last week. One of those “what if” things where we marveled over the possibilities of something but then turned toward all of the nasty potential repercussions of the same thing. It’s a fun little tale that will have a rather grim ending, I’m afraid.

Justified always provides a bunch of quotable moments, and I usually steal one of the lines for my title. This week, the line was spoken by Josiah Cairn (Gerald McRaney), who has just had his foot amputated with an ax. One of the miscreants who believes Josiah is the near-mythical Drew Peterson realizes that he’s no good to them dead, so he decides to stop the bleeding with a blow torch. Once Josiah realizes the guy is serious, he utters the above line, which made me think of Monty Python, of course.

So, after last week’s episode, I came up with two hypotheses. One was that Josiah was Drew Peterson. I had a bunch of reasons for thinking so, and a couple of reasons for believing I was wrong. Turns out I wasn’t the only one who had that idea. Arlo put his lawyer on the wrong trail, for whatever perverse reason, and Cairn ended up footless because of it. I also wondered if the guy who liked to dress up in animal costumes, the one Ellen May shot, could be Drew. Then this week the “previously on” segment firmed up that connection. The guy was the judge executive and Raylan’s cousin said that the last time she saw Drew was nearly a decade ago with the judge executive. So I was on the right track, sort of. We’ll see what happens next week when Ava and Boyd crash the wife-swapping party, where there’s a high probability that Drew Peterson will be present. Look for a guy with bad legs.

A lot happened on this “very special” episode, which ended on an appropriate-for-Valentine’s Day note with a proposal. Who knew Boyd was a romantic? Colton is starting to unravel because of his addiction, compounding his mistake in beating up a prostitute by accusing another man of the assault, which quickly spun out of control. Johnny is toying with Boyd by telling him what he’d do to him if he were Duffy. A bold move but one that’s bound to backfire. And it’s nice to see that someone has a conscience over the killing of another person, even if said person isn’t actually dead. Colton is sort of on Tim’s radar, and I just knew that his brother’s favor (“it’ll only take fifteen minutes”) would go south. Will there be anything more to that story, though?

My favorite part of the episode, though, was Shelby and Raylan teaming up. They don’t trust each other on account of their past associations (Shelby with Boyd and Raylan with his father), but they put all that aside to get the job done. Shelby proves himself to be a good detective, figuring out why Roz’s boyfriend was shooting at targets behind his trailer and coming to Raylan’s rescue when “Rapes With a Smile” threatened him. He even pulled off a crackerjack piece of gunplay with Dumb and Dumber, Arlo’s lawyer’s two flunkies. “I wasn’t always a greeter in a big box store,” Shelby tells Raylan and goes on to regale him with the story of the last person he shot, twenty years ago. I think that’s the most dialog Jim Beaver’s had in a TV program ever.

Survivor is back, and they call it Fans vs. Favorites, but that’s a bit of a misnomer. Are the fans really fans? So far we haven’t seen much to qualify them as such, except for the guy who figured out how to start a fire without flint, which is a pro thing to do, rarely seen on Survivor. And are the favorites really favorites? A few of them might be, but several of them are in the “who?” category and some are decidedly unfavorites. Maybe favorites of the producers because of their volatility. The video clips that accompanied their arrival on the beach was like a worst-of collection. None of them have ever won. Only one (I believe) even made it to the finals. The advantage returning players have (well, those who’ve spent more than one day on the island, that is) is that they know what needs to be done straight away and how to accomplish it. While the fans argued, the favorites went to work and built a shelter. The disadvantage returning players have is that they think they know too much and they start to second guess themselves. Paranoia sets in. The vote at tribal might have gone differently if Francesca’s group had stuck to the original plan. But what if someone has an idol? To the best of my recollection, that was the first moment anyone mentioned idols. There was no sign that anyone was seriously looking for one.

The challenges were good. What better way to stoke the competitive nature than make everyone wrestle right off the bat? And the immunity challenge looked like a runaway for the favorites until the guy whose superpower is an uncanny ability to throw sandbags into holes stepped up. I think he got all six in about seven tries, while Malcolm piled his bags up around one slot. The marine looks like he could be a wild card, ranging from stubbornly aggressive to impressively capable, but Brendon appears to be the focus of next week’s tantrums. I thought that Philip would be someone who would go early, but he might just hang around for a while as the others implode.

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You know things are bad when the heroin addict thinks you’re a bad influence

Posted on February 11, 2013 by Bev Vincent

I had four things I wanted to get done this weekend, and I managed to complete them all, though it was later on Sunday than I’d planned when I put the finishing touches on #3. First off, I wrote two book reviews: The Dinner by Herman Koch and The Redeemer by Jo Nesbø. Then I wrote a 600-word entry for NPR’s three-minute fiction contest. This is the one that gave me the most trouble. When I read the prompt, I had a story immediately, but it took me a while to execute it. I also find that, with flash fiction, I spend a lot longer in the revision phase. I probably went over that thing 20 times until it was ready to send in. The deadline was late last night, so I got it in under the wire.

I also had to do some “homework” for my publicist, which I handled this morning. I didn’t watch any of the Grammy Awards, but I did get done in time to watch The Walking Dead. I’m not terribly engaged by the show. Any one of the characters could die and I don’t think I’d mind. And Rick is going off the rails. Dude, chill out. Give people a chance. It sounded like Andrea was running for Governor, with her little pep talk. I gave up on the show once already and had a change of heart, but if it doesn’t improve I think I’m going to drop it again.

Here’s my prediction: Flight is now out on video and video on demand, but I doubt you’ll ever find it listed on in-flight entertainment. I could be wrong. After all, they did run Cast Away in planes, and it has a harrowing plane crash sequence. As it turns out, the movie has very little to do with the crash, which all but six people survive. That’s our introduction to Denzel Washington’s character, but he’s already well into his downward spiral by this point. He’s divorced and his son won’t talk to him, mainly because of his addictions. He’s the kind of guy who can party all night long and take a snort of coke the next morning to trim out the stabilizers. He’s a better pilot high than many are stone cold sober, presumably because he used to fly a crop duster when he was a kid. He’s not in denial, though. He aggressively chooses to drink. He tries to go straight for about two days, but falls off the wagon when he finds out he might be prosecuted for manslaughter. He takes in a recovering heroin addict (cuter than most drug addicts you see in crime shows) who he meets in the hospital after the crash, and the best indicator of how bad Washington’s character is doing is that she considers him a bad influence. His lawyer and a friend lock him up in a hotel room the night before he’s set to testify at the NTSB hearing (I would never have left him alone—a guard outside the door wasn’t enough of a precaution), but still he finds a way to make a bad situation worse. It’s the kind of harrowing scene where you almost don’t want to watch. You hope he’ll find some personal strength but are dead sure he won’t. John Goodman has a funny cameo as the drug dealer. He looks like he just got off a flight from Haight-Ashbury by way of Margaritaville. It’s a somber movie that has an “as good as possible given the circumstances” ending and a bravura performance by Washington.

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I guess it all evens out

Posted on February 6, 2013 by Bev Vincent

I now have a publicist for The Dark Tower Companion. He introduced himself to me via e-mail last night. He has a few extra galleys to send my way, so if anyone (USA only, alas) out there is a blogger/reviewer with a platform and would be interested in requesting a copy for review, let me know. I’ll need your name, mailing address, e-mail address and your proposed venue (blog, review site, magazine). The publicist is exploring the possibility of having an eGalley for international reviewers, but that’s not finalized yet.

Interesting developments on Justified this week. We were treated to a brief scene with Winona, a great scene between Boyd and Raylan (locked in a box together), the return of Constable Bob and an appearance by another Deadwood alum. There were some great surprises: the scene where Wynn Duffy didn’t flinch, and finding Boyd in the box after Raylan was tossed in. Another corrupt federal agent (that’s getting to be a little tired), but at least they don’t have long lifespans after they’re exposed as such. Raylan’s first encounter with Josiah Cairn was funny (Cairn: You can’t do this! Raylan: Sure I can. As long as I’ve got gas.) but it turns out Cairn was a step ahead of him and Boyd, at least for now. For a while I entertained the theory that Cairn was really the elusive Drew Thompson (mostly on account of it being Gerald McRaney). I’m not convinced that’s the case, but it would be a neat development.

I liked the scenes with Tim. Raylan chides him for his reading material, saying he’s a little old for fantasy novels. “I guess I was a little bit young to be blowing the heads off Taliban,” Tim replies. “I guess it all evens out.” Then he has a few good moments with Colton, who is interested primarily in finding out how the Marshals go about finding someone who doesn’t want to be found.

A developing subplot this season is the growing number of people who want to bring Boyd down. Right now he has Johnny, supported by Wynn, and Shelby, who might use Ellen May’s knowledge. When Boyd was grilling Colton about her last words, I thought he already knew that Colton had messed up, but I guess he didn’t.

Boyd is a rascal, no doubt, but the show wouldn’t be half as good without him. Putting him and Raylan in a box was great, and though the two claim they don’t like each other, you have to wonder. However, I did think the scene where Raylan cuffs Boyd to a tree was poorly executed. Boyd didn’t even struggle and he has demonstrated in the past no hesitation about fighting with Raylan. Favorite line of that situation came from Boyd, after they were shot at and as he was being pulled out of the box by his feet: “I don’t like your plan, Raylan!”

I wonder if that’s all we’ll see of the hill people. (Boyd: I’d whistle the theme song to Deliverance if I though you had a better sense of humor.) A prediction: at some point this season, cats are going to factor into a confrontation with Theo Tonin’s man.

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