Ruminations on writing

My Storytellers Unplugged essay went live this morning. It’s called Are you ready? Well, then, let’s begin, and it talks about what it takes for me to be ready to begin working on a short story.

We watched three more episodes of Six Feet Under. There was one bit of contrived nonsense that was just plain bad writing. David dumps his excess ecstasy pills into the Aspirin bottle he’s handling because he’s afraid of getting caught with them, but there was no real reason for him to do so. He could just as easily have shoved them in his pocket. It just felt false. However, it led to an interesting scenario, especially when everyone in the house seemed to come down with headaches, starting with Clair, who dodged the bullet. Which led to the trippy scene with Mom out on her camping expedition hugging trees. Question: Does Ed Begley Jr. insist that every character he plays is a recycling, battery-car driving, environmentalist? Or does it just seem that way. I’m enjoying seeing a much younger Eric Balfour (Duke from Haven), though his last sighting (leaving a “goodbye” phone message) was ominous. Ileana Douglas was hilarious as the over-sharing, boundary-lacking mortician.

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Oh, say can you see

Here’s what the weather forecast looks like for the next four days: 101°/76° |  101°/76° | 101°/74° | 101°/74°. Chance of rain: 0%. We are now 15″ behind on annual rainfall to date.

When you boil hockey down to the basics, it’s all about putting the puck in the other guy’s net and keeping it out of your own. Vancouver didn’t do that. Boston did. Congratulations to the Bruins for a strong series and for taking the big trophy back home. Shame on Vancouverites for acting like cavemen (sorry Geico guys) afterwards. Though there was one cool photo on the CBC site of a couple lying on the ground in the middle of the street kissing, surrounded by rioters and riot police. Make love not war, I would have captioned it.

Look for my latest essay at Storytellers Unplugged tomorrow.

I posted my review of Robopocalypse at Onyx Reviews today. Though I enjoyed reading it, I found it somewhat slight and superficial, so my review is pretty critical, I’m afraid. Next up: The Five by Robert McCammon.

Instead of subjecting myself to hypertension (by watching the hockey game), we watched three more episodes of Six Feet Under last night. On House they have a patient of the week, whereas this show has the corpse of the week, and the deceased seems to have a message for one of the Fisher brothers or both. I’m finding certain things a tad predictable. I knew the cat was going to knock over the curling machine long before it happened. When the guy got into the industrial blender, well, you just knew how that was going to end. And I knew that Mr. Jones’s wife was going to be dead in bed and, later, that he was going to be dead in the funeral parlor. Still, we’re liking the show well enough. I could do without the shrill divorcée who has designs on David, and Brenda’s family would send me running for the hills, screaming. I like how seriously they are taking the mother’s grief and need to find a new life as a widow, and Claire is an interesting, quirky character with an emotive face. Got a big kick out of seeing the normally staid Sandra Oh (Christina from Grey’s Anatomy) as a fledgling porn star. Interesting, too, how Nathan is learning more about his father in death than he ever knew in life.

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He looks like Dexter. And yet…

I was disappointed that Vancouver couldn’t close the deal in Boston the other night, but they’ve got one more chance to bring the cup back home tonight. I think it will be another one-goal game, and I think the Canucks will win it with some stupid fraction of a second left in the match, thereby raising a country’s collective blood pressure by 20 points.

I finally figured out what to write about for my next Storytellers Unplugged essay, which goes live the day after tomorrow. Having figured it out, I also wrote it. So that’s done and off the list. Still trying to get a hook into the current short story. I think I came up with a title today. That’s a start, right?

I’m reaching the end of Robopocalypse by Daniel H. Wilson, who is at Murder By the Book in Houston tonight, by the way. A fascinating storytelling method, although one that distances the reader from most of the characters. Maybe that was his intent.

I received my copy of The Five by Robert McCammon from Subterranean Press yesterday. It goes straight to the head of the queue. Sorry, other books. Your day will come. I promise.

I got a really good deal on the five-season set of Six Feet Under: The Complete Series from Amazon. I’d never seen any of it before and was only vaguely aware of it, mostly through award shows and the ravings of others. So we went into it with a blank slate and watched the first four episodes last night. An interesting show, and I’m looking forward to seeing how it develops. It’s very hard to see Michael C. Hall and not think “Dexter,” especially at the end of the fourth episode when he follows the deceased Paco’s advice and threatens the sleazy chain-franchise guy who wants to buy them out. The character of Brenda intrigues me, too. I have a notion (probably wrong) about the reason for the name tattooed on her back and I’m wondering if she might not be just as nuts as Lila was on Dexter. Some immensely funny moments so far.

Only one episode of The Killing left. I’m sufficiently mistrustful of the writers to not buy completely into the apparent revelation of the killer’s identity at the end of last week’s show. There’s still a possibility they will yank the rug out from under us in the finale. Once it’s all over, I’ll probably ruminate about the things that were omitted from the Danish series. At least one of them is major, and I can’t see it happening now, though I might be wrong.

I hope the powers that be will renew Law & Order: Criminal Intent. I haven’t heard anything about how it has been doing in the ratings, but I’m enjoying this last hurrah for Goran and Eames. I wonder on what note they will leave the series at the end of this weekend’s finale. The fact that they had a “fire sale” of props and set decorations recently isn’t encouraging. For $5 you could take whatever you could fit into a cardboard box. Man, I wish I had been in NY for that.

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Anger is always the shortest distance to a mistake

Will the Canucks do it tonight? Win the Stanley Cup for the first time ever and bring it back to Canada for the first time in nearly two decades? Their performance in Boston hasn’t been stellar so far, and they only have six goals total in five games (1-3-1-0-1), so they better bring out the big sticks tonight. I’d hate to have it come down to game 7, though it would be cool if they could win at home.

I wasn’t expecting a months-long mid-season break in Doctor Who, but there we are. Demons Run (not Demon’s Run, note), an interesting episode that had everything in it, including the kitchen sink. Surprisingly, the Doctor himself doesn’t show up on-screen until nearly the 20 minute mark. Instead we get Amy misleading the audience with her cooings to baby Melody by talking about a man who is hundreds of years old. We think “the Doctor,” but of course that also applies to Rory, after a fashion. I’m not quite sure how you figure in the universal reboot. The Doctor’s message to the cybermen is loud and clear, but I’m not quite sure from episode to episode and doctor to doctor where he stands on killing/destroying sentient beings. Apparently cybermen are fair game.

Funny Abbot & Costello bit with the “thin-fat-gay-married-Anglican marines,” who don’t really require names beyond that description. We have a Silurian who “captured” (i.e., devoured) Jack the Ripper. Q: How did you find him? A: Stringy, but tasty all the same. We have Mr. Potato Head, aka Commander Strax, the Sontaran who is serving out his punishment by nursing humans injured in battle and greeting them like a warrior, saying things like: I hope to meet you in battle some day, where I expect I will chop you into tiny bits and stomp on the pieces. We have River, of course, fresh back from a date with the Doctor accompanied by Stevie Wonder, in 1814 (“but you must never tell him”).

We have Dorian, the fat blue guy from the Star Wars cantina, the pirates, the guy who flew the fighter pilot in space, and a gazillion other shout-outs. And we have a young woman named Lorna Bucket who met the Doctor when she was a little girl and who has crocheted a sampler for baby Melody.

Cute baby stuff, including the Doctor talking baby and telling Melody not to call Amy “big milk thing” and Strax’s offer to be a nursemaid, leading to the display of the Doctor’s “cot” (or crib as we would call it).

The bit where he cons the colonel into voluntarily disarming (“we are not fools” — oh, year?”) was pure Doctor (no weapons fired), but the revealing moment was the part where he got mad at Colonel Manton, dubbing him Colonel Runaway. Madam Vastra is the source of this post’s title, but it is River Song who drives the message home. The Doctor has strayed from what he once was. He’s angrier and more prone to killing things. His name is feared. Will River’s confrontation, and the fact that he is now the focus of armies who see him as an enemy, a lethal weapon, lead to an overall change in his personality? A kinder, gentler doctor once he puts paid to eyepatch lady, who is clearly a force to be reckoned with. Remains to be seen.

I have to boast a bit by saying that I predicted who the little girl from the opener would be, although I only got it half right as I didn’t know there would be a baby to consider. All this backward and forward time travel is a tad confusing. Someone needs to draw a chart to show how and where River and the Doctor overlap relative to their individual chronologies. Or, better still, someone needs to get his hands on that diary.

Favorite line of the episode came from Strax after the rather pointless battle with the headless monks. “Strange. I always dreamed of dying in combat. I’m not enjoying it as much as I’d hoped.”

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Five films

We had a movie binge weekend. In addition to watching Doctor Who (about which more later) and a Graham Norton rerun we saw:

  1. True Grit. I’ve never seen the original, not being a huge John Wayne fan. It’s hard to imagine the Duke being anywhere near half as gritty, grungy and gruff as Jeff Bridges was in this version. I’m sure everyone knows the story: a precocious young girl hires Reuben “Rooster” Cogburn a besotted US Marshal to track down the man who “killed my pa” and then escaped into Indian territory (Oklahoma), beyond the reach of regular law enforcement. The killer, Tom Chaney, is played by Josh Brolin as sort of an amiable simpleton when we finally meet him. Matt Damon has a minor role a Texas Ranger who is after the same man for killing a judge in his home state, a role played by Glen Campbell in the original. The girl doesn’t want Chaney taken back to Texas, even if he would be executed there. She wants to see justice doled out to him in person. A fine western with some good shootouts and a snake. I absolutely did not recognize Barry Pepper as Lucky Ned.
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  3. Bitter/Sweet. From Josh Brolin we moved on to James Brolin, who owns a huge coffee business located in Seattle. He’s not the star of the movie, though he plays an important part at the end. He dispatches one of his minions, Brian Chandler, whose fiancée is pressuring him to help plan their $250,000 wedding, to Thailand to inspect a remote village’s coffee plantation for possible purchase of their product. The village is suffering financially because their regular buyer has been dropping the price every year. When they find out about the American buyer, they pull out all the stops to convince him to recommend their product to his boss. He is escorted by a rowdy Austrian ex-pat and his girlfriend, who is best friends with a former village girl who now works in Bangkok for a big PR firm. Her parents beg her to come back to the village to help win Chandler over. Romance ensues. It’s a cute movie, harmless romance. The writer pushes a little too hard to have the smitten couple have the same thoughts at the same time, one in Thai the other in English, but we enjoyed it. The Austrian, Werner, makes for good comic relief.
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  5. Super 8. I’ve been dying to see this one ever since the first teaser trailer showed something pounding to get out of a derailed train car. This is Stand By Me meets E.T. and Close Encounters. A bunch of kids are out at midnight in a small Ohio town helping one of their friends make a movie to enter into a film festival when a military train derails mere feet from where they’re filming. They capture something on film, though that plays a less important part in the movie than you might expect. It begins with a very effective scene of a factory working changing the sign that says how many days it’s been since the last accident from 700-something to 1. The accident victim is Joe Lamb’s mother. His father is a town cop. Their individual griefs over this loss is the heart of the movie. His dad wants to send him off to basketball camp so he doesn’t have to look after him, and Joe needs to stay in town to help with the movie, especially since Alice (Elle Fanning) has joined the production. Fanning is amazing in this movie. When her character starts to act, the boys all stand around in stunned amazement, and her real-life performance is equally as impressive. I love the scene where one of the boys is tasked with talking on a pay phone to create background action and he just stands there with his mouth open staring at Alice when she acts. The obligatory bad military cover-up takes place, and there are some great special effects, but it’s all about these kids and the way they operate under the adult radar. They’re always talking at cross purposes, with three or four conversations going on among them simultaneously. One kid is a pyro who loves to blow things up. The director is mister bossy, the overweight kid who hasn’t yet “leaned out.” Joe is cool and calm, though not in any way a leader at first. Fun, fun, fun.
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  7. Midnight in Paris. Let me preface this by saying I’m not a Woody Allen fan. I find most of his films boring, whiny and self-indulgent. One of the best things about the new film is that Allen isn’t in it. Except he is, in the form of Owen Wilson, who plays the neurotic, diffident character. He’s in Paris on vacation with his fiancée (Rachel McAdams) and her snooty parents. How he ever got hooked up with this bunch defies explanation. It’s obvious to viewers from the first scene that they aren’t suited to each other. He is Gil Pender, a very successful screenwriter who wants to write a novel and believes he will find inspiration in Paris. His protagonist runs a “nostalgia shop,” and Gil believes that Paris in the 1920s would be the ideal place and time to live. Then he gets transported there each night at the stroke of midnight and gets to hang out with Hemingway, F. Scott and Zelda Fitzgerald, Picasso, Gertrude Stein, Dali, T.S. Eliot and many others, who give him advice and help him find his novel. He also meets Picasso’s latest flame, Adriana, who longs for her own golden era in the late 1880s, with Lautrec and others of that era, who in turn think their period is boring and long for the Renaissance. Everyone, it seems, finds their own era boring and imagine that another age must have been better. It’s a charming film and Owen Wilson is very good as the romantic young man who is totally in love with Paris, and it’s great to see all the old artists come to life, played by people like Kathy Bates, Corey Stall (Law & Order: Los Angeles) and Adrian Brody.
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  9. Love and Other Drugs. We expected a light comedy to finish off our weekend but this one actually has some teeth. The fact that Anne Hathaway’s character has a degenera­tive disease is totally absent from the promotional material and that’s really what the film is all about: how she pushes people away from her so they won’t feel obliged to stick around when she gets worse and how Jake Gyllenhaal’s roguish character is taken by her. I could have done without his younger brother’s character, played by Josh Gad, altogether. He was a reject from the Hangover movies and didn’t fit the tone of this film. Lots of Viagra humor later in the film, and some useful supporting bits by Oliver Platt and Hank Azaria, but this is totally Gyllenhaal and Hatheway’s film and they deliver.
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And a hockey game broke out

When I was a kid, Hockey Night in Canada was a mainstay of my Saturday nights. There was always a game and we always watched. So long as “my” team was winning, that is. If they weren’t performing well, I’d make some excuse to go do something else. Take a bath. Read a book. Go to bed. I still can’t bear to watch a game when “my” team is getting thrashed, such as during the 8-1 drubbing Vancouver took earlier this week. Once things started going south, I decided it was time to catch up on DVR shows.

I posted my review of Kate Atkinson’s Started Early, Took My Dog a day or two ago. Next up will be Satori by Don Winslow, which I finished yesterday. I returned to Robopocalypse by Daniel H. Wilson am also reading Quick Red Fox by John D. MacDonald. Last year I read Travis McGee #1-3. Maybe I’ll do #4-6 this year.

What do I have to do this month in terms of writing? I have to think about a topic for next week’s Storytellers Unplugged essay (any suggestions? I’m drawing a blank at the moment), write at least one short story (maybe two), and get my next Cemetery Dance column in hand. That one is due in early July. For those of you who haven’t been keeping up, I do an online version, too.

The Killing took an interesting tack last week. With only two episodes remaining after that one, they basically stalled the investigation to handle Sarah’s domestic problems. Good characterization, but I’m sure some people were frustrated by it. Her issues with her son did arise in the Danish version, but they were doled out more throughout the episodes instead of condensing them like this. And the bit about her “mother” actually being her social worker, that’s new. Also, the stuff about the casino is vastly different from what happened in the Danish version, and I couldn’t help but be reminded of Twin Peaks yet again. It will be interesting to see how this gets wrapped up in two more commercial filled hours. I suspect that a lot of things that happened in the Danish version won’t appear. There simply isn’t time.

The all-too-short “final” season of Law & Order: Criminal Intent is quickly winding down. I remain fascinated by Goran’s counselling sessions, which look like they may be coming to a head. Got a kick out of the murder-by-Viagra plot this week, too. Fortunately they skipped a lot of obvious easy jokes.

A little bit of time dilation going on with Law & Order: Los Angeles. Rex Winters is back from the dead, as is Jaruszalski’s mustache. I guess since the series was canceled they decided to burn off these episodes filmed before the “refit.”

Glad to see Covert Affairs again. Annie is an interesting character, especially the way she has to handle her private life since she lives with her sister. A lot o her problems would go away if she simply got a place of her own, right? I’m not a big fan of the whole Arthur drama, as I don’t care for his character or the fact that he’s being investigated. Less Arthur, more Auggie, that would be my recommendation. But do they ask me? No.

I’ve always been on the edge with Men of a Certain Age. It should be exactly my show, since I’m exactly their characters’ age, but I don’t identify with any of them. I don’t have a domineering father, I don’t have insecurities or addiction issues, and I’m not Peter Pan denying my age, either. Some of the situations they get into just make me feel uncomfortable, and it’s not the good kind of suspense. And, quite frankly, they’re all a little whiny so far this season. I think Joe was happy that his son was overcoming his insecurities but also a little jealous, too. I almost cheered Owen at the end of this week’s episode when he put Terry in his place. “No, you’re not going to quit. You dug me a deep hole and now you’re going to help me fix it. We all have problems. Now grow up.” Amen. The mocking voice over when Terry was hitting on the caretaker was pretty funny, but are they seriously expecting us to believe that Joe is going to start taking bets instead of making them? Is that where his arc is leading? Blech.

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On a horse with no name

Houston set a record yesterday for the highest temperature ever seen in June: 105°. Not just for the day, for the entire month. We also heard thunder rumbling all afternoon, but that didn’t give us any rain. The rain did materialize later on in the evening, a decent shower, the first in weeks. Not nearly enough to put a dent in the drought (we’re at about ⅓ of our normal rainfall for the year) but I’m sure the plants and animals welcomed it, plus the sound of rainfall was nice to fall asleep by. Today it’s only supposed to be 100°.

I found a nice new review of The Stephen King Illustrated Companion. It concludes: “Vincent’s well-footnoted research has dug up a range of anecdotes and details at least a few of which are likely to be unknown.  The Stephen King Illustrated Companion is an unusually in-depth, well-designed coffee table volume, to be recommended above all but a few books on its famous subject.”

I spent the weekend catching up on writing book reviews. I had five on my to-do list and managed to finish four of them: The Matchmaker of Kenmare by Frank Delaney, Pacific Heights by Paul Harper (David Lindsey), The Night Season by Chelsea Cain and The Snowman by Jo Nesbø. I also read about 3/4 of Satori by Don Winslow, which takes place in various parts of Asia during the early 1950s, including a harrowing trip down the Mekong River.

I hear there’s a ghost of a chance that the SyFy network might pick up The Event for at least a miniseries. That would be nice.

On Friday night we watched Surviving Picasso, a Merchant-Ivory film starring Anthony Hopkins as the famous artist. The movie is based on the story of Françoise Gilot, who stayed with him for the decade after World War II and bore him two children. She was forty years his junior and Picasso had a son who was exactly her age. The movie depicts him as something of an asshole, a self-absorbed “artiste” who did whatever he wanted with whomever he wanted. For some strange reason, though, women were enraptured by him. Even when he moved on, they still doted on him, as if he had somehow mesmerized them. Hopkins was good, but he was always Hopkins in my eyes and never quite Picasso. Interesting from a historical/art perspective but not a very nice guy so the movie suffered from that perspective. Hard to fathom why these women liked him so much. Juliane Moore did a wonderful French accent, though.

Watched the first period of the Vancouver/Boston game on Saturday night before switching over to Doctor Who. Then we checked in on the game during commercial breaks. It was looking dire for Vancouver, then I switched over and saw that it was “intermission.” Intermission? Too late for that, which told me Vancouver must have tied the game and it was going into overtime. Well, it did just that, for a whopping 11 seconds.

Some fascinating developments on Doctor Who. The sort of development that makes me want to go back to the beginning of the season to see if I can figure out when the substitution was made. Can you imagine a universe plagued with two identical Doctors? How insufferable would they be? “I’m getting a sense of just how impressive it is to hang out with me.” However, the creation of the “flesh” version made me think that this could be a viable solution to the mystery posed by the first episode of the season, and also made me more convinced that the person in the astronaut suit might be Amy.

There was some good trickery in the episode. First, the two versions of the miner Rory was looking for: both “flesh.” And then the switcheroo with the shoes so that Amy would reveal her true feelings about the faux-Doctor, or so she thought. The real Doctor said that it was important to learn about them through her eyes, though we don’t really appreciate the full meaning until the end of the episode.  Great line: “I never thought it was possible. You’re twice the man I thought you were.”

Also, what will be the consequences of the Doctor knowing that Amy & Co. were invited to see his death? One of the problems with a game-changing episode like “The Doctor’s Wife” is that the vernacular of that episode has to get integrated in ways that it never was before. The TARDIS is now always “sexy,” though it rarely was in the past. Favorite line of the episode though, was the Doctor’s response to the question “how much time have we got?” He says, “An hour. Five seconds. Somewhere in between.”

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Days are numbers

If we had six fingers on each hand and had adopted a base-12 numbering system, today I would be 42. In binary, I’m 110010.

Yes, it’s one of those dreaded “significant” birthdays. The kind that ends in a zero. And, no, I don’t mind, though I was mildly amused by the fact that I received a membership pitch from the AARP in yesterday’s mail!

My main gift was an upgrade. I’m now part of the smart phone generation. iPhone 4, to be precise. Means I no longer have to carry around both a flip phone and an iPod Touch for total connectivity. Plus a camera. Look out world.

Also a nice flower delivery at work (where I’d been keeping a low profile about the birthday.) Because of scheduling conflicts, we went out to dinner last night instead of tonight. Had a lot of fun and made our server’s evening with our jolly good time.

Still reading Robopocalypse by Daniel H. Wilson, which thus far reminds me of a cross between Stephen King’s “Trucks” and Conquest of the Planet of the Apes. The book is about the rise of technology and the subsequent war with humanity. I like the “pejorative” term for the enemy: Robs, as in “short for robots.” At the time the uprising begins, robots are used for a lot of things, from servants to laborers (this is the PotA comparison) to love surrogates.

I’m also reading a galley of Satori by Don Winslow on my iPad. This is a prequel to Trevanian’s classic 1979 novel Shibumi that is sort of an origin story for Nicholai Hel. I’m very pleased that I’ve found a way to get electronic galleys. Better for everyone involved, in my opinion.

Yay Canucks. Excellent use of foreshadowing, dramatic tension and a twist at the end that no one saw coming.

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Paging Madam Chairman

The long weekend is over and I feel like I got a lot accomplished. We cooked some great meals on the grill, though it was two flocking hot to eat outside (flocking is a euphemism I picked up from the novels of Frank Delaney that I’m currently reading to my wife). Big honking steak on Saturday and hamburgers on Sunday. My wife cooked a wonderful Copper River sockeye salmon filet yesterday to complete our culinary weekend.

Random observation: you can stream the new Journey album for free today. It’s not bad but so far only one song has leaped out and grabbed me as distinguishing itself.

I also finished the novella I’ve been working so diligently on for the past month or two. The first draft came in at 17,000 words. I printed it out yesterday (59 pages) and did a full read-through/long-hand edit and got most of the changes keyed back in before the salmon arrived on the scene. Then I finished the manual changes and did another thorough read-through on the screen. To my surprise, the story ended up slightly longer after revision: 17, 500 words and 61 pages. Usually I trim about 15% on revision, but not this time. Maybe it’s different with longer works. In fact, this is the longest thing I’ve ever written that didn’t go all the way to book length. Printed out a nice, pristine copy and got it in the mail just before the deadline, which is midnight tonight.

I finished Pacific Heights by Paul Harper, the pen name of crime writer David L. Lindsey and am about to begin Robopocalypse by Daniel H. Wilson, which looks intriguing and fun.

This weekend we stumbled upon a good movie, more by accident than anything else. It’s called Mao’s Last Dancer and is the true story of a young boy, Li Cunxin, who was selected from his country school (fairly arbitrarily) and sent to Beijing to learn how to be a ballet dancer. It’s based on Li’s memoir of the same name. He isn’t a very strong boy, but he is determined to make his impoverished family and his country proud, so he works harder than everyone else and excels. He is chosen by the director of the Houston Grand Opera (played by a mincing Bruce Greenwood) to be a visiting student (this was during the 1980s), where he learns that much of what he has been indoctrinated to believe about America is wrong. However, his request to stay is denied, which sets off an international incident when a group of Americans is detained inside the Chinese consular offices in Houston and are surrounded by FBI while diplomatic negotiations ensue. Kyle Mclaughlin plays his immigration attorney. Lots of impressive dancing and a good story well told.

We’ve gotten hooked on the Graham Norton show. Our OnDemand system has three full past seasons available, so we’ve been picking the ones that have people we’re familiar with as guests. Last night it was Dame Helen Mirren, Janet Jackson, Tyler Perry and Stephen Fry. I often wonder if North Americans who get signed to appear on the show have any idea what they’re getting themselves in for. Jackson looked mortified half the time. Norton is just so wildly over the top and energetic. My wife wouldn’t believe me at first when I said he was about our age. She thought he was about 35 based on his energy level. Fun show.

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Ain’t nobody here but us…

Wrote another thousand words of the story in progress and I have the rest all mapped out in my head except for one piece. One connection that the detective has to make and act on before the big reveal at the end. Not quite sure how that’s going to go, but I can keep on writing until it comes to me. And I have faith that it will come to me. It always does.

When I was living in my first apartment—this would be in Halifax, Nova Scotia in about 1985—my roommate and I detected an unpleasant smell in our fridge. We looked through everything and couldn’t find the source. The days passed. The smell lingered. Maybe it got a little worse. Finally I picked up a margarine tub that I assumed (silly me) contained margarine. When I pried off the lid I was introduced to one of the nastiest smells known to mankind. A raw chicken breast well past its expiration date. Man, that was foul. (Pun only intended in the sense that I realized it was a pun when I typed the word.)

We had chicken last weekend. On the grill. Good chicken. I always seal the leftover bits, both raw and cooked, in a freezer bag with a ziplok closure. I guess the seal must have broken, or else something landed on the bag and popped it open. When I went out to take the dumpster to the road last night, it was like something from C.S.I. First I noticed the swarm of flies around the lid and the buzzing. When I opened the lid to put in the last of our trash: hoo boy. There it was again, with the added bonus of all those flies. Nasty. Nasty. Nasty. Small wonder the neighbors didn’t call the police thinking that we’d killed somebody and dumped them in the trash.

With nothing else to watch, we queued up from OnDemand a couple of older episodes of Graham Norton, a British chat show that airs after Doctor Who on Saturday nights, which is how we first discovered him last year. We don’t always watch, but usually get a good chuckle when we do. He often has on visiting performers from the US and Canada as well as local favorites. I often wonder if the North Americans have any idea what they’re getting themselves into. At the end of each episode he has “stories from the red chair,” where some random people get the chance to tell “entertaining” but brief stories. Norton has his hand on a lever and if the story is less than compelling he dumps the person over backwards. It’s sort of like The Gong Show without the gong. One of the stories told in the episodes we watched last night was by a woman who came home to find her house surrounded by the cops. The neighbors had smelled decomp (it was a dead rat in the walls of her house, apparently) and suspected foul (there’s that word again) play. It all ties together, you see. TV and real life.

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