What do you call a duel between three people? A trial?

With World Horror less than a week today, there’s lots of business to do to keep me busy (and away from writing as much as I’d like). I’ll be leaving for Austin on Wednesday to get there in time for the preamble. It’s going to be a busy four-to-five days that I’m sure will zip by so fast that they’ll be a memory even before they start. Really looking forward to it, though.

The five-day weather forecast shows the same thing between now and Sunday. High of 90, low of 70. It looks like a copy and paste. No chance of rain, which we so badly need.

The Level Best crime anthology Thin Ice is now available for the Kindle. This is the collection of writings by New England authors that contains my Al Blanchard Award-winning story “The Bank Job.” The Kindle version costs $9.95 compared to the $15 trade paperback version, which is still available. Don’t have a Kindle? There’s a free application for Windows PCs and an app for iPads and iPod Touch devices that allows you to read Kindle files. Several of the other stories in Thin Ice have either been nominated for or won prestigious awards, including the Agatha, the Derringer and the Edgar Award.

Yesterday I received my contributor copy of A Sea of Alone: Poems for Alfred Hitchcock to be published shortly by Dark Scribe Press. It contains my first ever published poem, 24 Hour Psycho.

What a wild episode of Survivor this week. We only thought Philip was unpredictable before this. He sits there chanting to himself, which is mildly weird, and then goes ballistic when the smaller tribe won’t let him store his (bug infested but manually cleaned) rice in their container. It turned into a shouting match between him and Steve that suddenly became a race issue because of the way Philip responded to being called crazy (actually, I think Steve called him a lunatic, but that’s neither here nor there). When he started handling the machete later on, I thought that the elimination that day might be of a very different variety. No redemption island for you! Thwak! I wonder how many of the camera men and producers would have leapt between Philip (and his machete) and Steve.

The immunity challenge had Rob’s name written all over it, and he did indeed prevail, so he’s safe for two more weeks because of the hidden idol that he has (and still no one else knows about). Tribal Council turned into a rap session on the subtleties of prejudice. I thought Probst turned what could have been an inflammatory encounter into something fascinating to watch. I had to laugh at Julie, though, when she muttered “I guess you’ll never find your shorts now” to Philip as she was leaving. She was very pleased with herself for that little bit of mischief. Russell would have approved. Maybe Ralph will accidentally stumble upon them like he did the idol.

I totally called it last week regarding Justified. When everyone was wondering who had sent the two well-dressed guys after Raylan (and, by proxy, Winona), I knew who it was and this week the proof came out. And a lot of other stuff happened, too. The ending was a shocker. I really didn’t expect Dickie to live through the episode, but he seems determined to match Raylan’s body count. The final one was the worst, of course. Helen had been counselling Ava on the benefits of not knowing anything that could be forced out of her under duress, but it didn’t even come to that. She just ended up on the wrong end of crazy. Dickie had already crossed the line by dispatching the two muscle heads who decided to abandon ship after Boyd pulled his little sting operation. And wasn’t it fun seeing Boyd with a gun in each hand ripping off Dickie’s grow-op and letting the buyer go with all the weed he had just purchased.

Ava decides she doesn’t want to follow Helen’s advice. Despite the possible risk, she wants to know everything. She also has a few words to say on the subject of economic stimulus by getting Boyd to promise not to get involved with prostitution in Harlan County. Looks like he’ll have plenty else to keep him occupied. She’s a little like the cat among the pigeons when she’s hanging out in a cabin with Crowders, given her particular history with that family.

Art puts Tim on Raylan’s tail to make sure he doesn’t a) get killed or b) try to find out who is intent upon killing him. As good as Tim is, Raylan is better and he puts the sniper on notice that at some point he’s going to ditch his nanny. Which he does. A couple of times. He looks up the likely suspects and has a nice conversation with Mags who admits that she was the one who let Coover become a nitwit. She has problems of her own because some people haven’t taken kindly to the deal she made with the coal lady. Doyle arrives on the scene with a bunch of other local cops, stating that if he wanted someone dead he could arrange to have the fellow killed while resisting arrest. “You have one guy to back you up?” Raylan responds, “I thought you’d bring more guys.”

Later, the gang is all together under one roof. Gary, Winona, Raylan and their two minders, Rachel and Tim. “I feel like I’m in The Big Chill,” Tim says. “Except no one’s dead,” Raylan responds. “Yet,” Tim says, almost stepping on his line. “And the music sucks,” Rachel adds for good measure. I really liked the idea that Gary was “drafting off” Winona’s protection, hanging around the marshals so the guy he hired won’t kill him, too. I wonder if we’ll ever see old Gary again. Bad luck for him if Raylan sees him first. As he tells Duffy, “The next time we have this conversation, there won’t be a conversation.”

Dickie’s actions will, no doubt, push the old family feud into overdrive. I expect a number of people won’t make it out of the next two episodes alive.

We watched The Switch last night, a romantic comedy starring Jason Bateman, Jennifer Aniston and Jeff Goldblum (who looks a lot younger in that picture up top). Cute film made especially bearable by the little kid, who owned the film. He had so many good moments. My favorite was when he handed Wally the bag of peas after he got slapped. Loved the scenes between Jason Bateman and Goldblum, who was sort of a surrogate father figure. And Bateman was a most convincing drunk. I was impressed with him in general. He was very naturalistic in a film that could have been totally over the top. I think I’ve seen quite enough of Juliette Lewis, though.

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Sisterhood of the traveling House

Added another 600 words this morning, part of which was revision to earlier text to put in something that I had overlooked. I want to get this done by the end of the month because I have a couple of other projects I need to get started and I also have to read a few dozen short stories for a contest that I am helping judge. I’m not going to get much work done on the next couple of weekends, either. One of those times when I wished I had all the hours of the day to work.

I ordered 10 copies of The Stephen King Illustrated Companion from the publisher so I’d have them for the mass book signing at World Horror at the end of the month. They arrived yesterday. How would you subdivide 10 books if you had to ship them? They came in three boxes. One contained 5 copies, one contained 4 copies and one box (the same size as the other two) had a single copy in it. Weird!

I’d heard a few weeks ago that Masters’ time on House was coming to an end and the previews for last night’s episode seemed to indicate a crisis for her and that was, indeed, the case. She became surplus to requirements with the return of Thirteen (who had one of those rare moments this week when she got to pronounce her real name in its entirety). House boxed her into a few ethical corners to see if she would break, and she did. She found a way around his first slippery slope directive but she took matters into her own hands at the end when someone’s life was at risk, but she didn’t like the way she felt afterward so she decided not to sign up with House any longer. The patient of the week was the McGuffin. I have no idea what the thing with the chickens and the setter was all about.

So, do we believe the president’s wife (on The Event) when she says the big secret she’s keeping is the fact that her parents are aliens, but of the illegal variety rather than the extraterrestrial sort. Her anguish as she spilled out the story seemed real, but afterward she looked troubled. Since the president didn’t look in the file, who knows what damning information it might contain. And he might not get a second chance because his head is on the chopping block. The Vice President is colluding with Sophia to kill him. He thinks its so that Sophia’s people will spare the US (though he secretly wants to do it because he’s been frozen out of everything due to his earlier actions) but Sophia really wants to put the country into turmoil so they can carry out their nefarious plan. Hopefully Jarvis picked the day Martinez decided to give up sugar.

That was one nasty looking gash Leila gave herself with the bread knife. Not nearly as bad as the wound Dempsey inflicted upon himself later in the episode. Whoa—I did not see that coming. I wonder how many retakes Sean asked for in the scene where he had to perform CPR on Vicky.

No Castle this week so I settled for Law & Order: Los Angeles, which I’d previously decided to drop. Not a terrible episode. Not great, but better than the previous two.

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The chin

Approaching 10,000 words on the novella. Thought of a couple of things that I need to address, so I’m going to have to backtrack a little on my next session. I’m still not sure exactly how the story is going to wrap up. I have to get the previous incarnation of it out of my head, because that’s not going to work any more.

I started reading The Night Season by Chelsea Cain on my Kindle yesterday. This is her fourth book and the first which probably doesn’t feature serial killer Gretchen Lowell (since the title doesn’t have the word “heart” in it). It does have the other series characters, though. And it’s rainy, just like in The Killing. There’s an eager young female journalist who’s been in the previous books and is something of a Lizabeth Salander-lite.

A reminder of my Storytellers Unplugged essay from yesterday for the non-weekend crew: Rejection, rejection, rejection…acceptance! Rejection, rejection…

So, The Fall of Sam Axe. What to say? Fun, light, witty. Glad to see a cameo from Jeffrey Donovan early on. Otherwise this was a complete standalone, although I read that some of the characters from this prequel movie might make a return appearance in the new season. Co-star was the woman who played Nikki on Lost. Lots of explosions, some witty repartee, a couple of kisses, some banter between Sam and his bosses. A bunch of people with machine guns who couldn’t hit the side of a barn from fifteen paces, apparently, up against some sheep farmers with single shot rifles. The obligatory smarter than average teenager. I watched with only one eye while playing Angry Birds on my new iPad. Yeah, it was that kind of movie.

A friend from England recently sent me the Danish miniseries that is the basis for The Killing. It received a lot of attention when it aired on BBC4 earlier this year. I was surprised to see how much it rained in that series, which might explain why it was translated to Seattle for the AMC edition. The original seems darker and grittier in general, and that is due in large part to the actress who plays the lead detective, whose name is Sarah Lund. The actress said that she found her way into the character when she decided to play her as if she were a man. There’s nothing frilly about her, though she’s pretty enough. She’s all hard edges and tunnel vision. There’s some of that in the AMC version, but not nearly as much. Her relationship with her replacement/partner is more contentious in the Danish series, too.

The American version has a different killer, so I didn’t worry about being spoiled. They’re also telling parts of the story in a different order. Last night’s scene with the globe, for instance, didn’t come until at least the 15th hour of Forbrydelsen (out of 20 hours—the Danish version is about 50% longer).

A big theme of the series is the way accusations of guilt cling to people. We see that already in the AMC version, with the candidate for mayor suffering a political setback merely because a car from his campaign was involved.

The scene at the church, discussing the funeral, is almost a duplicate of the Danish version. However, the bit about the infiltration of the mayoral campaign is being handled differently, so there are plenty of reasons to watch this one having seen the original. I really hope they have the guts to do some of the things that transpire later in the Danish series, because they are completely unexpected and quite stunning.

Posted in Burn Notice, The Killing | Comments Off on The chin

Forget the original: just get a good copy

Yesterday I got all my rewrites done on the first 7000 words of the novella in progress to change one event and propagate its impact through the rest of the story. The way people react to a disappearance is perforce different than they would to a death. One is more absolute, the other is nebulous, especially since there’s no clear reason to suspect something nefarious. Yet. Gives me a lot more to play with for the next 8000 words. The main character can spend more time trying to do something and less time flagellating himself. That comes later, of course. Maybe.

My April essay is up at Storytellers Unplugged today. It’s called Rejection, rejection, rejection…acceptance! Rejection, rejection… and deals with my strange calculus concerning rejection.

For Burn Notice fans: The Fall of Sam Axe airs on USA tonight. This is a prequel movie event that detail’s Michael’s colorful sidekick’s past.

A fascinating episode of Fringe this week. When things got animated I couldn’t help but think of the video for The Alan Parson Project song “Don’t Answer Me.” The funniest part of the episode was the slack-jawed look on Broyles’ face after he accidentally ingested some of the LSD. At first he was supremely fascinated by one of Walter’s strands of red licorice. Then he became more maudlin: I have seen death, and it was me. Perhaps he was visited by a vision of alternaBoyle’s death when Fauxlivia was transported back to the other side. Atrid (or Astro, as Walter called her this week) was left in charge of the asylum and even got in a little dig by calling him “Wally.” Peter made fun of Broyles’ shiny head and whispered, “I think he’s an observer.”

The acid-infused trip into Olivia’s mind was reminiscent of Inception. Her dreams and fears created a world that was hazardous for Walter, Peter and William Bell. Walter got to drive a car like a pro (Peter! I made us skid!) and the program runners found another creative way to bring back Leonard Nimoy: as an animated version of himself. “How wonderful,” the thought balloon next to Walter says when they make this discovery. It also allowed them to do things like bring in a bunch of zombies in lab coats to chase Peter into leaping from a tall building at a ladder dangling from a zeppelin. In addition to rescuing Olivia from her own mind, the episode allowed Olivia to put her biggest fear to rest. As Bell told her, “You have never felt safe. You are your own worst enemy. You took the opportunity to let your fears overwhelm you. But you just fought back. You’re just as strong as Walter and I always believed you were. And now you know it, too.” She’s not afraid to move forward any more, even if she thinks she’s going to be killed by the man with the cross on his chest. Just three episodes left, and the season finale is, according to Torv, mind blowing.

Last week’s episode of Body of Proof was a mixed bag. From a character development point of view it was quite good. The mother seen through the eyes of the daughter as she interviews her coworkers to find out what her job is all about. From a crime story point of view, though, it was terrible. The suspect is tricked into blurting out the fact that he was surprised the body had disappeared, thereby betraying the fact that he knew there was a body in the first place. Completely unbelievable.

On Friday night we watched Burlesque, starring Christina Aguilera, Cher and Kristin Bell. I expected it to be a period piece until someone slipped a CD into a player. It wasn’t bad. Aguilera held her own as an actress and when she took the stage and let her pipes do the talking she owned the screen. Cher is looking more like something out of Madame Toussaud’s wax museum than a real person, though her show-stopper performance was powerful, and Kristin Bell’s character was a cardboard cutout villainess. However, I liked the fact that they didn’t make Eric Dane’s character wrong. He was just wrong for her. The geography of the burlesque club was a little vague and malleable during the film, but it was a fun flick for a Friday night. Sort of a cross between Cabaret and All that Jazz.

A movie that required a little more thought was Certified Copy, a French film starring Juliette Binoche, directed by an Iranian and costarring an opera singer in his first acting gig. It’s set in Tuscany and the characters alternate among English, French and Italian, sometimes within a single conversation. The movie gets its title from the name of a book written by Brit James Miller, who hopes to challenge the art community’s reverence for original works. Copies are just as important and artistic as the original. And what is an original? Isn’t the Mona Lisa just a copy of the person in the painting?

Miller is in Tuscany giving a lecture about his book to an appreciative audience and bemoaning the fact that it wasn’t as well received back home. Binoche arrives late to the lecture and has to leave quickly because her teenage son is restless. She leaves a message with the book’s translator, inviting Miller to her dungeon of an antiques shop. He shows up and displays little interest in her collection, asking instead to get some fresh air. She takes him to a nearby village, where she’s eager to show him a small painting that was long heralded as a fine work of art until it was determined to be an 18th century copy of a detail from a medieval fresco. She wants to both prove and challenge his thesis, but it’s not a game he wants to play. He’s more interested in personal details, like Binoche’s character’s sister, whose husband in unable to say her name without stuttering.

Then something strange happens. They bicker in a coffee house over inconsequential matters. When he steps outside to take a call, the woman running the place assumes that Miller is Binoche’s husband and calls him a good man. When he comes back in, Binoche convinces him to play along, except the way she does so takes him to task for his perceived failings as a husband. He doesn’t speak either French or Italian, for example, which the Italian shopowner can’t understand. “I live my life, they live theirs,” he says lamely. From this point on, though, they begin to behave as if they really were husband and wife, and the audience is led this way and that into wondering if they really do have a 15-year relationship or if it’s all just a big put on. They seem to have a long history together, but is it real or just a copy? The movie never answers this question. Binoche’s marriage isn’t a happy one: her husband fell asleep on the evening of their most recent anniversary after she had prettied herself up for him. At times she seems terribly desperate and needy, starved for love, but she isn’t going to get it from Miller, who is cold and aloof, whether he’s the real husband or not. And then the credits start rolling, just as they tend to do in a French film, when you least expect it! Thought provoking but not exactly uplifting. Why bother with a copy if it’s just as bleak and dreary as the original? But it’s impossible to take your eyes of Binoche, who is in almost every scene and is as beautiful and captivating as ever.

 

Posted in Burn Notice, Fringe, movies | Comments Off on Forget the original: just get a good copy

A National Treasure

I started revising the section of the novella in progress that needs changing to come into line with my new theory of the story this morning, but I was interrupted by some business that required my attention so I didn’t get very far. I hope to get a lot done on it this weekend.

Since there was nothing new on TV last night, I finished and posted my review of The Saturday Big Tent Wedding Party by Alexander McCall Smith last night. It’s the latest of the No. 1 Ladies’ Detective Agency novels.

I also got caught up on the most recent episode of Justified. Coover’s death seems to have taken all the wind out of Mags Bennett’s sails. She gave Dickie the weed business and otherwise disavowed him, paid off some old debts, and let it be known that she doesn’t want anyone going after Raylan for his part in Coover’s death. She’s not completely defeated—when one of the locals berates her for selling out the mountain she still has enough of that deadly steel left to stare him down.

Raylan’s in a bit of a pickle, though. He knows that Art suspects he was involved in the money fiasco that Winona created. (“You went crazy. I’d like to know if that’s temporary,” Raylan tells Winona.) When he tries to address the elephant in the room with his boss, Art lets him have it with both barrels. He calls Raylan a lousy marshal but a pretty good lawman. “It kind of makes me sad,” he says. “Believe it or not, I thought at one point that maybe someday you and I’d be able to look back on all this and laugh but, shit, I don’t think you’re gonna alive that long.” He seems to think he’s stuck cleaning up Raylan’s messes but that probably will solve itself sooner or later.

When Raylan was looking at the family picture of the old Givens clan, imagining himself with a mustache, could you help but think about the way he looked in Deadwood? Raylan’s thinking it’s time to move on, perhaps to Glynco (where the federal marshal training academy is located), if Winona is willing. She’s putting her affairs in order, trying to hammer out a divorce with Gary. I liked the scene where Raylan told the guys following them that he was a little out of sorts because he’d just shot and killed a man a few days earlier and that they should turn left when he turned right (“or I’m going to want some answers”) but I’m not convinced they were following him. Conventional wisdom might have it that they were sent by Dickie as payback, but they looked a little too professional to do business with him. I have a hunch that Gary sent them to speed along and lessen the cost of his divorce.

Winona accepts that Raylan loves her, that he helped her not simply because he has the outlaw gene from his father, and willingly says that she loves him, too. “But now what?” They were married once before, we have to remember, and that didn’t work out so well. “It’s not you, it’s me,” she tells him, but he’s heard that song before and knows what it means.

My favorite exchange in the episode though (of course) was the one involving Neil Young, just before the crash. The singer on the radio had a raspy voice, which makes Raylan think about Young, and how his voice grows on you. “A national treasure,” he says. “Uh uh,” Winona shoots back. “He’s Canadian.” Raylan grins. “Then I guess he sucks.”

I didn’t expect Dickie to walk out of that bar alive after he started poking the bear, but Boyd is patient and he knows how to turn just about anything to his advantage. He’s embracing his heritage and wants to reclaim Harlan County in the Crowder family name. How will this all turn out? Perhaps with a shootout even bigger and more exciting than the one that ended this week’s episode? But Boyd has a soft spot, returning to see Eva one more time, “even if it was from a distance.”

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We all scream

I added another thousand words to the novella this morning, reaching 7000, but I think I’ve hit the breaking-off point. The old storyline isn’t going to serve me for this version so I’m ditching the rest of it and going off in a new direction. In fact, I think I’m going to backtrack a little and change an outcome, too. Instead of a murder, I’m going to have a disappearance that gives the story some more momentum. There will be other murders, but if one potential victim is still alive, that raises the stakes considerably. Of course, all this occurred to me in the shower after I was done for the morning so I’ll have to deal with it tomorrow. I also have to come up with a new culprit now.

I received an anniversary congratulations from Continental Airlines today. I’ve been a member of their OnePass program for 21 years. Wow. That makes me feel old.

Programming for WHC 2011 was released today. The convention starts in about two weeks. I’ll be driving over on the Wednesday since I’m on the committee and am the Guest of Honor liaison. I have two programming tasks:

  • 3:00 PM Friday, April 29 – Phoenix Central: Guest of Honor Q&A – Joe Hill (interviewed by Bev Vincent)
  • 1:00 PM Saturday, April 30 – Phoenix Central: Horror Without Stephen King. Jack Ketchum, Lawrence Person (M), Del Howison, William Nolan, Rocky Wood, Bev Vincent. Stephen King is the undisputed grandmaster of modern horror. But what if he had never lived, or went right to publishing literary fiction without ever writing a single scary story. What would the field look like today without the man from Maine? Would there even be a horror genre as we know it?

Lots of other panels and events I hope to attend, assuming my responsibilities allow.

New claim to fame: Jeff Probst responded to one of my tweet questions during last night’s episode of Survivor. He’s been revealing some interesting behind-the-scenes information about how the show is organized, the things they do and don’t do (for example, he confirmed a few weeks ago that he arranges the votes in the order that gives the most suspense). I asked how they organized the contestants at tribal council, since there are often some interesting juxtapositions. He wrote: “yes we tell them where to sit, so we make sure the tall people are in back. that’s the only time we do it.”

I love Rob’s idea of the buddy system to keep the other tribe from picking someone off when they’re a lone. Clever stuff. I wasn’t entirely sure of his logic in forcing his allies to not eat the fish. It’s never a good idea to start thinking you’re running the show. It was a dangerous move, I thought, and you’d think he’d want his team-mates to be strong. Philip got his meal (I loved the “burgers elapsed” caption that followed the “time elapsed” during the challenge). Sure, he might have been leery of whether the fish were still good or not, but to arbitrarily decide that no one on his side could eat. Yikes. It seems like he got away with it, too, as we weren’t shown any grumbling about the decision. And surely if the producers were worried that a bunch of players would die of food poisoning they’d intervene. A lot of things happen that we don’t see. For instance, David was examined by the medics after the challenge. His leg was blue, apparently. It was a strange choice, to hang by one leg like some sort of bat. He’s a very smart player, but that decision was odd. I wonder what Redemption Island is going to be like next week. A three person contest?

This week’s Criminal Minds was one of the best in recent memory. It was a riff on horror movies presaged by several members of BAU going to see a slasher flick. One scene at about the midpoint was a restaging of Drew Barrymore’s scene in one of the Scream movies. The lighting, the young woman on the phone, the camera angle outside a big window. There were probably other riffs like that that I didn’t catch. The big confrontation at the end was very well done and Seaver was given a chance to shine. She got her briefing from Hotch on the way into the house, she did exactly what she was told to do, and did it confidently, and despite the fact that there was shooting involved and a man was killed beside her, she was calm and assured when she talked to the woman victim a few minutes later. I wasn’t sure about her at first, but she’s growing on me. I also really liked the way the shooting was staged. Rossi came in from the rear, Hotch assessed the situation and moved instinctively out of the line of fire, Seaver covered the hostage and the shooting went down without problem.

Posted in Criminal Minds, Survivor | Comments Off on We all scream

Blue eyes

Made some serious forward progress on the novella this morning, jumping from just under 4000 words to a tad over 6000 by the end of my session. Not all of them are new words, exactly. Since I’m revamping an old, abandoned novel I’m making use of details and in some cases entire paragraphs from the existing text, though just about every word is being revised eventually. I’m reaching a point, though, where I have to decide whether I want to keep following the direction of the old plot or take off in a new direction. Remains to be seen.

A lot of things are changing on NCIS. Tony and Gibbs are bickering over Tony’s new girlfriend, fellow NCIS agent EJ. Tony’s breaking Rule #12 about dating coworkers. He thinks he can get a pass because EJ technically isn’t a co-worker and NCIS doesn’t have any rules banning the relationship, but Gibbs makes his stance quite plain: My team, my rules. And now there’s a couple of newbies in the pit: the rest of EJ’s team has arrived, including a giant with basso profundo and a photographic memory. McGee is bent out of shape because Abby is showing the new guy around. For a while I was hearing his name as “Kate,” which brings back memories of early seasons, but I see that his name is really Cade. Remains to be seen whether these new folk are permanent additions to the cast. And where was Vance last night? Don’t think I saw him at all. For a while I thought that the random eyeball that ended up in Tony’s drink last week, the one with the power to open MTAC, might be his, but Duckie feels it came from someone in his thirties, so it’s probably not Vance. Does he have blue eyes anyway? That’s a detail I never notice.

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You call that a gun?

Working my way back into the novella by reading over and editing what I’ve already written. Tomorrow I should be able to tackle new material. I’ve been cutting mercilessly so far. I’m hoping that it will be a very lean long story.

It was great to see Thirteen back on House. The whole patient of the week thing was almost an unwelcome distraction, though it did allow for the scene when Thirteen chimed in on the telephone diagnosis, thus surprising everyone at the hospital who didn’t know where House was. Plus the case put a tiny different spin on the hoarders thing. On CSI, they found a dead body buried among the detritus of a hoarder. On this episode they found a living person.

I’ve argued before that Thirteen is the perfect foil for House. She knows him, he knows her as well as he knows anyone. Somehow he found out she was being released from prison and he surprised her by picking her up outside the gate. I guess she must have caught up on Lost while inside because the one personal stop she asked to make en route to wherever House was taking her was to knee Damon Lindelof between the legs. Oh, she said it was someone else, but we all know that she was delivering a message on behalf of Lost/House alum Cynthia Watros. Lindelof was so far in the background that you wouldn’t have realized it was him if you weren’t also following his Twitter feed, where he proudly posted a picture of him writhing in agony.

Where they’re heading, it turns out, is a country festival where House has finished twice three years in a row in the spud shooting contest. Thirteen, it seems, is a rocket scientist who knows about internal pressures and trajectories, so she helps him replace his gun, which sucks. House finally worms the reason for Thirteen’s incarceration out of him and promises to do the same thing for her when the time comes. I hope Olivia Wilde is going to stick around for a while. Great to see she’s making movies, but she really brings House to life.

Two of my favorite crime writers, both of whom I’ve met, had cameo appearances at Rick Castle’s poker game: Dennis Lehane and Michael Connelly. I think Connelly has been on once before, but it was Lehane’s first appearance and he was impressive. I think he could have the makings of an actor. They even gave him some good reaction shots. Rick brought along his protégé, who was starting to get on his nerves by elbowing his way in with Beckett. Together, the three seasoned writers deliver a smackdown on the newbie who fawns over the two authors. “It’s not a book signing kid—we’re here to play poker.” The kid  has published only one book (“And has writing one novel made you a crime-solving genius?” Lehane asks him) that has not been optioned as a film. When the rookie offers his opinion on the case and they shoot that down, too, Connelly asks, “You know what I did after I wrote my first novel? I shut up and wrote 23 more.” A fun scene that also paid tribute to Stephen J. Cannell by pointing out his chair at the poker table, which they were leaving empty for a year in his honor.

Always lots of stuff for writers to laugh at. His mother and daughter describe Castle’s writing process as “procrastinating until the very last second and then writing out of desperation in a caffeine-induced haze.” When visiting a seedy apartment, Castle comments that it reminds him of the first place he lived. “We used to have cockroach races. I wonder if that’s where Kafka got the idea.” When the young writer shifts his attention to Ryan and Esposito, Esposito asks, “Dude can be a muse, right? That’s not weird or anything is it?” Castle reassures him that it isn’t weird, before rolling his eyes at Beckett.

The murder of the week did its job of moving things along, and there was even a Shawshank moment when Castle discovered a clue hidden in a hole in a wall covered by a poster. The payoff at the end, though, was Castle admitting his jealousy about the young writer. Beckett tells Castle she thinks his jealousy is “cute” and reassures him that from that point on she would be a one-writer girl.

I watched the return of Law & Order: Los Angeles with one eye. They killed off Skeet Ulrich, which didn’t sit well with me, and the storyline was a convoluted one involving Mexican drug lords that didn’t hold my attention. Not sure I’m going to keep up with the show, even with Alana de la Garza joining the cast.

Posted in Castle, House, Law and Order: LA | 1 Comment

The reverse Hitchcock

90% of Texas is in a drought and no rain was expected in the coming days. We had very little in March and none so far in April. There was a 12% chance of precipitation today, which seems paltry given that we’ve had days with over 50% chance when none materialized. It just started raining. Not a soaker by any stretch of the imagination, but it is raining.

Getting my new (old) iPad configured and enjoying it. I would say that the iPad is the iPod Touch for the older generation, i.e., those who aren’t quite up to reading off a tiny screen. The iPad display is large, clear, crisp, bright. I loaded my first video onto it yesterday and watched a 1-hour movie. Great picture, excellent sound and it only used about 5% of the battery charge. Quite impressed. I like the iPad-specific apps, though a few (I’m looking at you Facebook) haven’t quite caught up to the new technology yet. Don’t miss the fact that it doesn’t have a camera like an iPhone or an iPad 2, and who cares if it’s a tad thicker or heavier than the next generation. I like it — and I like that I can use iBooks to transfer a PDF file the same way I can transfer an MP3. That means I can put the short story I might be reading from at World Horror on the iPad. Tested it out this morning and it looks fine.

Finished reading The Saturday Big Tent Wedding Party, the new No. 1 Ladies’ Detective Agency novel by Alexander McCall Smith, this weekend. Still plowing through Hitch-22: A Memoir by Christopher Hitchens. Started reading The Matchmaker of Kenmare: A Novel of Ireland by Frank Delaney to my wife. I think I’ve been in or through Kenmare. I’ll have to look it up in my travel journal from my trip through Ireland nearly 20 years ago. It’s at the end (or the beginning) of the ring of Kerry on the Atlantic side.

A fairly routine episode of The Amazing Race, though the host live-tweeted. Just like Probst, he didn’t answer any of my questions. The cowboys made a bad mistake in booking a flight an hour after everyone else, but they caught up and didn’t get eliminated. Ron made his mistake—wandering aimlessly for too long during the detour—later in the day and that cost them the race.

We watched The Tourist on Friday night. One of its most fascinating aspects is the fact that Johnny Depp plays a completely normal everyman. He has no quirks or tics or oddities. Very unusual. I think they could have gone one step further and sheared off his hair and shaved off his scruff, because visually he still looked very much like Johnny Depp. They could have rendered him nearly unrecognizable, but maybe that’s not a good thing.

Spoilers I came away from the film thinking of it as a reverse-Hitchcock. Instead of having a character who has been mistaken for someone else or suspected of being involved in a crime, and having that character spend the entire movie trying to prove his innocence, it turned out in the end that the character was exactly who everyone thought he was. It was only the audience who was misled by his subterfuge. I’d like to go back and watch the first 45 minutes some day knowing how it turned out to see if I can rationalize some of the character’s actions, which to me know seemed inconsistent. Was he so deep into this cover story that he was willing to bring in the police, for example, when the bad guys were shooting through his door? Not sure it holds together entirely. Much of the film was devoted to long, slow shots of Angelina Jolie. At moments late in the film she looks very much like Audrey Hepburn. Maybe that was meant to keep us from paying too much attention to the film’s logic, or lack thereof. Loved the way it turned out, though, with the check to Inland Revnue. I think the movie says one thing without actually saying it: I believe that Angelina Jolie’s character recognized Depp’s character without realizing it. She chose him on the train not just because he fit the bill but because she was subconsciously drawn to her lover. End spoilers

On Saturday, we watched Get Low, starring Robert Duvall, Bill Murray and Sissy Spacek. It’s set in 1930s Tennessee and Duvall is a hermit who lives in a log cabin, posts Do Not Disturb signs and chases people away with his shotgun. He’s the crazy old coot about whom local legends are spun, especially among the children who dare each other to knock on this door or throw rocks at his windows. He has a long beard and rides a mule-drawn cart. He’s every bit of a cliché. However, once he hears that one of his few remaining contemporaries has died, he decides it’s time to organize his funeral—except he wants to attend. He wants everyone to come and tell stories they know about him, even if they’re the kind of stories that might get them shot. Bill Murray is the local funeral director, fallen on hard times because there’s been a dearth of dying lately, and he takes to the project with open arms. He’s wants to throw a great party, and he does, except it turns out that Duvall doesn’t really want others to tell stories about him—he wants to tell a story that he’s kept in for over forty years. A confession. Bill Murray keeps this film hopping along with his barely concealed grin, and Duvall is so earnest that you just want to see how it all turns out.

 

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Which way is out?

We had a stretch of fence between us and our neighbors replaced this week. It included a gate. When the workers were finishing up we went to survey the results. Fenced looked good, but the gate was installed backwards! The latch was on the inside and the little doo-hickey (it must have a name) that allows you to lock it by sliding it into a tab was on the street side. Okay if you want to keep people in your back yard, but otherwise kind of pointless. They came back yesterday and got it properly oriented, so now we can no longer imprison people.

The return of Lady Heather on CSI was less of a success than one might have hoped. She’s now a sex therapist, of course, and she and Sara have a bit of a history, but the whole thing about people pretending to be animals and then going massively overboard about it just seemed silly. The second storyline was better, but I think the idea of cyberbullying has been done and done better. Plus, the whole thing started with what seemed to me a coincidence. Doctor Robbins, the coroner, just happened to be riding with Nick when a guy just happened to think they might be cops (in their standard issue black SUV). The guy just happened to have looked through the window a few minutes after the girl committed suicide and Robbins’ presence meant that he could do an emergency C-section and deliver the baby. Do Robbins and Nick hang around normally? Not that I’ve ever seen.

The Mentalist was far better, and that was in large part due to the presence of Firefly’s Morena Baccarin as the main suspect, a professional matchmaker who is something of a match for Patrick. Smart and able to read people just about as well as him. She was even able to charm the stoic Agent Cho, which Patrick identified as no mean feat. Meanwhile, Grace shows what she’s made of by silencing a yappy dog with a single word and, later, silencing a guy who was hitting on her with another word: Engaged. Lots of good banter between Rigsby and Cho about dating services. “No I’ve never used one and yes you should,” Cho tells Rigsby. “Anything to stop you dating your coworkers.” Okay, so now he’s taken to dating witnesses, and I can’t think it’s a good sign that the young woman’s last name was “Harridan” (as seen in his notebook).

Rule #1 of the show is, of course, that anything Patrick and Lisbon say in the presence of a suspect is almost certainly a lie meant to trick the listener into exposing themselves. This time Patrick’s ruse almost didn’t work. She didn’t fall for the suicide letter but then took great pleasure in telling Patrick that his insight failed when he claimed she was in love with the poor stooge who was her alibi. As much as I liked the verbal duel between Patrick and Erica, I really liked the closing scene when Lisbon found and watched the interview tape he made for Erica. At first I thought he just might be talking about Lisbon, but then you realize he’s still talking about his dead wife. The camera didn’t even cut back to Lisbon for her reaction at that point. Nicely done.

A crossover episode of Law & Order: SVU to herald the return of Law & Order: LA next week, along with the return of Diane Neal as the disgraced DA trying to work her way back into her job again. What do you do when the DAs from two versions of the show go head-to-head? Well, Casey Novak had home field advantage, but she couldn’t beat Dekker too badly, so it came down to something of a tie, with a deal being hashed out instead of a jury decision one way or the other.

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