As nutty as…

My new Storytellers Unplugged essay is up. It’s called “Potpourri” for the simple reason that it’s a meandering, stream-of-consciousness hodgepodge without a point. I was really stumped for a topic this month, so I opted for a State of the Union ramble.

My eBay auction of The Silent Land by Graham Joyce ends this evening. A great opportunity to snap up a fantastic novel a couple of months before it’s published here.

I read A Drop of the Hard Stuff by Lawrence Block, the new Matt Scudder book. It’s great to be back in Scudder’s company again. The book is something of a nostalgic flashback as it does not pick up where All the Flowers Are Dying left off six years ago. Instead, it begins with Matt and Mick Ballou having one of their late night gabfests during which Matt recounts the story of a childhood friend of his whose path he crossed a couple of times in later years, the final time nearly a year into his sobriety. It’s very much a 12-step novel, as the AA process forms a crucial element of the storyline and Scudder’s struggle to remain sober is soaked into every page.

Next up is The Janus Stone by Elly Griffiths. The main character is a British forensic archaeologist who sometimes assists the police when bones are found at a crime scene.

I’m not sure why fruitcake gets such a bad rap. I love fruitcake. I’ve even made it once, which was a ton of work. My sister sent me two after Christmas, one light and one dark. I used to favor the dark version, but now I think I slightly prefer the light variety.

Watched some football this weekend while reading and doing jigsaw puzzles. I was rooting for the Seattle team simply because they were such underdogs, but they were put in their proper place by Chicago. The Steelers game was interesting because it seemed so one sided in the first half. Was mildly disappointed by the Patriots loss. They didn’t look like their normal powerhouse selves.

Also watched some of the Golden Globes. Gervais. What can you say about him? Cheeky doesn’t even begin to touch it. Tom Hanks and Tim Allen looked like they were the hit men sent out to put him in his place. Some of his jokes were funny, but a lot of them were cringeworthy. My favorite moment of the evening was Kaley Cuoco’s reaction to Jim Parson’s win for The Big Bang Theory, and the way Parsons reacted to it.

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Maybe I was paying attention

I received my first rejection letter of 2010. No, maybe it’s my second one. I think so. They don’t sting quite as much as they once did, but I had hopes for this one. It was intended for Blood Lite 3 but it failed because it wasn’t funny enough, according to the editor, who wrote me a nice message about it. That was my biggest fear. I think the story is quite good, but it’s more satirical than funny. I don’t really do funny well. Droll, maybe. “The Bank Job” has funny moments, but it’s not hilarious.  I’ll try placing it somewhere else, of course.

The Edgar Award nominations will be announced next week. I hope that Thin Ice is nominated. The Level Best Books anthologies are almost always noticed by the awards committees, and I hope this year is no exception. I dare not hope that my story in the collection will be nominated: it would be bad luck to hope such a thing, right?

I just realized that I have to write a Storytellers Unplugged essay this weekend. Monday is my day for it to go live. I don’t have a clue what to write about. I’m sure something will come to me. It always does.

I finished The Silent Land by Graham Joyce last night. It was every bit as good as I hoped/expected. It’s a difficult book to say much about without discussing the ending. With Graham, there’s always the open question about whether a surreal experience truly happened or whether something is affecting the characters’ perceptions (or, perhaps, the reader’s). Sometimes all it takes is the presence of one tiny inexplicable thing to raise the question. I’ll review the book shortly, but I have to think about how to do so without giving too much away. When people ask me who my influences are, I almost always mention Graham Joyce. Next up: A Drop of the Hard Stuff by Lawrence Block, the new Matt Scudder book.

I recently ordered a copy of a novel I read in school: The Mountain and the Valley by Ernest Buckler. As I wrote previously, this was a book whose title and author I couldn’t remember but I’ve always wanted to read it again to see if it holds up to my memory of it. I must have read a bunch of books in school, but I don’t remember many of them. I do have a vivid memory of reading The Silver Sword by Ian Serraillier at some point, so maybe I was paying attention. What I remember more than anything else about that book is the fact that I learned the word “patina” while reading it. Not sure why that stuck in my mind the way it did. Another book that I really enjoyed was The Man Who Never Was by Ewen Montagu. I guess that anticipated my fondness for spy novels. It’s about a true scheme whereby a body was dumped in the Mediterranean with “confidential papers” about the Allies plans that were intended to mislead the enemy during World War II. I’ve never seen the movie, though. Should track it down.

Not much on TV this week. I still watch Grey’s Anatomy, but don’t often write about it. It’s my one soap opera show. I watched Desperate Housewives during the first season, when it was as much of a whodunit as a dramedy, but I gave up on it very quickly in season two. I didn’t care much for the Christina plot in Grey’s Anatomy this season, but she seems to be getting back to normal. I like the fact that the cast is expanding to the point where the originals aren’t so important any more. I thought they handled the aftermath of last season’s shooting well, and it was gutsy to follow up last week with having the same staff facing the victims of another shooting. Especially poignant was the inclusion of the mother of the shooter, played by Susan Ruttan from L.A. Law (Arnie Becker’s long-suffering personal assistant), given the events in Tucson of a week ago. Like the case of the married BTK killer, people assume that the spouse/parents must have known something, but it’s entirely possible that they didn’t. The bombshell dropped in the last seconds of this week’s episode was totally unexpected (by me at least).

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From Socrates to Snookie

According to CNN, as of this morning there was snow on the ground in all fifty states except Florida. And, yes, that includes Hawaii, the meteorologist clarified, as if someone might speculate that Hawaii wasn’t one of the fifty. Our snow is far north of us, though they keep suggesting that we might get some flurries today. It’s cold enough for it, but I have my doubts.

I think I like the idea of a snowstorm more than the reality of having to shovel out driveways, navigate hazardous roads, contend with outages, etc. I had my fair share of those back in the day. I remember one winter when my car, which was parked in the last slot of a lot that had enormous rock faces on two sides, was completely drifted in. Snow got into the engine compartment and when I drove it to the lab the next day, I warmed the car up only enough to melt the snow, which then promptly froze in every available crevice of the engine, cracking the distributor. Not fun.

It seems like every mystery show eventually has to do “the one about the magician.” Castle did this on Monday night and it was fun. We learn little bits about Beckett each week, and the way that she lit up when talking about her grandfather and his love of magic was terrific. And the fact that she told Castle that he reminded her of her grandfather: promising. I liked her little magic trick with the flowers at the end, too, and Alexis’s gag with the quarter/$20 bill was hasty but hilarious. Of course a bunch of detectives are going to suss out Esposito and Lanie’s affair. We’d be disappointed in them if they didn’t. Next time (though apparently not next week?) we will be treated to “the kiss” and it looks like another episode the furthers the story of Beckett’s mother’s murder.

Two Abbies are obviously better than one on NCIS, especially when the other Abby is Abigail Borin as played by Diane Neal of Law & Order. She’s a character that really plays well with Gibbs and apparently this week’s episode drew the largest audience for the show ever. Not bad in season eight. You’d think someone used to being around boats all the time would know better than to go on a blind date on a dinner cruise where you can’t duck out the back entrance if things get awkward. I had half a notion that her oblivious date would be involved in the case, but I’m glad he wasn’t. That would have been too cute. Lots of good contemporary references, including the Paris-Hiltonesque sister of the victim who “went viral” (what did she have, Gibbs asked.) McGee told them about her leaked sex tape. “Want to see it?” he offered. Gibbs and Abbie 2 stepped on each other in their rush to say no. Nice chemistry between the two Abbies. “Is this a record?” Borin asks, taking in all the Kaf-Pow Abby consumed. “No. We don’t talk about the record. It got ugly.” Favorite line of the episode came from Ducky, regarding pop culture. “We’ve gone from Socrates to Snookie.”

More potty humor than you could shake a stick at in the season finale of Men of a Certain Age. Terry came up with the weird idea of the three friends going on a weirdo weekend to Palm Springs to play golf and have colonoscopies. The three muska-rears. I wonder what Jackson Browne thought about his song “These Days” being the soundtrack to the procedure. Best line, from Joe: Asshole. Even after a colonoscopy, you’re full of sh!t. Robert Loggia was Joe’s dad, who showed Joe how to use the back of his hand when fighting, a lesson that proved helpful later when Owen, then Owen and Terry and finally Owen and Terry and Joe tried to take down a musclebound guy who got in Owen’s face. Is there anyone who hasn’t had Robert Loggia playing their father on TV? A nice moment where Joe’s father said something casually offensive to Owen (I voted for your guy). That’s how parents are, and both guys were old enough and mature enough to gloss over it without making a big deal. You can’t change their thinking at this point. Nice resolution with Owen venting about his father not looking out for him and Joe realizing that his “mind bets” were just another manifestation of his gambling addiction and Terry realizing that, after all this time, he might actually be in love.

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Hard Freeze

With my most urgent deadline met, I spent the morning writing session today catching up on email. I’m one of the judges of a fiction contest this year, so there was correspondence pertaining to that that needed my attention, plus a bunch of other things that were accumulating in my INBOX. Happiness is an empty INBOX.

I have three short stories on my to-do list over the next several months. Awaiting inspiration. I have an idea for one of them, but I’m not ready to start writing it yet.

I was so eager to read Graham Joyce’s The Silent Land that I couldn’t wait until the end of March and I ordered a copy from overseas. Then I saw the offer of an ARC on Amazon Vine and got that, too. The ARC arrived first, so I have the spare hardcover copy listed on eBay, currently at the listing price of $4.99. I’m almost halfway through and loving every word of it.

Last night was TV wasteland. I watched the second Law & Order: SVU episode from last week, and it was pretty dismal. Worked on a jigsaw puzzle and started a couple of book reviews. New NCIS tonight, plus I’ll catch up on the finale of Men of a Certain Age.

We’re going to get the first hard freeze of the winter tonight. It will go down to the mid-to-low twenties overnight. Of course, by Saturday it will be back up to the sixties. That’s the kind of winter it’s been.

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Assault

I wrote a 3000-word short story beginning to end this weekend. I’ve been contemplating the story for weeks, and I even made a false start of a few pages on it a while back, but I finally figured out what the story was going to be like and from what perspective it needed to be told. It all came together in my waking moments on Sunday morning. I plotted out about 80% of it in my mind before I was fully awake. When I got to the computer a few hours later, it poured out of me pretty much as I had mentally constructed it. I despaired that I didn’t have a solid ending for it, but that came along naturally, too. It’s a wonky story, more of a satire or parody than anything else. Hopefully it will be received in that context by the editor to whom I sent it this morning after making a couple of more revision passes.

Next up, I hope to conjure a tale for the Mystery Writers of America anthology. I have an idea, but I’m open to the possibility that something else might come along before I start writing. The theme this time is vigilante justice.

Heavy rain here on Friday night, which I think is the same storm that’s bringing snow to the rest of the south today. I believe there was snow in the northern part of the state, but not so much as a flurry here as far as I know. C’est dommage.

I finished Our Kind of Traitor and started the eagerly anticipated The Silent Land by Graham Joyce. It’s not out in the US until late March, but I received an ARC through the Amazon Vine program, much to my delight. A couple is on a ski vacation in the French Alps when they are caught by a small avalanche. He grabs a tree and remains above ground. She’s buried head first in the snow. Together they rescue themselves, but when they return to their posh hotel, there’s no one else around. No one in the rest of town, either. At first they assume the town was evacuated due to the risk of more massive avalanches but as time goes by and their attempts to leave are mysteriously thwarted, they start to believe something different has happened. I’ve steadfastly refused to read any reviews of this book because I have no doubt Graham has something altogether different up his sleeves and I don’t want it spoiled. He’s one of my all-time favorite authors, and if you haven’t been reading his books, you should be.

We watched The American on Friday evening, a stylish thriller starring George Clooney as an assassin and manufacturer of made-to-order weapons. He’s being hunted by some angry Swedes and is hiding out in a small Italian town while carrying out his next task: to build a weapon for a sexy spy played by Thekla Reuten, who was in “The Economist” episode of Lost. He’s also carrying on with a local prostitute, who has fallen in love with him, and he’s determined that this will be his last job for whoever his boss really is. The net is closing around him, and any time he falls for a woman he gets into trouble. He had to shoot his last girlfriend because she was a witness to his dark side. It’s an interesting, artistic film. Most of it has no soundtrack whatsoever. No music, no dialog, just Clooney doing things, such as constructing a silencer out of parts picked up at a garage. Despite its title, a very European film.

On Saturday evening, we watched Salt, the spy thriller starring Angelina Jolie in a role that was originally written for a man. Okay, for Tom Cruise, but still. The story has some huge plot holes that I can’t figure out, the biggest of which is the open question concerning why Orlov blew her cover as a sleeper in front of her confederates. That makes no sense to me, though it did apparently set the rest of the film in motion. For some reason, she has to be on the outs with her bosses to do what she’s been programmed to do. Still, it’s a rousing action flick with Jolie doing all sorts of improbable and nigh-unto-impossible things, and not always looking terribly glamorous doing them. I figured out the trick with the spider early on, and I sussed out the probable spy using the logic of “famous actor syndrome,” although I briefly entertained the possibility that the president was involved in the plot. Chiwetel Ejiofor’s name probably doesn’t mean much to many people, but if you’re a fan of Firefly, he was the bad guy in the Serenity movie, the guy who liked to punch people in the nerve bundles and paralyze them while he gives them what he thinks of as a heroic death. Check your brain at the door and enjoy the romp — that’s the kind of movie this is.

Half-watched a couple of football games this weekend. Seattle are my new favorites. Worst record ever — wouldn’t it be a kick to see them win it all?

Catching up on a couple of TV shows from last week. CSI was odd. It looked like it was going to be one of those annual lab-rats episodes, but it wasn’t quite. Carrot Top was in it, but he played it absolutely straight instead of for laughs. The guy from Mad Men was an obvious suspect simply because he was the guy from Mad Men. And the three other guys got off lightly even though they’d committed GTA and kidnapped someone? Where was the logic in that?

Nice bit of misdirection with the bitch wife on The Mentalist. We notice Patrick noticing her when everyone else is singing the victim’s praises and realize that she didn’t like the victim, but Patrick doesn’t say anything. I have to wonder how often you can use the trick where you tell a group of suspects that a witness is going to reveal all and wait for the suspect to expose himself by attempting to silence the witness, though. My favorite line of the episode: “Police and fine women always think they got a right to be wherever they’re at — and you ain’t no fine woman.” I wonder what the repercussions of Cho’s lie on Rigsby’s behalf will be.

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For your consideration: anthologies

The recommendation period for the 2010 Bram Stoker Awards is winding down. In fact, it ends on January 15th. I don’t campaign for my own work, as a rule, but I would like to advocate for a few anthologies. That category is currently a little sparse, in my opinion.

The first anthology that I think people should read is Stories: All New Tales, edited by Neil Gaiman and Al Sarrantonio. Too few mainstream publishers are releasing anthologies, but here’s one that has two highly esteemed editors and the HWA membership seems to be ignoring it. Granted, the stories aren’t all horror, but there are definitely some gems of horror stories included in it. I reviewed the book when it came out at Onyx Reviews.

Next up is Evolve: Vampire Stories of the New Undead, edited by Nancy Kilpatrick. Full disclosure: I have a story in this book, so I can’t recommend it for a Stoker. However, the anthology has been very well reviewed and it’s one of the stronger collections of short vampire fiction that I’ve ever read. Why didn’t the HWA membership take notice of it? I have no idea…but it’s not too late. (Although it’s almost too late).

Finally, there’s one that’s near and dear to my heart: When the Night Comes Down, edited by Bill Breedlove. Dark Arts Press has been doing readers a service over the past several years by producing these anthologies that feature several stories by four different authors. In most anthologies, you only get one story from a particular author, so you don’t get a good general feel for his or her work. In a Dark Arts sampler, you get four or five. Again, full disclosure, WtNCD has four of my stories in it, but it also has tales by Nate Kenyon, Joseph D’Lacey and Robert Weinberg. If you haven’t read any of these authors, here’s an excellent way to sample diverse works from them. In my case, you’ll find a werewolf story (Silvery Moon), a story about a haunted bookstore (Something in Store), a supernatural detective story (Purgatory Noir) and a story about a guy whose book tour is cursed (Knock ’em Dead).

Though I have something of a vested interest in two of these three recommendations, I’m not in it for myself. The editors get the acclaim and the statuettes if these books are nominated or win awards. It just seems to me that the HWA membership is more interested in single-author collections, perhaps because the respective authors are more vocal than editors tend to be. The top two collections have more recommendations than all of the anthologies combined. For a while, I wasn’t sure there were going to be enough anthologies with the requisite five recommendations for there to be an anthology category this year.

So, while there’s still time HWA members, show anthologies some love!

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Ringing in the new

Shivers VI has started to ship. The latest in the long-running series of anthologies contains Stephen King’s rare story “The Crate,” which was part of Creepshow, “A Special Place” by Peter Straub, a novella that relates to his most recent book, A Dark Matter, and stories by many familiar names, including mine. My contribution is called “It Is the Tale.” The first printing of the trade paperback edition is almost sold out and CD has just ordered a second printing. (The signed Limited Edition hardcover sold out in less than 72 hours back when the book was announced.) I’ve had stories in all of the even-numbered installments in the series.

I sold my first story of 2011. It’s for an anthology to which I was invited to pitch a story idea and then got the green light to write the story, which I did in late November. Spent the last couple of days addressing some plotting concerns from the editor, sent it back last night and received my acceptance an hour or so later. The table of contents hasn’t been announced yet (though I expect it will be soon), so I’m not naming the anthology, but I’m pleased to be part of it.

Now if only I can get my sh*t together and write the story I want to submit to another anthology that has a deadline of, oh, oops, this coming Monday…

I’m also working on a lengthy interview that will be part of some sort of round-table discussion.

Oceanview Publishing (publishers of Thrillers: 100 Must-Reads) has a few giveaways going via Facebook and Twitter. Someone I know on rec.arts.mystery won their five-book grab bag contest from back in December.

The first of two new episodes of Law & Order: SVU last night started out looking like the characters had never heard of Fight Club and ended with a legal dilemma. If two people who aren’t in cahoots both claim they murdered someone, they both get away with it. I wonder if that’s true in practice. Sure, the presence of two viable suspects means that there’s ample reasonable doubt that either of them did it, but surely there must be some way to prosecute them for something. Otherwise, wouldn’t there be a spate of murders with two suspects? Proving collusion to dupe the legal system would be difficult, one would think. Of course, the fact that the victim was a wife- and child-beating bastard and the two suspects were his wife and stepson made it okay. He was someone who needed killin’.

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Captain Mal still rocks

Another nice review of Evolve, along with a contest where you can win a copy of the anthology.

I submitted a new story in response to an invitation back in December and received word from the editor that it was well received but the editor had a few suggestions. I received the manuscript back earlier this week and I have only until the end of today to address these concerns and get it back in because of publishing deadlines. If I can answer a few questions to the editor’s satisfaction, I’m in. I handled most of them during my writing session this morning but I still have one left to go.

I guess we’re still in TV wasteland this week. There was nothing new on last night. I watched my recorded episode of Men of a Certain Age from the night before (good, but not outstanding. When one character scores a win, at least one other must take a hit, it seems, and Owen took it on the chin this week). I found a marathon of Firefly running on Ovation, so I left that on while I worked on other things. It was the episode Shindig, which wasn’t my favorite of the bunch but it served to remind me what potential that show had. It was raining hard, so that added to the soundtrack of the evening. We haven’t had a heavy rain like that in months.

I upgraded our cable box to one that contains a DVR this weekend so I can keep better track of recordings and record more than one show at a time. It also has a new menu system for the OnDemand that will take a little getting used to. At least it seems like there’s no annoying “Buy” box over the movie trailers, which used to irk me to no end, especially for foreign movies where we couldn’t read the subtitles during the trailer.

People die all the time. It’s a fact of life. The musician Gerry Rafferty (Baker Street) died yesterday. Apparently his life sorta derailed in later years, which is a shame. One of my long-time coworkers died of a massive heart attack on Christmas Eve day. He was only two years older than me, which is sobering to say the least. I’ve known him for 23 years and it’s hard to fathom that he’s not around any more. We shared a lot of similar opinions and views, so we often fired article links back and forth to each other (I’ve been having to stop myself from doing that these past few days) or dropped by each other’s office to banter about something inane or political. We didn’t socialize much outside of work or work-related functions (although he attended my book launch party for The Road to the Dark Tower) but we used to travel on business together a lot, and we knew where many of the corporate bodies were buried. I remember a time when it was just him and me in Chicago for an ACS meeting and our booth didn’t reach the convention center in time, so we sat there for three days with a card table and a stack of brochures surrounded by these big, elaborate booths belonging to other scientific companies. We had a great time — everyone wanted to talk to us to find out why we were so minimalist. Hell, I could go on all day telling funny stories. It hasn’t sunk in yet.

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That 70s Castle Show

For several years, I’ve been trying to remember the title and author of a book I read in high school. I would get close, but it kept slipping away. I thought the author’s first name might be Eric and that he was from Nova Scotia. I remembered one plot point: a man getting trapped by a falling tree. I did all manner of searches, including pouring over lists of Canadian authors from the Maritimes, but to no avail. Then I saw a book last week that my daughter was reading for school and I recognized the format: New Canadian Library. At the back, they had a list of all their titles and I found what I was looking for straight away: The Mountain and the Valley by Ernest Buckler. I now have a used copy of it en route. Wonder if it’s as good as I remember it being.

The last minute of How I Met Your Mother last night was an unexpected kick to the head. And I guess Suzie Plakson is old enough to be Marshall’s mother, but that just didn’t seem right. I have to admit that I totally missed the “countdown” to the bad news. The only number I consciously noticed was the one on the fake file Barney had when he pretended to be the doctor.

An interesting finale for The Closer. For the first time, Brenda got it totally wrong and it took Gabriel going over her head and her husband’s confession to make her see the error of her ways. Especially powerful was Fritzy’s sit-down with her where he set her straight about the way he used to be when he was drinking. I still kept waiting for the addict to implicate someone else to validate Brenda’s suspicions. Just one more season to go before the final wrap.

Compared to shows from the 70s, modern programs can pack a lot of plot into an hour. Crime shows like Quincy or Rockford Files are leisurely by comparison. Take for example this week’s Castle, which managed the complicated crime of the week (a murder always makes you feel better, his daughter advises), the major subplot of the actress who will be Nikki Heat tagging along (played by Laura Prepon of That 70s Show) and the minor subplot of Ryan’s engagement (to an actress who is his wife in real life). The Nikki Heat story was especially amusing: watching how Beckett changed over the course of the episode from welcoming the actress (partly to wind Castle up) to becoming so self conscious that she wasn’t even sure how to stand properly. And good for Castle for not falling into the actress’s bed. “Too meta,” he said later, but he doesn’t want a knock-off Beckett.

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Stammering

I finished I’d Know You Anywhere by Laura Lippman while traveling last week. She did a very good job of implying that there was something undisclosed about the protagonist’s story that would come out during her meetings with her victimizer, which greatly increased the book’s tension. Fine writing, excellent story. Looking forward to her next one.

After that I read Norman Prentiss’s novella Invisible Fences. The title refers to those things that parents tell kids to dissuade them from doing stupid things, the analogy being to electric dog fences. I’m sure we can all come up with examples. My parents used to tell me about someone slightly older than me who had his drink doctored at a party without his knowledge. Some unspecified drug slipped in when he wasn’t looking. AND HE WAS NEVER THE SAME AGAIN. That mantra echoes in my mind to this day. For a long time I wondered why this novella was to be considered horror, as it’s mostly a reminiscence of childhood and certain events that shaped the protagonist’s future—until near the end when things are re-evaluated and the horror element creeps in. It’s the kind of nostalgic story that would lead a reader to think it was autobiography and the kind of story that I don’t think I’m capable of writing because my memories of childhood are vague and unfocused.

I’m now about 2/3 of the way through Our Kind of Traitor by John Le Carré. It’s about a young couple, Perry and Gail, who, while on vacation in Antigua, are approached by Dimi, a Russian who wants to use them as a conduit to British Intelligence as brokers of a deal. I love the storytelling style Le Carré adopts here. The opening passage takes place around a tennis match between Dimi and Perry, who is a fairly accomplished player. The match is more like a game of chess as they negotiate around each other, trying to determine if there can be any trust between them. Also interesting is the way Perry attempts to shield Gail from the danger they may attract as they move forward. It’s cavalier and gentlemanly but also chauvinistic. They aren’t married and he’s presuming to speak on her behalf without consulting her. She has her own interests in Dimi and his family, some of which Perry doesn’t know about. From Antigua, the story moves back to the UK, where Perry figures out how to get his information into the right hands and the way he and Gail are debriefed. Political squabbling within the intelligence services. Planning for the next meeting with Dimi. Lots of tennis. The cold war is over but the Russian mobs are involved in international money laundering that extends tentacles into the House of Lords and British Parliament. Fascinating characters, including Perry and Gail’s “handlers.”

Finally got around to watching the Doctor Who Christmas special on New Year’s Eve. Michael Gambon is excellent as Kazran Sardick. the Scrooge stand-in, the man cowed by his father who became exactly the same man except without a child of his own to brutalize. Amy and Rory in peril during their honeymoon aboard a ship that will eventually crash (has there ever been a longer potential crash?) on the planet unless Sardick can be convinced to intervene. Doctor Who plays Jacob Marley and the ghost of Christmas past and, in the process, discovers what it was that made Sardick who he is. There is a neat twist with the way the story handles the ghost of Christmas future. So many stories inspired by A Christmas Carol are slavish to Dickens, but Moffat reinvents the story with some nice touches of his own. There are details that don’t really stand up to close scrutiny, but the episode’s emotional power sweeps you past them. The first appearance of the shark came as a huge surprise! And while Doctor Who saves the day, he doesn’t save everything, which makes for a poignant resolution. Lots of fun with the Christmas Eve travels, including a duet with Frank and a marriage with someone else! Not quite enough Amy, but the companions usually get short shrift at Christmas. One of the better holiday episodes.

Saw Michael Gambon again yesterday afternoon in The King’s Speech. Thought I recognized him at first and then forgot all about it because he was essentially unrecognizable as King George V (Queen Elizabeth’s grandfather). He even looked smaller than normal. This is one fine movie that deserves all the advanced praise it has received. While Colin Firth is the centerpiece, it’s as much Geoffrey Rush’s film. He plays Lionel Logue, the speech therapist who attempts to help the future king past his stammer. He’s seen specialists before, including one who almost changed the entire line of the monarchy by getting “Bertie” to attempt speech with a mouthful of marbles. Bertie’s wife, Elizabeth, the woman we know as the Queen Mother, makes this last-ditch effort after Bertie’s difficult and embarrassing speech at Wemblay Stadium in 1924.

Lionel Logue is an uncouth Australian who shows Bertie none of the deference to which he is accustomed and has grown to expect. He’s flip, brash and irreverent. They clash, naturally, but become friends. My favorite scene is the one where Logue’s wife arrives home early (she has no idea that Bertie is his patient) to discover Elizabeth sitting at her kitchen table and the new king in the drawing room. She’s trying to maintain her decorum while giving her husband some of the strangest looks ever. He’s going to have some ‘splainin’ to do later. Lots about the British social system and the inner workings of the monarchy. Wallis Simpson comes off as a gold-digging social climber (which may or may not be accurate—she did stay with Edward until he died many years later) and some of the other siblings aren’t even mentioned. The extent of George’s affliction seems exaggerated based on the record (he made other speeches before the one referenced in the film’s title where he was fairly fluent), but it makes for a great story. I think it’s the best work Helena Bonham Carter has ever done. She seemed so mature and loving and regal, whereas her characters are often edgy and unpredictable. And while there’s little doubt that Firth will get all sorts of richly deserved accolades, I think it will be a crime if Geoffrey Rush does not as well.

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